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by Mathew Malwitz · Posted
Sony's super-telephoto lenses have long been divided into two well-defined categories. At one end of the spectrum, you have a variety of relatively affordable super-zooms ranging from 100mm to 800mm. On the other end sit the primes, highly sought-after optics that are just as cumbersome as they are expensive. For years, these categories have been separated. That all ends today with the unveiling of not one but two ultra-lightweight lenses. Introducing the FE 400mm f/4.5 and FE 600mm f
by Mathew Malwitz · Posted
Let's face it: smartphone cameras are not the vibe anymore. What we want is a dedicated point-and-shoot camera, whether it be a classic hand-me-down model from the early 2000s or a more current spec'd out model with modern bells and whistles. These small point-and-shoot cameras may be made for travel but they excel in some scenarios more than others.
In today's guide, we're covering just a few of the best travel-friendly
by Mathew Malwitz · Posted
Dental photography is a unique genre of photography that requires a specialized set of tools to deliver the clarity, brightness, and color accuracy dentists rely upon to accurately record their patients’ progress.
In this guide, we’re going to cover the essential tools dental professionals need to capture the best quality images of their work, from the camera itself to the lighting tools required to accurately capture the color and detail of those pearly whites.
The Camera
Of course, one could use almost any camera, so long as it produces
by Luke Rollins · Posted
Whether you’re the designated photographer at a friend’s night out or a professional working an event, a compact, point-and-shoot camera can be a strategic choice for creating a distinctive look for your images. Depending on where you’re starting, the move to a compact camera can be either a step up from the smartphone or an embrace of a more limited feature set. In either case, the best event and party photography with a compact camera says one thing: you had to be there.
The number one advantage to using a compact camera is social. The
by Mathew Malwitz · Posted
Imagine, if you will, a photo shoot. Your subject is a striped, orange cat bouncing off of the walls. You have your camera raised to your brow, finger on the trigger, waiting for the perfect pose. He turns his gaze toward you, but his head is constantly moving. No matter, you quickly fire a few frames, figuring that you finally nailed the shot. You check your shots, only to see a series of blurry portraits.
If this sounds like a situation you’ve been in before, we know the feeling. That’s why, today, we’re taking a look at settings for pet
by Shawn C. Steiner · Posted
Wedding season is upon us and whether you’re a first-time wedding photographer or an experienced pro, you’re likely debating which lenses you should keep or add to your daily kit. Sony makes deciding even tougher with an incredible variety of glass offerings for their E-mount mirrorless system.
Don’t worry though, we’re here to help with our picks for the best Sony lenses for wedding photography.
The New f/2 Zooms: FE 28-70mm f/2 GM and FE 50-150mm f/2 GM
Released in late 2024 and early 2025 respectively, the
by Todd Vorenkamp · Posted
Taking a look at any modern mirrorless or DSLR camera, you’ll notice a slew of controls, buttons, and dials. Atop nearly all cameras sits a large dial labeled with many letters and icons. This is our mode dial. It is how we control the level of power we give to our camera or take for ourselves.
One of the wonderful things that modern electronic digital and film cameras give you is many high-tech options for your image making. One of the horrible things that modern electronic digital and film cameras give you is many high-tech options for your
by Mathew Malwitz · Posted
If renowned landscape photographer Ansel Adams were alive today, he would surely be astounded at the variety of cameras available. When compared to his hulking 8x10 view camera, today’s cameras look like child’s play. He would also be flabbergasted at the image quality these little devices produce.
This year, we have a bottomless well of cameras
by Luke Rollins · Posted
It's been a strong year for the L-Mount Alliance, who recently announced the addition of their tenth member Viltrox to bring a credible low-cost manufacturer into the fold for the future. The three pillars of the group—Leica, Sigma, and Panasonic—each had distinctive years in 2025, further entrenching in their proven lanes to build out an ecosystem that, as of the
by Todd Vorenkamp · Posted
There are many ingredients in the recipe that make a good photographic portrait—foreground, background, setting, pose, expression, color, lighting, and so on—but one element that can be as important to the result as the portrait sitter is the lens used to capture the portrait and help create the art.
Technically, any lens can be used to take a portrait with your camera, and there are traditional focal lengths for “portrait lenses” like 85mm and 105mm, but I asked my fellow B&H photographers, as well as our B&H Creative partners and
by Mathew Malwitz · Posted
This holiday season, we’re looking at fun and affordable lenses for your mirrorless systems. There will be both unique lenses and some overlap thanks to the vast number of third-party lenses hitting the market for all major brands. In this guide, we’re covering lenses for the Sony E mount. From ultra-wide-angle lenses suited for landscapes and architectural images to super telephoto ones for sports and wildlife, we’ll be covering a variety of focal lengths are variety of uses.
Lenses
7Artisans 10mm f/2.8 Mark II Fisheye Lens for Sony E
Outside
by Luke Rollins · Posted
Sigma is closing out a productive summer with the announcement of the company's first-ever autofocus-enabled cine lens, the 28-45mm T2 AF Cine Zoom. It's the first of a new AF Cine Line representing the company's intent to bring the optical prowess of its Art lenses into the dedicated filmmaking space. The lens will be available for both Sony E and L-mount mirrorless cameras.
Speaking of Art lenses, Sigma is also announcing two new
by Bjorn Petersen · Posted
Over the past 12 months, Sony has had some massive camera announcements, along with a slew of important new lenses for their ever-expanding E-mount mirrorless system. Hot on the heels of late 2023’s announcement of the a9 III, Sony has ridden this wave of innovation throughout 2024, with a late year crescendo happening again via a new flagship and speedy new premier zoom. It’s been a year full of products for everyone, spanning their top and entry levels, with a healthy mixture of unique products for the rest of us.
A Version II Flagship is
by John-Paul Pale… · Posted
Designed primarily for sports and wildlife photography, super telephoto lenses let you take advantage of long focal lengths, a narrow field of view, and shallow depth of field to fill the frame with distant subjects that are more isolated from the background. The narrow field of view also creates a compression effect, making the subject seem closer to the background than it is. With focal lengths
by Bjorn Petersen · Posted
There were nearly 200 new lenses released this year, many of which were iterations of an existing lens. Many of the lenses were also wholly new designs, whether first-party designs to pair with a new flagship camera or third-party innovations designed to fill the gaps in existing lineups.
With such a breadth of new lenses available in the past 12 months, we're narrowing things down to cover some of the highlights and most unique or exciting lenses that came out