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by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by Mathew Malwitz · Posted
Are you interested in the wide and wonderful world of photography? Well, you’ve certainly come to the right place! Check out this short checklist of a dozen items, designed to get you started in digital or film photography and headed in the right direction.
1. Interest
The first thing you need is an interest in photography. If you are reading these words, you likely already checked that box. If you are debating whether to take the dive into photography, you might want to give it some careful thought, or cater your purchases toward your level
by Todd Vorenkamp · Posted
When the moon passes directly between Earth and the sun, those on Earth are treated to one of nature’s greatest spectacles—a total solar eclipse. It is a phenomenon that almost every observer would like to capture in a photograph.
Due to the rarity of the event, the short duration in which to capture it, and the dynamic nature of the subject, it is one of those photographic opportunities that requires the proper gear, setup, planning, and practice.
Eclipse and solar
by Theanos Nikitas · Posted
Let’s face it, fashion shows are intriguing, and even if you’re not a fashionista, shooting a runway show can provide a level of excitement akin to photographing that big annual football game or covering the red carpet at a gala event. Fashion shows have, in a sense, become more democratized, thanks to social media and live streaming. Events that used to be limited to the press and buyers can now be easily viewed by anyone with an Internet connection. Still, there’s something very special about attending—and photographing—a live runway show or
by Todd Vorenkamp · Posted
When most of us think of “sports photography,” we immediately think of iconic images from the world of land-based sports—American football, track and field, boxing, baseball, and others. One could argue, however, that yacht racing and sailing regattas provide the canvas for some of the most spectacular images in all of sports. And, if you have spent time around the water, seen the framed print on the wall of my physical therapist’s office, or flipped through the pages of any sailing magazine, you might have noticed that professional sailboat
by Jill Waterman · Posted
Jean Fruth is a diehard baseball fan. “Growing up in New York, with two great hometown teams, how could you not connect with the sport?” she asks. As a teen, she worked in a restaurant owned by serious Mets fans who had season tickets, “And they would take me to games,” she reminisces. “And my grandfather was a Mets fan, listening to games on the radio.”
Such formative influences foreshadow her ultimate path to becoming one of baseball’s preeminent photographers, yet it took many years of exploration for Fruth to put a plan into action. “My
by Allan Weitz · Posted
For many people, the word “landscape” typically conjures up images of snow-capped mountains, mighty rivers, and flower-covered meadows awash in the light of golden sunsets. But what if these photo utopias are beyond the bounds of a reasonable driving distance? What if your choices of places to photograph is limited to your immediate neighborhood or town? Are you skunked when it comes to landscape photography? The answer is, “No, not at all.”
Photographs © Allan Weitz 2021
Let’s start by defining our goal. A random Google check for a definition
by Allan Weitz · Posted
The leaves may be down and your frost-laden lawn might be making crunchy sounds when you cross it in the morning, but that doesn’t mean you have to pack your cameras away until Spring; if you do, you’re going to miss some fine picture-taking opportunities.
Appropriate layers of warm clothing and insulated boots aside, capturing strong stills and video during the cold months of the year requires a bit of foresight, a few recommended weather-related accessories, a measure of common sense, and the desire to take great pictures despite the cold.
by John Harris · Posted
Considering the current climate and how active picture-taking isn’t necessarily at the forefront of everyone’s mind, it seems a good moment to clean your camera’s sensor or (if you can suspend taking pictures of your cat) send your camera to have a professional cleaning and tune-up. Obviously, there are advantages to both, so with a little help from Paul Naraine, of PhotoTech, let’s have a look at the differences and do a little how-to.
First, be sure that
by Bjorn Petersen · Posted
One of the genres of photography in which nearly everyone participates to some degree, landscape photography is one of the most classic and traditional categories of our medium. It is representative for so many reasons, whether being used for conservation purposes, documentary, backgrounds, events, or as a symbol—landscapes, as mundane or as grand as they might be, are the settings in which we exist. So how do we photograph these spaces? Or, more pointedly, how do we successfully photograph the land? It’s a rich topic, but on a practical level
by Jill Waterman · Posted
The prospect of an Antarctic journey is sure to conjure an inescapable sense of adventure in even the most seasoned traveler. Award-winning photographer and journalist Caryn B. Davis knows this feeling well, because her travel bug runs deep. A former producer, writer, and cameraperson for television documentaries, Davis shifted cameras and careers, in 2000, to specialize in architectural and travel photography.
“My dream has always been to travel the world and take pictures and write about it,” she says. “And that seems to be happening with
by Todd Vorenkamp · Posted
At some point, in the photographic journeys of many of us, we suffer from a chronic (or acute) case of Gear Acquisition Syndrome (GAS) and we keep buying stuff (thank YOU for shopping at B&H Photo!) that ends up in our camera bags. We launch into a holiday or family vacation wanting to be prepared for any photographic challenge, regardless of our destination. Super-telephoto action? Check. Wide-angle landscapes? Check. Moody street scenes
by Todd Vorenkamp · Posted
Many of us have been there. We get into photography and then we start getting more serious about the art, craft, hobby, or profession. Eventually, the “kit lenses” don’t seem to cut it any longer. Regardless of your path through the world of photography, it is likely that you set your gaze on the camera bag of a professional photographer and saved your hard-earned nickels to buy a set of “pro” lenses. Those lenses usually include the triad of f/2.8 aperture zooms covering wide (14-24mm), mid-range (24-70mm), and telephoto (70-200mm) needs.
by Allan Weitz · Posted
I picked up my first camera in September, 1966. In the five decades since then, I’ve come to understand a number of truisms about the art and craft of picture taking.
The following are 50 tips I’ve compiled, based on my professional and personal experiences shooting with film and digital cameras, ranging from 8mm Minox spy cameras to 20 x 24" studio salon cameras.
My list is broken down into two sections: Basic and Advanced. Some of these tips are obvious, others less so, but they all hold true as guides for better picture-taking habits.
Basic
by Joseph Albanese · Posted
Take only pictures, leave only footprints.” Over time, the origins of that quote have become muddy. Some attribute it to the Baltimore Grotto, a caving club whose members feared their activities would mar the landscapes they so enjoyed. Whatever the origins, it has come to stand for an ethos encouraged by many outdoor organizations that promote responsible recreational uses of our outdoor spaces. One activity that does not alter the scenery is photography. All you are doing is capturing the essence of an area—the blues, greens, reds, and