A Guide to Voice-Over Equipment


Voice-overs are an essential ingredient in the creation of dynamic media. They can be an unseen character in a story, or just a friendly voice persuading you to buy pet food. Voice-overs are found in every form of media, from news reporting to experimental filmmaking. Even photo slideshows can benefit from a well-executed voice-over.

Creating a voice-over isn’t difficult to do, and the basic hardware required is fairly inexpensive. However, the quality of your voice-overs will only be as good as the methods you use to capture and control the sound. This guide will help you understand the different options for voice-over equipment, and help you understand how to use the gear properly. This guide assumes that you’re creating a voice-over for a video (or a photo slideshow), and that you’re using a computer with video editing software as your primary tools. The same information can be applied to create voice-overs for audio podcasting, audio book production, recording ADR (additional dialog recording) and other kinds of multi-media projects.

What equipment do I need to record voice-overs?

The essential components of a voice-over studio are:

  • Microphone: A microphone is required to capture the sound of the talent’s voice. The quality of your microphone will have a large impact on the overall quality of your recordings.
  • Headphones: The talent needs to be able to hear the material, so headphones are essential.
  • Microphone Stand: The talent shouldn’t physically handle the mic. When the mic stays in a fixed position on a mic stand, your recordings will be more consistent and even-sounding.
  • Shock Mount: A shock mount suspends the microphone and helps reduce unwanted vibrations and rumbling. 
  • Pop filters: Sometimes mics pick up too much of the plosive and sibilant sounds that the mouth makes (“P” sounds pop and “S” sounds hiss). A pop filter is a screen that diffuses these sounds.
  • Acoustic Treatment: Being able to hear the ambience of a room can be very distracting in a voice-over, so it must be controlled if you aim to achieve professional results.

What kind of microphone should I use to record voice-overs?

There are a few different kinds of microphones that people use to create voice-overs.

  • USB Microphone: This kind of mic plugs directly into a computer’s USB port and captures above-average sound. It’s ideal for low-budget podcasting and entry level voice-over work.
  • Dynamic Broadcast Microphone: Generally used in radio broadcasting, Dynamic Broadcast Microphones have a forgiving and warm sound, with slightly less detailed sounding upper frequencies. These mics are often installed in radio stations for multi-person setups.
  • Large Diaphragm Condenser Microphone: These mics are often used in music studios to record singers and instruments because they have very detailed and lively sounding middle and upper frequencies. They’re also used to create rich and textured sounding voice-overs. 

What are the pros and cons of USB Microphones?


  • A USB microphone connects to a computer through a standard USB port.
  • You can record directly into a computer without the need for additional equipment.
  • They’re relatively affordable.


  • While it's possible for a computer to recognize more than one USB microphone at time, setting it up can be potentially difficult.
  • Most USB microphones are dependent on a computer for operation, so they’re not as versatile as regular microphones.
  • If your ultimate goal is to record the best-sounding voice-over possible, you’re going to need to use a different kind of microphone.

What are the pros and cons of Dynamic Broadcast Mics?



  • Dynamic Broadcast Microphones are more forgiving when it comes to plosive sounds (the “P” sounds that pop and the “S” sounds that hiss), and thus are a little easier to work with, compared to Large Diaphragm Condenser mics.
  • They don’t require phantom power to operate (phantom power is explained later in the guide).


  • Even though they have a nice warm sound, Dynamic Broadcast Mics lack a little detail in the upper mids and high frequencies.
  • Additional equipment is required to use them with a computer.

What are the pros and cons of Large Diaphragm Condenser Mics?



  • Large diaphragm condenser mics have a very detailed response, with lively sounding upper frequencies.
  • If you control room ambience and use proper recording technique, you can capture the highest quality of sound using one of these mics.


  • The ultra-sensitive capsule in a Large Diaphragm Condenser mic is more susceptible to capturing unwanted plosive and vibration noises.
  • Additional equipment is required to use them with a computer.
  • They require phantom power to operate.

What is phantom power?

Some mics require a little flow of electricity in order to operate. This little flow of electricity is called “phantom power.” It’s a feature that’s commonly found on computer audio interfaces. Using phantom power isn’t complicated, and you shouldn’t be intimidated by it.

How do you plug non-USB microphones into a computer?


The best way to connect a professional 3-pin XLR microphone to a computer is to use an audio interface. An audio interface is an external piece of hardware that connects to a computer via USB, FireWire, PCI or Expresscard. Many audio interfaces feature dedicated XLR microphone inputs, headphone outputs and other jacks and controls that come in handy for recording voice-overs. You can learn everything you need to know about computer-audio interfaces in this B&H Buyer’s Guide.

Do audio interfaces deliver the best possible sound quality?

Plugging a microphone directly into a computer audio interface will get you a clean, flat sound, but if your goal is to create broadcast-quality voice-overs, we recommend plugging your mic into “outboard gear” before you connect it to a computer audio interface. Outboard gear is external hardware that enhances the overall sound of a microphone. USB microphones cannot be used with outboard gear.

What is the best kind of outboard gear to use on voice-overs?

There are many different varieties of outboard gear available, but for recording voice-overs you’ll mainly be using microphone preamps, dynamics processors and channel strips. A high-quality microphone preamp will have a much cleaner sound and the ability to bring out appealing sonic characteristics of a microphone. Dynamics processors (compressors, expanders and limiters) help smooth out an audio signal so it sits nicely in a mix. A channel strip combines a microphone preamp and dynamics processors into one box. Some channel strips are designed specifically for vocals, and include special tools for voices, such as “De-essers,” which make them ideal tools for creating voice-overs.

What is a De-esser and why would I need one?

A De-esser is designed to suppress harsh sounding sibilant sounds. When an “S,” “Z,” or “Sh” sound gets too loud in an audio signal and passes a set threshold, a De-esser singles out the problematic frequencies and makes them quieter so they’re not disruptive and unpleasant sounding.

What is a pop filter and why do I need one?

Voice-over microphones are very detailed sounding and do an outstanding job of bringing out the rich textures and nuances of a voice. However, one downside to using such sensitive microphones is that they also pick up unpleasant-sounding sibilant and plosive sounds. Words with the letter “P” sometimes make a popping sound that can overwhelm the microphone capsule. Words with the letter “S” sometimes create a short, yet strident, harsh hissing sound. The easiest and most effective way to eliminate these problems is to avoid recording them in the first place by using a pop filter.

A pop filter is a small screen that attaches to a microphone stand with a clamp. A short gooseneck runs from the clamp to the screen, so you can position it a couple inches in front of the microphone capsule. The screen diffuses rushing air created by these problematic plosive and sibilant sounds. The screens themselves can be made of a metal, or a foam-like fabric which is often mistaken for pantyhose.

What kind of microphone stand do I need for recording voice-overs?


If your voice talent is going to be sitting at a desk or at a table during the recordings, then your best choice may be a desk stand or a studio arm. A desk stand is a compact, table-top version of a microphone stand. A studio arm is a balanced, articulated boom arm that can mount to a desk or a table with either a removable clamp or a permanent stud. Studio arms make it easy to quickly reposition a microphone without creating noise.

If your voice talent prefers to stand while they work, there are numerous microphone floor stands available. Taller floor stands with boom arms are recommended. The boom arm will give you more options for positioning the microphone.

What is a shockmount and why do I need one?

A shockmount is a small suspension system that prevents a microphone from picking up unwanted handling, vibration and rumbling noises. It mounts on the end of a microphone stand and holds the mic. A shockmount suspends a microphone with rubber or elastic bands (or utilizes similar kinds of suspension systems), which eliminates most of the vibration and handling noise the mic would otherwise pick up. The kind of shockmount you need depends entirely on what kind of microphone you’re using. Sometimes shockmounts come as included accessories when you purchase a microphone.

Why do I have to worry about room ambience, and how do I control it?


Professional recording studios usually have a specially designed vocal booth that enables the engineers to record neutral sounding vocal tracks that are free of room ambience. Hard surfaces (such as desktops, walls, floors, and ceilings) tend to reflect sound and send it bouncing around a room. Rooms with long corridors and odd shapes only compound the problem. You probably don’t notice sounds bouncing around your room in normal everyday life, but when a sensitive microphone is used to record a voice, and that voice is taken out of the context of the room and placed over video footage, suddenly the ambience of the room sticks out like a distracting, sore thumb.

The best way to control room ambience is to use sound-absorption material and baffling while you record. One of the most cost-effective ways to cut down on room ambience is to use an Isolation Filter. An Isolation Filter is a curved baffle that surrounds the back and sides of a microphone with acoustic absorption material. It prevents sound from reflecting into the back and sides of the mic, which reduces unwanted ambience dramatically. The best Isolation Filters are somewhat heavy, so purchasing a more robust microphone stand is recommended.

Another way to cut down on room ambience is to place acoustic paneling in key points around the room in which you’re recording. There are different-sized acoustic panel kits available (some of which include bass traps and adhesives) for various-sized rooms. These products are designed solely to control room ambiance. They won’t make your studio any more soundproof than it already is, nor will they prevent exterior noise from leaking into your workspace.   

Why do I need to use headphones?

It’s necessary to wear headphones when recording voice-overs because you don’t want the microphone to pick up sound from your speakers. It’s important to record in a quiet room, and headphones make it possible to listen to the video playback without speakers. If you record voice-overs with speakers on, the sound quality will decrease dramatically, and you run the risk of creating a feedback loop and damaging your hearing and equipment.

What kind of headphones should I use when recording voice-overs?

The best headphones to use for recording voice-overs are Closed-Back, Circumaural headphones. As the name implies, the back of the ear cups on closed-back headphones are solid, which prevents sound from leaking (and thus less unwanted noise will be picked up by the microphone).

Is it possible to provide headphones for more than one person?

Yes, it’s possible to provide a headphone feed for more than one person, and there’s a much better way to do it than using an inexpensive splitter cable. You can set up for multiple users with a headphone amplifier, which enables you to turn a single headphone jack from an audio interface or a computer into several headphone feeds. One of the advantages of using a headphone amplifier is that you can lower or raise the volume independently in each set of headphones. This way, if you have an engineer and three voice talents working together, each person can have a different volume level that’s comfortable for them.

How should I monitor the sound when not using headphones?


Instead of plugging your computer into regular computer speakers or a home stereo system, you’re far better off using studio monitors. A good pair of studio monitors will give you an accurate idea of what your recordings and overall audio mix sound like. Consumer speakers (like the ones found on iPod docks and stereo systems) tend to hype certain frequencies to make them sound more appealing. Studio monitors provide a flat frequency response with equal representation given to all frequencies (no frequencies are hyped). This way you can hear exactly what’s been recorded, and make informed decisions on how to properly balance your sound mix.

What kind of software should I use to produce voice-overs?


This depends on what kind of software you’re most comfortable working with. Many video-editing programs have dedicated voice-over tools that enable you to record sound directly into your video projects. There are also many audio-production programs with video capabilities that enable you to import video files so you can create elaborate sound mixes and sync them with the moving images.

If you prefer using audio software and you don’t mind creating a sound mix that’s entirely separate from the video edit, then you should use the audio program you’re most familiar with. If you’re more comfortable using video-editing software and aren’t interested in creating a complex sound mix, you should stick with the video-editing program with which you’re most familiar. 

How do software plug-ins help you make better sounding voice-overs?


Audio software plug-ins are useful for blending a recorded voice-over into a mix. Think of plug-ins as software versions of outboard hardware. It’s common for professionals to use outboard hardware to control the dynamics of a voice-over when recording, and then to use virtual processor plug-ins in post production to dial in the sound exactly the way they want it. The nice thing about applying these tools in post production is that you can experiment with them until you achieve the desired result.

There’s a lot more you can do with plug-ins besides simply adjusting the EQ and dynamics. There are lots of incredible-sounding effects that you can add to a voice in post production with plug-ins. Some of the more obvious effects are reverbs and echoes (which are useful for dream sequences and disembodied voices), but there are many less obvious effects that are useful, like telephone emulators and pitch correction

Why would I add sound effects and music to a voice-over?

Adding music, sound effects and atmospheric sounds to the mix with your voice-overs can really give your work a professional luster, especially if you’re completing the project yourself (and not sending it to a professional sound editor to create a custom sound mix). If you’re using commercial music in your project, you have to be mindful of licensing issues. Using commercial music without obtaining permission can be problematic, especially if your project is going to be shared on the Web or made public through other means. The best way to avoid these licensing issues is to only use royalty-free music. Sound effects can be used to punctuate your voice-overs, and to help illustrate a point you’re trying to make. There are vast libraries of sound effects CDs and DVDs available at B&H. Many of those collections also include longer environmental sound samples, enabling you to create the aural ambience of locations ranging from the beach to farms to cities, etc. Any sound effect or environmental ambience you need is likely already available at B&H.

Is there any other way to record a voice-over?


It’s certainly possible to record a voice-over without having to be tethered to a computer. You can use a handheld portable digital recorder and create voice-overs anywhere you travel. You are giving up some of the power that you have when recording directly into a computer. For example, it will be more difficult to watch the playback of a video clip and record a voice-over for it with a portable digital recorder, because you will need a separate device to play the video clip. But, the fact that you can make excellent-quality vocal recordings anywhere you go is a huge plus. You can also use your pocket recorder to capture your own collection of sound effects and ambient recordings. For more on portable digital recorders, check out this B&H Buying Guide.

The Takeaway

  • A microphone isn’t the only piece of equipment you need to create voice-overs.
  • Headphones are necessary to monitor audio tracks as you record voice-overs.
  • Microphone stands will help you record cleaner, more even sounding voice-overs.
  • Room ambience is very distracting for the audience to hear in a voice-over.
  • You may need sound-absorption material to deaden the reflections of the room in which you’re recording.
  • A pop filter helps to cut down on the plosive and sibilant sounds that the mouth creates.
  • Plug-ins and sound effects help sounds sit properly in a mix and relate more to the on-screen imagery.
  • Two kinds of mics are used for creating voice-overs: USB microphones and analog microphones.
  • A USB microphone connects directly to a computer and is capable of capturing excellent-quality sound.
  • Condenser microphones have a very detailed response, with lively sounding upper frequencies.
  • Dynamic microphones have a warm and detailed, yet slightly more forgiving sound.
  • The best way to connect analog mics to a computer is to use an audio interface.
  • Audio interfaces are pieces of external hardware that connect to computers through USB, FireWire, and other ports.
  • You should use the video or audio production program you’re most familiar with to make voice-overs.
  • If you’re going to be sitting at a desk or a table, the best mic stand to use is a desk stand or a studio arm.
  • A studio arm is an articulated boom arm that mounts with either a removable clamp or a permanent stud.
  • A shockmount is a suspension system that prevents a mic from picking up vibration and rumbling noises.
  • One of the most effective ways to cut down on room ambience is to use an Isolation Filter.
  • An Isolation Filter is a curved baffle that surrounds the back and sides of a mic with acoustic absorption material.
  • The best kind of headphones to use when recording voice-overs are Closed-Back Circumaural.
  • Headphone amplifiers enable you to turn a single headphone jack into several headphone feeds.
  • Studio Monitors give you an accurate idea of what your recordings and overall audio mix sounds like.
  • Outboard gear is external hardware that is used to enhance and control the sound of a mic or an audio signal.
  • Microphone preamps are amplifiers that boost the signal from a mic so it can be properly recorded.
  • Compressors make the softer parts of an audio signal louder and the louder parts of an audio signal softer.
  • A channel strip is a piece of outboard gear that combines a mic preamp, dynamics and EQ.
  • A De-esser suppresses harsh sounding sibilant sounds.
  • You can use a handheld portable digital recorder to create voice-overs anywhere you go.



Hi All, 


I am trying to start doing voice narration for audio books. I bought my microphone package from your company. I bought the Samson Q2U mic package, with the mic arm. Can i use an isolation filter for a USB mic? I will be honest, i don't have much money so i can't spend much, but i want to get the best sound recording that i can. 

Do you know what other equipment i would need to start recording voice samples?

Thank you!


Hi Nicole - 

An isolation/reflection filter can absolutely be used with the gear you have purchased from B&H! A desk stand would be needed as well.

Auray RFDT-128 Desktop Reflection Filter and Mic Stand B&H # AURFDT128  

Key Features

  • Desktop Microphone Isolation Solution
  • Absorbs Unwanted Room Noise & Reflection
  • Perforated Aluminum Screen
  • Semi-Circular Design
  • High-Density Acoustic Foam
  • Isolating Foam Base Absorbs Vibrations
  • Aluminum Base Plate for Stability
  • Adapters Fit 5/8" Mic Clip/Shockmounts
  • Telescoping 7 to 12" Shaft
  • Includes All Mounting Hardware



Hi guys! I am hoping to get a suggestion with this setup - currently I have the latest Ipad Pro and i want to record through that do you have any recommendations on what my setup should be with that? I will be using this a portable vocal booth, what would you recommend I have the ipad hooked up to for recording, Microphone stand suggestions to fit inside that booth and should I use a different Microphone then my current Senheisser 416? Sorry for all the questions I just want to do this right (I will eventually get a macbook air) thanks so much! (I want to do video games/animation VOs)

Hi Marcos - 
Why not use the 416?
Apogee Electronics Symphony Desktop 10x14 USB Audio Interface


Key Features

  • Symphony Sound Quality in Desktop Format
  • Preamp Emulation, Hardware DSP, Plug-Ins
  • Easy Operation with Color Touchscreen
  • Two Stepped-Gain Preamps with 75 dB Gain
  • XLR-1/4" Mic/Line Inputs & 1/4" Hi-Z In
  • Two 1/4" Monitor Outputs
  • 1/4" and 3.5mm Assignable Headphone Outs
  • Optical I/O for ADAT or S/PDIF
  • USB Type-C and USB Type-A Connectivity
  • Mac, Windows, and iPad Pro Compatible

    Merging the sound quality of the rackmount Symphony I/O Mk II with the simplicity of the Duet and Quartet, the Apogee Electronics Symphony Desktop offers musicians and producers premium Apogee fidelity, flexible I/O, and powerful plug-in processing in a travel-friendly form factor.

    With emulations of vintage British and American mic preamps, DSP/native Apogee FX plug-ins, and multiple zero-latency plug-in workflows, the Symphony Desktop puts you in complete control of your tone. Thanks to its color touchscreen and large control knob, the Symphony Desktop provides easy operation and comprehensive visual feedback.

    Record mic-, line-, or instrument-level signals through the variable-impedance, high-gain preamps and use the monitor outputs and assignable headphone jacks for listening to the main mix or an alternate source. Expand your setup by connecting external digital equipment to the optical TOSLINK ports, which support 8-channel ADAT or 2-channel S/PDIF protocols.


I am looking to start a voice over career. I have an HP ProBook 450 G2 laptop. What is the best option for equipment to purchase to get started?

Hi John - 

You may begin with just a simple USB microphone:

Audio-Technica AT2020USB+ Microphone Pack with ATH-M20x, Boom & USB Cable


Key Features:

  • Includes AT2020USB+ Microphone
  • 16-Bit Audio at 44.1/48 kHz Sample Rate
  • Zero-Latency Monitoring
  • Off-Axis Rejection for Clean Recordings
  • Includes ATH-M20x Monitor Headphones
  • Circumaural Design
  • 40mm Neodymium Drivers
  • 15 Hz to 20 kHz Frequency Response
  • 9.8' Cable Length
  • Includes Boom and USB Cable
    Neat Microphones Bumblebee Professional Cardioid Desktop USB Microphone Kit with Headphones


    Key Features:

  • For Recording Vocals on Computers
  • Includes USB Mic with Multiple Voicings
  • Integrated Stand & Flexible Boom
  • Includes Semi-Open Back Headphones
  • Good Stereo Separation
  • Wide Frequency Response

Hello, I am interested in purchasing equipment for voice over recording. I have an HP ProBook 450 G2. What would you suggest?

Hi John - 

You may begin with just a simple USB microphone:

Audio-Technica AT2020USB+ Microphone Pack with ATH-M20x, Boom & USB Cable


Key Features:

  • Includes AT2020USB+ Microphone
  • 16-Bit Audio at 44.1/48 kHz Sample Rate
  • Zero-Latency Monitoring
  • Off-Axis Rejection for Clean Recordings
  • Includes ATH-M20x Monitor Headphones
  • Circumaural Design
  • 40mm Neodymium Drivers
  • 15 Hz to 20 kHz Frequency Response
  • 9.8' Cable Length
  • Includes Boom and USB Cable
    Neat Microphones Bumblebee Professional Cardioid Desktop USB Microphone Kit with Headphones


    Key Features:

  • For Recording Vocals on Computers
  • Includes USB Mic with Multiple Voicings
  • Integrated Stand & Flexible Boom
  • Includes Semi-Open Back Headphones
  • Good Stereo Separation
  • Wide Frequency Response

Hello, I am currently trying to get started with voice acting. I have this Chromebook and I am not a computer savvy guy, by any means. I have no idea what I should use as far as audio interfaces and such. Here are the specs for my Laptop:

Here is the Dell Inspiron Chromebook 11 (3181) 2-in-1 configuration sent to TechRadar for review:

  • CPU: 1.6GHz Intel Celeron N3060 (dual-core, 2MB cache, up to 2.48 GHz)
  • Graphics: Intel HD Graphics 400.
  • RAM: 4GB LPDDR3 (1,600MHz)
  • Screen: 11.6-inch HD (1,366 x 768) TrueLife LED Touch IPS.
  • Storage: 64GB eMMC.

Please help me out. I don't know much about this, so any knowledge helps me out. Just take it easy on me!

Hello, I'm currently trying to get started in voice acting, and I really am starting from the bottom. I got this Chromebook for cheap and I am not a computer savvy guy, by any means. I'm just (finally) chasing my dreams.

Here is the Dell Inspiron Chromebook 11 (3181) 2-in-1 configuration sent to TechRadar for review:

  • CPU: 1.6GHz Intel Celeron N3060 (dual-core, 2MB cache, up to 2.48 GHz)
  • Graphics: Intel HD Graphics 400.
  • RAM: 4GB LPDDR3 (1,600MHz)
  • Screen: 11.6-inch HD (1,366 x 768) TrueLife LED Touch IPS.
  • Storage: 64GB eMMC.

With having this information about what I'm working with. What equipment, such as audio interfaces should I start with? Anything helps.

Thank you!

Hi Luke - 
Most audio interfaces will need a Windows or Mac OS for compatibility. If you are using your Chromebook, then consider a quality USB microphone for your VO/VA work.
 Most USB Microphones will make great external Chromebook microphones.  Unlike on Mac or Windows, the external microphone won’t appear as a separate microphone to select but the “default” option in there is your external mic as long as it was selected by Chrome OS in the audio settings. Click on the Clock/Wifi/Battery indicator on the right side of the task bar, then go to audio settings by clicking on the arrow next to the volume slider. Make sure that your external mic is selected as the default microphone.

Audio-Technica AT2020USB+ Microphone Pack with ATH-M20x, Boom & USB Cable


Key Features:

  • Includes AT2020USB+ Microphone
  • 16-Bit Audio at 44.1/48 kHz Sample Rate
  • Zero-Latency Monitoring
  • Off-Axis Rejection for Clean Recordings
  • Includes ATH-M20x Monitor Headphones
  • Circumaural Design
  • 40mm Neodymium Drivers
  • 15 Hz to 20 kHz Frequency Response
  • 9.8' Cable Length
  • Includes Boom and USB Cable

Hi, I'm a voice actor and am setting up my home studio for professional recording. I have a 2015 13-inch MacBook. What kind of interface should I buy? I'd like to get an MXL Condenser Microphone, XLR as well - do you have a bundle you can recommend where these would work best to give me optimal sound for voice over? Thank you! 

Hi Indira - 

MXL 2003A Large Capsule Condenser Microphone (Black with Black Grill)

B&H # MX2003A:  https://bhpho.to/32JyMFQ

Key Features

  • Vintage Capsule Design
  • Cardioid Pattern
  • Transformerless Output
  • High SPL Capability
  • Bass Roll-off Switch
  • Switchable -10dB Pad
  • Shock Mount Included

    The black with black grill 2003A Large Capsule Condenser Microphone from MXL is suitable for studio or live applications, providing clarity, presence, and detail. It features a cardioid pickup pattern and a bass roll-off switch which reduces low-frequency noises and proximity effect. A switchable -10dB pad provides extra headroom when recording extremely loud sound sources, and the vintage-style capsule design provides a smooth and even frequency response. The transformerless output provides low-noise operation and the mic operates on standard 48V phantom power. The 2003A includes a high-isolation shockmount.

    All-purpose microphone with a vintage-modeled capsule design

    Transformerless FET preamp for a smooth, even response

    Suitable realism for recordings of most instruments

    Bass roll-off and attenuator for most recording situations

    Can be used to record a variety of music styles


hope you are well and safe 

can I operate live feed link ups on an iPad or do I have to have a laptop?

if yes, what equipment would I put through an iPad ?


Hi Nicholas - 

Bundled together for high-quality webcasting and podcasting from your smartphone or tablet, this B&H Kit includes the Roland GO:LIVECAST live streaming audio and video studio, the Rode PodMic dynamic podcasting microphone, a tabletop mic stand, and a balanced XLR mic cable. 

Roland GO:LIVECAST Live Streaming Audio and Video Studio with PodMic Microphone Kit

BH #ROGOLIVECASK (B&H Kit)  https://bhpho.to/3arZpPQ

Thanks to the GO:LIVECAST's complete and user-friendly production studio functionality and the PodMic's tailored-for-speech tone, you can work quickly, be creative, and sound great.

Roland GO:LIVECAST Live Streaming Audio and Video Studio for Smartphones and Tablets

Easily create exciting webcasts from your smartphone or tablet with the Roland GO:LIVECAST, a complete live streaming production studio with a compact desktop interface and a flexible, interactive app. Its versatile I/O and tactile controls let you integrate multiple sound sources, control your device's camera, and trigger media files in no time.

With plug-and-play setup and intuitive icons labeling all ports and controls, the GO:LIVECAST is purpose built for user-friendly operations. Since it is compatible with popular streaming platforms and includes multiple cables for simple hookup to Lightning- or USB-equipped mobile devices, the GO:LIVECAST seamlessly fits in with your preferred workflow.

The companion app offers several features for enhancing the appearance of your webcast—a skin filter provides a softer look, in-camera mirroring delivers the correct left/right perspective to the viewer, automatic portrait/landscape switching. Incorporate a second smartphone camera via Wi-Fi to take advantage of split-screen views and one-touch camera switching for more complex video production techniques. Additionally, the app displays viewer comments in a scrolling window, so you can stay in tune with feedback from your audience.

Complete Miniature Webcasting Studio

Take control of your webcast's audio and video via the straightforward and customizable control layout. At your fingertips, clearly labeled buttons let you start your stream, show titles, and trigger various media files such as photos, videos, music, and sound effects in an instant.

Easy Setup and Operation

Forget about installing special drivers and fiddling with device settings; the GO:LIVECAST offers plug-and-play setup so you can get started right away. Simply connect your smartphone/tablet and a pair of headphones; you don't even need an external microphone because the GO:LIVECAST boasts a built-in mic, which also offers a reverb effect for added spaciousness. If your connected headset has an onboard mic, the GO:LIVECAST can utilize it instead.

Enhance Your Live Stream with Various Media

You don't need prior webcasting experience to use the GO:LIVECAST app's intuitive media tools and bring a competitive production quality to your content. There are preinstalled options for launching photos, videos, music, and sound effects, and you're free to build custom libraries at any time.

Push your productions further into the realm of professional with custom titles and text. To maximize efficiency and make your work easier, store media elements for different shows in Live Sets, which can be pulled up for easy access before you start streaming.

Supports Popular Streaming Platforms

The GO:LIVECAST app logs you into your accounts on popular streaming services such as Twitch, YouTube, and Facebook Live, enabling you to select a platform and press a button to begin your webcast. During your stream, a scrolling window in the app displays viewer comments.

Supports iOS and Android Platforms

The GO:LIVECAST is compatible with both iOS and Android devices, and includes Lighting and USB connectors.

Designed for Optimal Visuals

In the GO:LIVECAST's companion app, select your mobile device's front or rear camera and apply a skin filter for a softer, smoother appearance on camera. Your phone's position automatically determines portrait or landscape mode, and in-camera mirroring ensures that your audience will see you with the correct left/right perspective.


For more complex video production techniques, you can set up a second smartphone camera through Wi-Fi and either switch between the cameras or use them both in split-screen mode.

Versatile Connectivity

Since the XLR-1/4" combo input provides switchable 48V phantom power, you can use your preferred dynamic or condenser microphone. A dedicated 3.5mm stereo mini-jack input is provided to accommodate a line-level source such as a mixer, media player, synth, or drum machine. Use the 3.5mm stereo output to connect your favorite earbuds or headphones.

Via the GO:LIVECAST's four knobs, you're given effective control over the levels for the mic signal, line input, pad playback, and headphone output. Plus, there's a mic-mute button for times when you need to cut the mic feed if you need take a drink or cough.

Rode PodMic Dynamic Podcasting Microphone

Podcasters looking for the right mic to bring professional-quality sound to their productions on YouTube, FaceBook, Twitch, and elsewhere have a great option with the PodMic from Rode. This cost-effective, stylish, end-address dynamic XLR microphone is specifically tuned for speech and broadcast. Tailor-made for use with the RODECaster Pro podcast production studio and PSA1 broadcast arm, it can also be plugged into a wide range of pro audio gear to deliver broadcast-quality sound.

Podcast in Any Environment

Most podcasts happen in bedrooms, home studios, or offices with less than perfect acoustics and noises coming from the outside. The PodMic features a dynamic capsule with a tight cardioid polar pattern, great for picking up the speaker while reducing unwanted sounds that are further away or off to the sides.

Get Close to Your Mic

With its end-address design, the PodMic invites you to get right up close and create intimate, broadcast-style voice recordings with a deep and warm tone. Its compact size lets you and your guests see each other and enjoy an open and comfortable talking experience, while the mic stays out of the camera's way when videocasting.

Built to Last

Solid-brass construction with a hard-wearing matte-black ceramic finish ensures that the PodMic will continue to deliver the same level of performance over the years, while still looking great.

Clean Speech without Distractions

The PodMic's internal pop filter and double-mesh housing work to effectively reduce distracting breath and plosive noises (as in "s", "p", and "b" sounds) without the need for an unsightly external pop filter.

Protect Your Sound from Vibrations

The internal shockmount helps to isolate the PodMic from handling noise and vibrations when you are adjusting the mic or if there's a bump or knock on the table. The integrated swing mount that holds the mic further insulates it from low-frequency noises, which could ruin your audio.

Swing into the Right Position

The PodMic has two wing nuts on each side of its built-in mount, allowing you to quickly swing the mic into the right orientation and lock it into place. Mounting the PodMic on the PSA1 broadcast boom arm (available separately) gives you the added flexibility to position the microphone exactly where you want it.

Get Professional Results

Pair the PodMic with the powerful RODECaster Pro podcast production studio to leverage the most out of your microphone. Select the PodMic microphone preset in the RODECaster Pro audio options and matching digital signal processing is automatically applied, giving your voice the depth, presence, and hint of shimmer associated with top professional radio broadcasters.

Ultimate Support JS-KD50 Kick Drum/Amp Mic Stand

The JS-KD50 from Ultimate Support is a professional quality short mic stand. Ideal for miking sound sources near the floor, such as kick drums and amps, the stand features a heavy-duty weighted base for terrific stability. The fixed-length boom allows you to precisely position the mic. The stand is height adjustable, and has a scratch-resistant finish.

Heavy-duty weighted base

Fixed-length mic boom

Adjustable height

Scratch-resistant finish

Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 6' (1.8 m), Black

The black Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable (6') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise. While the cable's color-coding affords the ability to quickly differentiate between multiple connections on stage, it provides a pleasant aesthetic quality at the same time.

Premium Performance 3000 Series cables are made from 24-AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

95% dual-spiral shielding offers protection from EMI and RFI noise

Twin conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core

24-AWG oxygen-free stranded copper inner core provides the best possible conductivity

Cotton yarn reduces electrostatic and microphonic noise

All solder points shrink-wrapped for protection

Neutrik XX silver connectors offer high conductivity

Caged type contact and improved ground contact


Dear Sir, I am not a voice over artist perse’. I create software instructional videos for companies to use to train employees.

My set up is as follows: Sennheiser MKH 416 mic to a Zoom H6. Then transfer to my DAW.  Then from my DAW to Camtasia video production.

I want more control on pre-production, as post production is very time consuming for me. My vocal DAW is currently Reaper, although I am looking into Reason software.

Question: Can I use the H6 with the DBX286? Use the H6 as a back up recorder and simultaneous interface? Sennheiser to DBX to H6 to DAW?

Hi Mark - 

The work flow you are describing should work.


Hi Mark,

I'm looking for a bluetooth over the ear headphones and a bluetooth mic I can use with my tablet for voice recording. I'd like to get a Sennheiser bluetooth mic, if one is available and fits into my budget. I need affordable options for both. I'm trying to build a first-time voice over studio and find that recording on a tablet has less chance to generate noise from fans running as on a laptop. Just need a quick set-up to make decent voice over samples to submit for auditions. Will invest in better equipment later down the line. Thanks for your assistance. 

Hi Marlena - 

I would not recommend bluetooth wireless products for use in a VO workflow.  You might consider this Sennheiser microphone:

The ClipMic digital from Sennheiser (B&H # SECMD)( https://bhpho.to/2eqYVhO) is a professional solution for mobile recording that can be utilized to capture audio for several applications using iOS devices such as iPhone 7, iPhone 6, iPhone 6 Plus, iPad Air 2, iPad Air, iPad mini, and much more. The lavalier microphone enhances the sound quality by direct source pick-up. Unwanted background noise is reliably screened out.


Sennheiser circumaural BT headphones:


The HD 4.40 BT Wireless Bluetooth Headphones from Sennheiser (B&H # SEHD44BTWBLK) (https://bhpho.to/2trmWwQ) feature high-quality sound and Bluetooth 4.0 technology in a sleek and foldable design. These headphones can be used to listen to music and answer calls, and are well suited for use with smartphones, MP3 players, tablets, and other portable devices.

The HD 4.40 BT are built to be portable and can make travel more pleasurable. With their over-ear design, and deep, ergonomically designed earpads, these headphones offer lasting comfort, even during extended listening sessions. Their robust, foldable-headband design can be easily and compactly stored in the supplied protective case.



Hi Mark,

Need some advice, please.  I have a EV RE-20 that I really like and want to use for VO work.  Where I need help is on the mic pre-amp area.  Ultimately the idea is commercial recordings, station IDs, audio books and industrial training applications.  I have a laptop, know where to get royalty free music tracks, sound EFX and studio monitors.  What I need advice on is what goes between the mic and the laptop for the best "pro sound" I need for broadcast quality work.

Hi NW -

Use the Cloud Microphones Cloudlifter CL-1 Mic Activator  B&H # CLCL1 (https://bhpho.to/2M6zTnF)

The Cloudlifter CL-1 Mic Activator from Cloud Microphones is a compact, single-input solution for common audio problems in the field and in the studio involving low-output passive microphones, including ribbons. The CL-1 uses any standard phantom-powered mixer or microphone input device to provide up to +25 dB of clean, transparent gain. This improves signal-to-noise ratio and improves the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs, making them ideal for broadcast, live, and studio applications. The CL-1 is housed in a rugged steel enclosure which offers shielding and durability. Additionally, the CL-1 has provisions for stage or stand mounting.

GREAT ARTICLE!!!! Thank you for the details. My dilemma is I’m attempting to build an affordable in house studio, that is also portable for travel. I was actually gifted a Neumann Mic TLM 103 sans the accessories for what I need. Bottom line, the accessories stretch my “bottom line” at present and I’d just like something that will perform a quality job for now that’s good enough to get me the gig. 

Hello Mark. I would describe myself as an audio enthusiast who likes to record various radio programmes (air-checks). After the recordings (in WAV form) are finished, I store them to my PC hard drive as MP3 files. Although this is not strictly in connection with the article above, I hope you'll be able to answer my question:

Would you recommend making MP3's at a constant, or a variable bit rate? Thank you!

Hi Boris -

If storage capacity is not an issue, then opt for the highest CBR you have available, for the best recording quality.

Excellent information here...thanks!  I am Mary, a retired teacher in Rochester, NY.  I have the following gear for podcasting: Zoom H5; Mackier Monitors; AKG D5 dynamic mic; CAD E 100 mic; a Rode lavalier; a couple of tripods, desk boom arm, Logitek camera, Sony 7506 headphones; and a Presonus Audiobox 96 with the Studio One software (but I use Audacity).

Question:  I hate the Presonus.  I want to get a DBX 286s, but am unsure what I will need to attach it to.  Will the Presonus work or will I need alternative gear? I am assuming I cannot link it to my Zoom.   HELP!   Thanks.  Mary C.

Hi Mary - 

I would recommend hanging onto the Presonus 96 using it as your USB interface. The dBX 286s will plug right in.

I am Martin from Canada. I'd like to buy a complet Voice over talent kit for Mac. I want nothing but the best (mic, insonorisation kit). Money is no object. I want to do voice overs (national) - best quality broadcast ever... I can buy use or new... What do you recommand me? 

Hi Martin - 

The Neumann U 87 Ai Microphone/Grace Design Preamp Bundle is a B&H Kit (B&H # NEU87AISZQ (B&H Kit) designed for anyone who desires crystal clear vocal and instrument recording. The U 87 Ai condenser microphone is a long established workhorse, suitable for pretty much any type of vocal, and comes with its own shockmount. 

The Grace Design m101 is a transformerless, single-channel preamp that delivers remarkably natural, musical and detailed results due to its fast, musical transimpedance amplifier architecture. Along with the included microphone cable, the bundle will happily fit into any studio, voice-over, or broadcast situation.

This B&H Kit (B&H# SEESPACEPVK) allows you to create a portable vocal booth for studio quality recordings. The kit consists of an sE Electronics SPACE Reflection Filter for controlling acoustic reflections within your room. The filter attaches to the included reflection filter tripod microphone stand, which also allows for the attachment of the included gooseneck pop filter for managing plosives. A microphone cable is also provided for connecting your vocal microphone to your preamp or audio interface.

The RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface (B&H # RMBFP) is designed for a wide variety of studio and live recording applications. Expertly crafted from a block of aluminum, this portable interface features a new XLR socket that integrates seamlessly into the housing. Parallel 6.3mm TRS and 3.5mm mini headphone jacks feature separate driver stages to match low and high impedance headphones.

The interface ships with the company's TotalMix FX, a software mixer available for Windows, Mac OS X and iOS on an iPad. When using the device with an iPad, an external power adapter must be used, as the iPad alone is unable to power the interface. The mixer software allows you to use the interface in a wide variety of situations, from simple mixing of signals to more complicated routing configurations.

The unit's FPGA-based DSP mixer adds a flexible 3-band parametric equalizer on all inputs and outputs. Combined with the unit's low latency AD/DA converters and the company's unique SteadyClock technology to reduce jitter, the interface offers a professional recording solution in a compact form factor.


Thank you for this article - I'm reading all I can to fix an issue I have with my small studio.

I don't have near the depth and texture I think I should get with my setup.  I layer sound effects and beds with my voice over for some small station liners and voice over work - but just doesn't sound very full.  

My set up.   Shure Sm7b -->dbx286 ->> a Mackie USB Mixer(ProFx8v2) -->directly into PC USB.   Mixing and Using Adobe Audition for compiling (output usually .mp3)  

Using the mixer for beds and sfx

The PC that I have is older and not sure if it is USB 1.0 or newer.  Everything sounds good in the headphones (off the mixer) - pretty thin in my monitor speakers though.

Would I be better to try and go through Thunderbolt into the PC/use a different USB interface to go into the PC/different output format?

Other weak areas that you see?

Thank you very much!!

Hi Karl - 

The SM7B is a great mic,but it is not particularly known for detail. Switching to a higher quality USB interface may be a good idea as well.  Please contact us via e-mail if you have additional questions: [email protected]    

Hello there,

im currently voicing several projects at my friends studio, it's an impressive setup.

in an attempt to copy him I've bought everything listed here (not literally, just the basics) apart from finding a convenient and professional way for sound to reach my laptop. Should I go through a mixer ( I've tried this but the sound seems to vary in volume and quality each time) or a single channel unit? Or something else?

im also keen to know if I should run the output to another device then to the laptop or scrap the laptop n buy a tower PC with pro tools..

many thanks,


Would you recommend the Rode VideoMic pro for both out in the field audio as well as voiceover work while at home? In my head it would assure a very similar sound in both environments? 

Hi Dennis - 

The RODE VideoMic Pro is not designed for VO work. It's best used is a as a shotgun mic for a DSLR or camcorder. 

Please contact us via e-mail if you have additional questions: [email protected]    

I just started getting into voice acting, singing and recording stuff in general. i also have a really old-fashioned Toshiba laptop....are there any microphones, stands and pop filters than are compatible with my laptop that can also be cheap at the same time? I know this is pretty dumb to ask...heh...heh...help me...!

Also, is there a specific laptop i can use that can make recording a whole lot easier and maybe cheaper?

Hi Ria - 

USB microphones do not require a special computer or a particularly sophisticated or powerful computer at all.  I am not sure what you are using now, but this  one would pair well with my microphone recommendation above:

The 15.6" Ideapad 310 Series Notebook from Lenovo is built for users who need a laptop that can handle everyday tasks such as browsing the Internet, creating and editing word documents, as well as watching HD videos and movies. Powered by a 2.3 GHz Intel Core i3-6100U Dual-Core processor and 6GB of 2133 MHz DDR4 RAM, the Ideapad 310 lets you efficiently multitask and quickly access frequently use files and programs. Its 15.6" display, driven by integrated Intel HD graphics, has a 1366 x 768 HD resolution for crisp and clear HD content. You'll also be able to connect additional monitors via its VGA and HDMI ports.


Hi Ria - 

The Yeti Studio from Blue is a professional recording system which includes the Yeti USB microphone, PreSonus Studio One Artist: Blue Microphone Edition recording software, iZotope Nectar Elements studio effects, and custom template presets for voice-overs, podcasts and music. The Yeti USB microphone employs a tri-capsule design that provides you with a variety of selectable polar patterns for flexibility in recording, while capturing your audio in up to 16-bit, 48 kHz resolution. Depending on your sound source, you can select between stereo, cardioid, omnidirectional, or bi-directional polar patterns for optimal results.

The mic has an integrated headphone amp with an independent gain control for latency-free monitoring. Microphone gain control as well as an instant mute function are available right on the device itself, while the included stand allows for pivoting in a variety of angles for ideal placement, with the added functionality of folding the mic down for storage and transport. The Yeti is Mac and Windows compatible, and includes a USB cable.

I am taking the recomendation of the Schoeps HSC 4VP Integrated Headset. I do a lot of moving around and have lots of notes hanging on my walls,  Yes crazy I know.  What I would like to know... Is there some high quality Wireless system I can use with the Schoeps to take full advantage of the technology of the Schoeps Headset?  I realize that going wireless does effect the quality. But today there must be some quality Wireless system I can integrate.  I don't want to buy a $2400 Headset and waste it with a subpar wireless system.  Movement is integral to how I work. Please help. 

Hi Shane - 

We are not familiar with a suitable wireless solution for this headset.

What sort of professional level solutions exist for recording voice over while simultaneously moving around and working on a computer? I'm looking for a recommendation for a pro-level headset microphone/headphone combo with XLR that I can use to record my voice over while I'm recording screen capture videos and demonstrations where my head may turn a lot. I have a Rode NT1-A on a boom arm but it's always in the way of me seeing my screen clearly, and I turn my head a lot as I have multiple screens and other hardware I adjust while recording my screencasts so the stationary mic doesn't work well. Would love a head-mounted microphone that doesn't sacrifice on quality.

Hello Rick -

This version of the Schoeps HSC 4VP Integrated Headset with Ultrasone 680 Headphones and B5 Popscreen features a moderate compensation of the proximity effect. The headset features a gooseneck cardioid microphone capsule suppresses noise from the surrounding environment while providing protection from "vocal" popping sounds" with the B5 popscreen.

The set includes the Ultrasone 680 closed-back stereo headphones for clear stereo audio. The headset was developed in cooperation with the sound engineers of a TV station who sought the highest possible quality of sound even under the extreme conditions of Formula 1 motor races.

A single cable splits to provide the microphone output is via an XLR-3M (+48V) and the headphone output via a 1/4" TRS connector. The earpiece opposite of the side of the gooseneck microphone can be folded out of the way of the ear.




The black eH6 Omnidirectional Microphone Headset with an XLR Connector for Hardwired Systems with Phantom Power from Countryman fatures an E6D capsule and a lightweight, 0.23 ounce dual ear-loop head frame headset. It is set to Countryman's W5 Band sensitivity for general speaking. The H6 can be used for miking broadcasters, actors in a theater environment, or presenters in houses of worship.

A stainless steel tubing and wire design allows for durability while keeping the head frame lightweight. The H6 has an adjustable boom arm to allow for placement of the mic close to your mouth. The adjustable ear-loops provide a secure fit that can be customized between multiple users.

Countryman includes changeable caps for adjusting the high frequency response, allowing you to select a flat response, a four decibel high end boost, or an eight decibel high end boost. This H6 Omnidirectional Microphone Headset has a male XLR termination and is designed to work with hardwired systems with phantom power.

Lightweight 0.23 ounce adjustable head frame

Field replaceable detachable cables

Sealed moisture-resistant connector

The 1.2 mm diameter cable uses Aramid strength members and engineered alloys for a 44 pound cable break strength


Great article. Thanks.

Setting up a video recording/editing studio with seperate voice over room. For voice overs.. What are the differences between using xlr mics, and recording directly into a camera, then editing?  I plan to use Final Cut Pro.  Thanks so much.

First Time Home Recorder, here!

What type of processor and memory in a new laptop should I look for when shopping for one to do home recording? Does the laptop even matter? I am a PC Gal and hope to stay in that realm. I am also hoping to stay within a pretty tight budget, for now. Any recommendations? 

Thanks in advance!

Hi Leah -

If thye budget allows, look for a laptop with at least an Intel i5 processor with no less than 8GB of RAM.  Have at least 256 GB of on-board storage space available as well as a 2 TB back-up external drive.

The Lenovo 15.6" ThinkPad P50 Mobile Workstation is a notebook that is suited for CAD and design workflows while you are on the road. It comes packed with an Intel Core i7-6700HQ processor along with a dedicated NVIDIA Quadro M1000M graphics card, which outputs 1920 x 1080 visuals to the 15.6" screen. To handle multiple applications at the same time, 8GB of DDR4 RAM is installed. There's also a 500GB hard drive that spins at a rate of 7200 rpm and comes with ample space to store your images, videos, and data.

The 15.6" display is equipped an IPS panel that offers a 160° viewing angle as well as accurate colors. Lenovo has designed this screen with a brightness level of 250 cd/m2, a 600:1 contrast ratio, and a color gamut of 45%. You can also expand the on-screen workspace by connecting your external monitors to the notebook's HDMI and mini DisplayPort.

I am a newbie voice actor trying to use Focusrite Scartlett Solo with the DAW -- CubeBase 8 on a Windows PC. This DAW (CubeBase 8) is too hard for me to grasp from manuals and even with a 30 minute instruction class. There seems to always be some setting I miss each time I attempt to record. I am using Sends tracks, reverb and delay for voice so I can record podcasts, voice to add to video presentations and video commercials. Is there some really simple DAW operating system you can recommend? How about an iOS App made for iPad/iPhone or Windows 10 PC? Any constructive information from your readers would be helpful in making this purchase decision. Thank you very much folks.

Hi Orin -

Be sure to "SAVE AS" and create a new name.  You are probably recording over the template.  You could also go ultra simple and use GarageBand on your Mac.


Hey guys! I'm new in the microphone business and am struggling to pick the right mic and set up for me. I was planning to get the fleureon bm-800 condenser mic and then buy a 48v phantom power preamp. The problem is I have heard mixed reviews of both. I am planning to use it for podcasting and voice acting work the latter being the reason for me wanting a condenser mic since not many voice directors recommend usb mics. My budget is below €100 yet another reason for my above mic choices. If you have any advice if be extremely grateful!

Hi Elmear -

This is a fairly low quality product , not offered at B&H. You will get what you pay for and I recommend saving for a better quality microphone.  Here's my minimum recommendation for any professional VO or VA work:

     The AT2020 Cardioid Condenser Microphone from Audio-Technica is designed for vocal and general instrument capturing in project and professional studio environments. The capsule features a low-mass, side-address diaphragm with a cardioid polar pattern for rejecting ambiance and noise at the off-axis sections of the microphone capsule. A linear frequency response of 20 Hz to 20 kHz enables the flexibility to accurately reproduce signals from a wide variety of sources. High SPL handling and wide dynamic range allow the AT2020 to capture loud signals with minimal noise and distortion. The microphone includes a pivoting, threaded stand mount for accurate positioning.

Suitable for project/home-studio applications

High SPL handling and wide dynamic range provide maximum versatility

Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response

Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

You will also need an audio interface if you plan on connecting to a compuyter:

     The Second-Generation Scarlett Solo from Focusrite is a portable USB 2.0 digital audio interface, featuring a single Scarlett microphone preamp with phantom power, and a dedicated instrument/line input. You can monitor your signal either through an independent 1/4" output or via rear-mounted, unbalanced RCA jacks. Perfect for the travelling troubadour, this unit is fully compatible with Mac and Windows computers, and includes a plethora of recording, instrument, and sample content software.

An included Pro Tools | First Focusrite Creative pack is enhanced by a suite of Focusrite Scarlett plug-ins—a set of tools including compression, EQ, gating, and reverb. The Novation Bass Station software synthesizer can be used to add bass or melody, and a sample pack from Loopmasters contains drum loops and sound effects. Ableton Live is included to boot. 

Focusrite's Red Plug-In Suite (AAX, Audio Units, and VST) delivers modules based on the classic Focusrite Red 2 EQ and Red 3 Compressor hardware. Also included in this bundle is the Softube Time and Tone Pack for further sonic exploration within your chosen DAW.   


Notable Features

  • One Scarlett mic preamp with high headroom and minimal distortion 
  • One line/instrument input, designed to handle high-level pick-ups
  • Conversion and sample rates up to 24-bit/192 kHz  
  • Low latency for using your plug-ins in real time without the need for DSP
  • One headphone output with gain control
  • Stereo RCA outputs for connecting to home speakers
  • Compact and portable at 1.3 lb
  • Powered by USB
  • Includes Pro Tools | First Focusrite Creative Pack and Ableton Live Lite
  • Includes additional software and loops



Show older comments