Video Production
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Steve Giralt teaches you how to edit your virtual production content in DaVinci Resolve, including how to work with RED's Phantom Track technology.
0:00 - In Today's Video
0:33 - Phantom Track Edit
6:29 - Main Edit
17:17 - Final Thoughts
Sponsored by
It can be hard enough to guide your project from conception to completion without introducing delays and technical issues that lessen the power and impact of your film, delays and issues that often can be easily avoided. To that end, test or calibration charts are invaluable tools for pre-production as well as production, and they are not just for rental houses and camera shops. Most available charts are designed for framing, resolution, and focus, and are suitable for use by equipment owners, "one-man bands" rental houses, and anyone entering
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Steve Giralt breaks down how virtual production works, including how to control your virtual environment, motion control, how to light your scene, phantom track, and more.
0:00 - Today's Video Shoot
2:02 - Lighting the Unreal Scene
2:49 - Robots & Motion Control
4:20 - Camera & Lens
8:06 - Phantom Track
10:13 - Virtually Location Scout
12:52 - Live Demo
15:14 - Live Demo 2
16:25 - What's Next?
Sponsored by
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SmallRig collaborated with Gene Nagata (a.k.a. Potato Jet) to create his ideal tripod, and it just might be yours too! Join Nick for a quick look at this versatile, easy-to-use video tripod.
0:00 Intro
0:25 X-Clutch Legs
1:08 Height, Weight, & Load Capacity
1:33 Pan & Tilt Dampening
1:43 Tripod Head
2:03 Final Thoughts
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Tyler Edwards shares five tips on how to film an interview. You'll learn his interview lighting techniques, his camera placement, and audio tips too.
0:00 Intro
0:11 Key Light
0:44 Background Light
1:44 Camera Position
2:41 Clean & Clear Audio
3:29 Timecode
4:16 More from Tyler
Here at NAB 2023, Sony’s latest exciting pro video offerings include a new 3D spatial reality display, a 30.5" TRIMASTER reference monitor, an 18.4" production monitor, and two broadcast style 2/3" 4K video cameras.
Immersive 3D Optics
Create amazing 3D optical experiences using Sony’s new ELF-SR2 4K Spatial Reality Display. Equipped with a 27" 4K LCD panel with 3840 x 2160 resolution, the ELF-SR2’s fast facial recognition and Eye-Sensing Light
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When it came to upgrading the first iteration of the Solidcom C1 Wireless Intercom System, Hollyland knew it had to outfit the next version with something good, and boy did this brand do it. The new Solidcom C1 Pros feature dual-microphones with Environmental Noise Cancellation (ENC) technology for the
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Now that you've thoroughly planned your shoot during pre-production, it's time to get on set! Learn what it takes to make a video production run smoothly—such as the crew you'll need—mistakes to avoid, different types of shots, narrative continuity, audio recording, and more.
0:00 - Overview
0:38 - Production Assistant
1:25 - Video
7:59 - Sound
9:07 - Logistics
10:54 - Final Thoughts
Click to watch Part 1 – Pre-
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Pre-production is an important step when filmmaking because it helps your video shoot run more efficiently, on the day of and during post. If you're a beginner, however, it may be difficult to know where to begin. Jake Estes shares tried and true methods for planning your production that work whether you're shooting a Hollywood movie or a short film. Plus, you'll learn mistakes to avoid so you're not scrambling on set!
0:00 - Introduction/What is Pre-Production?
0:46 - Production Breakdown
1:44 - Casting
2:37 - Hiring Crew
4:34 - Tech Scout
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Are you new to color correcting LOG footage? It seems intimidating, but take a deep breath. In this B&H Online video, Dean Peterson walks you through the steps to color-correct flat footage in DaVinci Resolve, including instances when the white balance is very cool. You'll be a professional colorist in no time!
For more information, be sure to watch How to Film in LOG: A Beginner's Guide.
0:00 - Introduction
0:31 - Exposure
3:46 - White
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Whether you're making an independent film, YouTube video, or vertical video, understanding framing and composition can help improve your video's quality. Nick Brigadier explains how, when, and why to use these seven basics rules of video composition.
0:00 - Introduction
0:28 - The Rule of Thirds
1:10 - Leading Lines
1:37 - Balance
2:12 - Symmetry
2:43 - Depth of Field
3:11 - Distracting Elements
3:38 - Frame Within a Frame
4:03 - Final Thoughts
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This is your beginner's guide to filming in LOG! What is LOG? How do you properly expose your footage? When and why should you use it? Watch to find out the answers to all these questions, and others.
0:00 - Introduction
0:16 - What is LOG?
0:51 - How to Expose LOG Footage
2:45 - Is Shooting in LOG Better?
3:20 - Final Thoughts
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Hands-free, lightweight, and ready to go right out of the box, the Hollyland Solidcom C1 is a wireless headset system perfect for your production.
0:00 - About
0:34 - Overall Specs
3:10 - 9-Person Version
5:27 - Final Thoughts
To learn more, read the Hollyland Solidcom C1 announcement. Let us know
Between high-resolution video clips, B-roll, music, effects, and more, it’s clear that you can never have enough storage when creating professional-grade video content. For instance, one hour of 8K REDCODE RAW 75 footage takes up about 7.29TB, which amounts to 121.5GB per minute, and storage requirements are bound to grow as we move toward 12K or higher resolutions. Even working at 4K resolution can amount to around 741.6GB for an hour of RAW BMPC 24 footage.
So, whether you prefer to shoot in compressed or uncompressed formats, it’s safe
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AB examines the Hollyland Solidcom M1, a full-duplex wireless intercom system that's ideal for small-to-mid-size production teams that need a robust communications solution for all their events. Check out the video to see all the great components and features, such as 1.9 GHz full-duplex transmission, 4 or 8 beltpacks, LEMO headsets, and more.
Tell us what your production communication needs are and how the