Search results for: video codecs
About 130 filtered results
by Zack Young · Posted
Sony is squeezing professional cinema features into a handheld package with the new FX5 5K cinema camera. Key specs include 3:2 open gate recording, internal 16-bit X-OCN, three base ISOs, high frame rates, expanded monitoring options, and more. The camera has a new 16.6MP full-frame fully stacked Exmor RS CMOS image sensor alongside a BIONZ XR2 chip with an integrated AI processing unit.
by Luke Rollins · Posted
After a 2025 spent celebrating its 100th birthday, Leica returns to market with its first new camera of 2026, the SL3-P Mirrorless Camera. Accompanied in its release by two new lenses, the APO-Macro-Elmarit-SL 100mm f/2.8 and the
by Zack Young · Posted
On-set virtual production (OSVP) is the real-time mixing of live-action footage with computer-generated imagery to create amazing in-camera visual effects (ICVFX). These days, most OSVP happens on a volume, a studio space with seamless LED panels (or cabinets, as they’re known in OSVP) grouped together to display rendered images that are then captured live in-camera alongside human talent. These cabinet configurations can be as simple as a flat backdrop stacked from the ground up, and as complicated as a full curved 360° wrap hung from trusses
by Steven Esposito · Posted
If you’re starting a video podcast or looking to get into live streaming, you’ve come to the right place. I have experience with both, so I speak from personal experience when I say you’ll need a capable computer to do either. What kind of computer exactly? Thankfully, the answer is simple.
For the time being, I can’t suggest building your own PC just for this. The prices of memory (or RAM) have skyrocketed due to the demands of AI infrastructure. In many cases, the price of memory has even surpassed some pre-built systems I’ve seen. The good
Posted
Now that the hype surrounding Nikon’s acquisition of RED and the launch of the ZR cinema camera has settled, we’re finally putting it to the test on set. Nick combed through FAQs gathered from our YouTube comments, our website, and Reddit, and he’ll be tackling them all in this video. You'll also get his honest opinion on the best features and the quirks. This hands-on experience is truly a deep dive (especially since Nick read all 120 pages of the user guide).
0:00 - Today's Video
0:53 - Key ZR Specs
1:42 - Nick's Initial Thoughts &
by Steven Esposito · Posted
Coming hot on the heels of the announcement of the latest iPad Air, Apple revealed its latest technologies, including the new MacBook Air, MacBook Pro, updated Studio Displays, and the all-new MacBook Neo. Whether you are a designer, developer, or even a power user, Apple enables you to streamline your workload and processes with the latest devices now featuring Apple’s M5 silicon. Let’s take a look.
Apple M5
by Mary Latvis · Posted
Melding the higher frame rates, powerful hardware, and highly efficient ARRICORE codec of the ALEXA 35 XTREME with the modular form of the ALEXA 35 Live camera, the new ALEXA 35 Live (XR) Multicam System provides a complete toolset for your fiber-based live productions. This system is available in Entry,
by Zack Young · Posted
Atomos has long been on the forefront of camera monitoring, and the new 19" Shogun AV-19 rackmount monitor-recorder-switcher represents an exciting step forward for the brand, packing in high-end features like 6K raw recording, 10-bit HDR support, and NDI|HX3 via Gigabit Ethernet. The Shogun AV-19 can display and record up to four isolated camera
Posted
As you delve deeper into the more advanced side of video codecs, the information can be overwhelming. Doug is here to simplify the complexities, helping you choose a codec for filming, editing, and delivery.
1:11 - This Video's Objectives
1:12 - Hardware Compatibility
4:49 Chroma Subsampling
8:15 - 8-bit vs. 10-bit
12:04 - How to Choose
14:37 - Real-World Example
Posted
If you're looking to become a professional filmmaker, you'll need to understand what codecs are, how to choose them, and how to use them. In part 1 of 2, Doug simplifies the tangled web of knowledge that is video codecs, sharing the fundamentals.
0:00 - What You'll Learn
1:04 - What Is a Codec?
2:25 - Why Are Codecs Necessary?
3:27 - How to Codecs Work?
6:53 - Choosing the Right Codec
14:24 - Inter vs. Intraframe
17:32 - What's Next?
by Steven Gladstone · Posted
Whether you’re a student or a seasoned veteran, selecting the right camera can make your head spin with questions. Does sensor size matter? What’s the difference between 4:2:0 and 4:2:2? Do I really need a camera that can record 8K? What about raw? We’ll explain the key components that help a camera produce cinematic images, and in doing so, hopefully help you make that all-important decision.
Evaluate Your Needs and Your Budget
Before considering certain cameras, you must know your needs and your budget. And be realistic. If you are a student
by Zack Young · Posted
Atomos just announced a new monitor-recorder: the Ninja TX GO. It’s a 5.2” HDMI-only version of the Ninja TX that can capture video in a variety of codecs, including Apple ProRes, ProRes Raw, Avid DNx, H.265, H.264, and NDI 6 HX3. The TX Go can
by Luke Rollins · Posted
FUJIFILM spent most of 2025 in the wake of 2024's X100VI camera, riding the wave of its internet virality to an instantly sold-out product that remains out of stock pretty much everywhere. This year the company delivered three new cameras and a new lens, all of which iterated on their winning X100VI concept. The company also cannonballed into the deep-end of the cinema camera space with the announcement of their large format sensor camera and a video-friendly power-zoom lens.
The GFX100RF, or the Medium Format X100VI
by Zack Young · Posted
While photography tends to get a lot of the spotlight here at B&H, 2025 was also full of groundbreaking cinema lenses, powerful LEDs, and versatile audio equipment. So we thought we'd take a moment to honor unique new favorites in lighting, video, and audio.
Lighting
Nanlite wand RGB LED Light
Yes, it's a tube light with a built-in handle and barn doors, but that's not a bad thing. The Nanlite wand RGB LED Light
by Shawn C. Steiner · Posted
Audio is extremely important. Photographers haven’t really had to worry about this, but it is something that can make or break your videos. Watch some of your favorite movies and pay close attention to the sound—you will probably pick up some audio cues or effects that amplify the scene or action. If recorded poorly, audio can make something completely unwatchable. Have you ever opened a video online to crackling and noise and decided that it just wasn’t worth enduring? Clarity in audio is one of the most important things for keeping your