Angler Bi-Color Ring Light Kit with Light Stand (18")
- 18" Ring Light, 120° Beam Angle
- Smartphone Holder with Flex Arm
- 3200-5600K Color Temp, 97.8 CRI, 98 TLCI
- 0-100% Continuous Dimming
GVM 800D-RGB LED Studio 2-Video Light Kit
- 2 x 800D-RGB Panels with Barndoors
- 2 x Soft Diffusers
- 2 x AC Adapters
- 2 x Light Stands: 7'
amaran 200x Bi-Color LED Monolight
- For Video Production and Vlogging
- Output: 51,600 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC Power or Optional Battery Station
amaran COB 60x Bi-Color LED Monolight
- For Video Production and Vlogging
- Output: 37,775 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC or Battery Power
Oben TTVLK-8 Tripod Vlogging Kit with Ring Light (8")
- 8" Ring Light Diameter
- Warm, Neutral & Cool Color Temperature
- 10-Step Brightness Control
- Load Capacity: 2.2 lb
Other Buying Options
GVM 800D-RGB LED Studio 3-Video Light Kit
- 3 x 800D-RGB Panels with Barndoors
- 3 x Soft Diffusers
- 3 x AC Adapters
- 3 x Light Stands: 7'
Nanlite PavoTube 30C RGB LED Tube Light (4', 2-Light Kit)
- For Photo, Video & Film Production
- Output: 588 Lux at 3.3' for Each Light
- 2700-6500K CCT; RGB Mode
- Onboard & Wireless Control
amaran 200d Daylight LED Monolight
- For Video Production and Vlogging
- Output: 65,000 Lux at 3.3' w/ Reflector
- 5600K CCT
- AC Power or Optional Battery Station
Aputure LS C300d II Daylight LED Monolight (V-Mount)
- For Film, Broadcast and Video Production
- Output: 45,000 Lux at 3.3' w/ Reflector
- 5600K CCT
- AC or Battery Power
Nanlite PavoTube 30C RGB LED Tube Light (4', 4-Light Kit)
- For Photo, Video & Film Production
- Output: 588 Lux at 3.3' for Each Light
- 2700-6500K CCT; RGB Mode
- Onboard & Wireless Control
amaran COB 60d Daylight LED Monolight
- For Video Production and Vlogging
- Output: 45,100 Lux at 3.3' w/ Reflector
- 5600K CCT
- AC or Battery Power
Aputure LS 300x Bi-Color LED Monolight (V-Mount)
- For Film, Broadcast and Video Production
- Output: 20,500 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC or Battery Power
Other Buying Options
Aputure LS 60x Bi-Color LED Focusing Flood Light
- For Video Production and Vlogging
- Output: 33,480 Lux at 3.3' (15°, 5600K)
- 2700-6500K CCT
- 15 to 45° Adjustable Beam Angle
Godox SL-60 LED Video Light (Daylight-Balanced)
- Color Temperature: 5600K
- CRI 93, TLCI 95, R9 80
- Rear LCD and Onboard Adjustment Dial
- Bowens S-Mount
Other Buying Options
Godox SL100D Daylight LED Video Light
- Color: 5600K, CRI/TLCI: 96/97
- 100-240 VAC, 32 Channels, 16 Groups
- Godox App Control, Optional Remote
- 8 Special Effects, Dims 0-100%
Other Buying Options
GVM 560AS Bi-Color Video LED Light Panel 3 Light Kit
- For Studio & Film/TV Production
- 3 x 560AS Bi-Color LED Panels
- Output: 3800 Lux at 3.3' (45°)
- 2300 to 6800K; Bi-Color Control
amaran 100x Bi-Color LED Monolight
- For Video Production and Vlogging
- Output: 34,300 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC Power or Optional Battery Station
amaran 100d Daylight LED Monolight
- For Video Production and Vlogging
- Output: 39,500 Lux at 3.3' w/ Reflector
- 5600K CCT
- AC Power or Optional Battery Station
Raya Bendie-Brite Folding Bi-Color USB Ring Light (10")
- 2700-5600K Color Temperature
- Folds into a 5" Semi-Circle
- Powered by USB
- Touch-Sensitive Controls
amaran T2C RGB LED Tube Light (2')
- For Photo & Video Enthusiasts
- Output: 475 Lux at 3.3' (5600K)
- 2500-7500K CCT; RGB Mode
- Onboard, DMX & App Control
Other Buying Options
Aputure LS 1200d Pro LED Light Kit
- LS 1200d Pro LED Light
- Comparable to 1600W HMI
- LS 1200 Series Reflector Kit
- Narrow, Medium, and Wide Beam Angles
Nanlite PavoTube II 6C RGB LED Tube Light (10")
- For Photo, Video & Film Production
- Output: 183 Lux at 3.3' (5600K)
- 2700-7500K CCT; RGB Mode
- Onboard & App Control
Nanlite PavoTube II 30X RGB LED Pixel Tube Light (4', 2-Light Kit)
- For Photo, Video & Film Production
- Output: 746 Lux at 3.3' for Each Light
- 2700-12,000K CCT; RGB Mode
- Onboard, Wireless, DMX & App Control
Godox SL-60W Daylight LED Video 2-Light Kit
- Two SL60 Lights with Reflectors
- Two 23.5 x 35.5" Softboxes, Two Stands
- Wireless Remote Control with 65.6' Range
- 5600K Color Temp, 93/95 CRI/TLCI
amaran T4C RGB LED Tube Light (4')
- For Photo & Video Enthusiasts
- Output: 744 Lux at 3.3' (5600K)
- 2500-7500K CCT; RGB Mode
- Onboard, DMX & App Control
Other Buying Options
Godox ES45 E-Sport Bi-Color LED Light Panel
- For Video Production and Vlogging
- Output: 1025 Lux at 3.3'
- 2800 to 6500K Bi-Color Control
- 14.4 x 9.1" Panel; AC/DC Operation
Other Buying Options
GVM RGB LED Studio Video Bi-Color Soft 1200D 3-Light Kit
- Three 1200D LED Panels with Stands
- CCT: 3200 to 5600K, CRI: 97
- RGB Hue, Saturation, Intensity Control
- Measures 10.2 x 9.4 x 2.2"
Godox SL200III LED Video Light
- For Studio and Film/TV Production
- Output: 95,600 Lux, 215W
- 5600K Color Temperature, 96 CRI
- Multi-voltage: 100-240VAC, Godox App
Nanlite PavoTube II 6C RGB LED Tube Light (10", Desktop Kit)
- Light with Mini Tripod
- For Tabletop & Handheld Use
- Output: 183 Lux at 3.3' (5600K)
- 2700-7500K CCT; RGB Mode
amaran F22c RGBWW LED Mat (V-Mount, 2 x 2')
- Panel Surface Area: 2 x 2'
- Color Temperature 2500-7500K
- HSI Full Color Control
- Green-Magenta Adjustment
YOUR RECENTLY VIEWED ITEMS
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.