Dracast Pro Series II LED1000 RGB LED Light Panel (3-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 2631 Lux at 3.3' (10,000K)
- 2700-10,000K CCT, RGB Color Control
- 10 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED1000 RGB LED Light Panel (3-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 2631 Lux at 3.3' (10,000K)
- 2700-10,000K CCT, RGB Color Control
- 10 x 10" Panel; Gold Mount; AC/DC
Harlowe Pro 300 Spectra RGB LED Light (Standard AC/DC Kit)
- Light with Power Supply
- Output: 35,100 Lux at 3.3' (4500K)
- 1700-10,000K CCT; RGBCW Color Control
- AC or 99.36Wh Max Battery Power
Nanlite PavoTube II 60XR RGB LED Pixel Tube Light (8', 2-Light Kit)
- For Photo, Video & Film Production
- Output: 991 Lux at 3.3' for Each Light
- 2700-12,000K CCT; RGB Mode
- Onboard, Wireless, DMX & App Control
Dracast X Series LED2000 Daylight LED Light Panel (Travel 3-Light Kit)
- Three Lights with Barndoors & Stands
- Waterproof Hard Case
- Output: 3236 Lux at 3.3' per Light
- 5600K CCT
ikan Lyra 1 x 1 Bi-Color Soft Panel LED 2-Light Kit
- 3200-5600K Color Temp
- 110° Beam Angle
- Two Bi-Color LED Soft Panels
- Yoke Mounts
Dracast Complete Remote Newsroom Studio Daylight 4-Light Kit
- Two Fresnel 2000 Daylight Fixtures
- Two LED1000 Pro Daylight LED Panels
- Two Four-Way Barndoors
- Four Spring-Cushioned Stands
Dracast Cinebrite Space Light 4500 Bi-Color LED Panel
- Panel Surface Area: 29.5" Diameter
- Beam Angle: 35°
- Color Temperature: 3000-6200K
- CRI: 99, TLCI: 97
Dracast Interview Plus 3-Light Kit (Bi-Color)
- Two LED500 Plus Bi-Color LED Lights
- LED200 Bi-Color On-Camera LED Light
- Two 90Wh V-Mount Li-Ion Batteries
- Dual V-Mount Battery Charger
Dracast Interview Plus 3-Light Kit (Daylight)
- Two LED500 Plus Daylight LED Lights
- LED200 Daylight On-Camera LED Light
- Two 90Wh V-Mount Li-Ion Batteries
- Dual V-Mount Battery Charger
Dracast Remote Newsroom Studio Complete Kit (Gold Mount)
- Two LED1000 Pro Daylight LED Panels
- Two Fresnel LED2000 Daylight Fixtures
- Two Sets of Four-Way Barndoors
- Four Spring-Cushioned Light Stands
ikan Lyra 1 x 1 Daylight 3-Point Soft Panel LED Light Kit
- 5600K, 110 Degree Beam Angle
- 3x Lyra Daylight LED Soft Panels
- 3x V-Mount Battery Plates
- 3x Gold Mount Battery Plates
Dracast Kala Plus Series LED5000 RGBWW LED Panel
- 2000-10,000K Color Temp, 96 CRI
- Dims 0-100%, RGB Mode
- Measures 29.5 x 15.3 x 3.1", Barndoors
- 120°: Beam, DMX Control
CHAUVET Professional onAir Panel 3 IP RGB LED Light Panel
- For Studio & Film/TV Production
- Output: 3575 Lux at 3.3' (No Optics)
- 2800-8000K CCT; RGB Color Control
- 11.2 x 33.7" Panel; AC/DC Operation
Litepanels Studio X2 Tungsten LED Fresnel Light (Standard Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 18,360 Lux at 3.3' (12° at 3200K)
- Beam Angle: 12-48°
- Color Temperature: 3200K
Altman Spectra White LED Cyc 100 Light (Silver)
- 3,000K Luxeon Rebel LEDs
- 12.1 x 7.5 x 14.3" Aluminum Housing
- Manual Dimming
- A-Symmetrical Reflector
Altman Spectra White LED Cyc 100 Light (White)
- 3,000K Luxeon Rebel LEDs
- 12.1 x 7.5 x 14.3" Aluminum Housing
- Manual Dimming
- A-Symmetrical Reflector
Altman Spectra White LED Cyc 100 Light (Black)
- 3,000K Luxeon Rebel LEDs
- 12.1 x 7.5 x 14.3" Aluminum Housing
- Manual Dimming
- A-Symmetrical Reflector
Altman Spectra CYC 100 LED Wash Light, 3000K-6000K (Black)
- Color Temperature: 3000K-6000K
- Asymmetrical Reflector and Blending Lens
- 0-100% Dimming
- DMX512 and RDM Protocol Compatible
Altman Spectra CYC 100 LED Wash Light, 6000K (Black)
- Color Temperature: 6000K
- Asymmetrical Reflector and Blending Lens
- 0-100% Dimming
- DMX512 and RDM Protocol Compatible
Fiilex Q5 Color Cinematic RGBW Fresnel Light (Head Only Version)
- Variable Color Temperature: 2000-10,000K
- CRI/TLCI:95, Full RGB Adjustments
- Hue, Saturation, Light Intensity Control
- Measures 13.2 x 11 x 7.2", Dims 0-100%
Quasar Science Double Rainbow Linear LED Light (4')
- 4' RGBX Linear LED Strip Light
- Ossium Mounting System Compatibility
- 1750-10,000K Color Temperature
- 100-0% Dimming, Flicker-Free
VELVETlight VELVET Start 2 Bi-Color LED Light Panel
- For Studio & Film/TV Production
- Output: 4320 Lux at 3.3' (5600K)
- 3000-6000K CCT
- 27 x 12" Panel; AC Power
Litepanels Gemini 1x1 Soft RGB LED Light Panel (Pole-Operated Yoke, Bare Ends Power Cord)
- For Studio & Film/TV Production
- Output: 614 Lux at 3.3' (5600K, 95°)
- 2700 to 10,000K; CCT RGB Control
- 12.6 x 12.6"; AC/DC Operation
HIVE LIGHTING Hornet 200-C Flood Omni-Color LED Light
- Flood Reflector, Wide Coverage
- Omni-Color LEDs: 1650 to 8000K
- 360° Hue, 0 to 100% Saturation
- Wireless DMX Range: 500', Bluetooth: 50'
Quasar Science 2-Bank Shell with Ossium Plate and Double Rainbow (2', 2-Light Kit)
- For Photo, Video and Film Production
- Double Rainbow Light
- 1750-10,000K Color Temperature
- Wireless DMX (CRMX), Bluetooth, Wi-Fi
SWIT FL-C400D 400W Bi-Color Studio COB-LED Fresnel Light
- For Live Events, Broadcast & Video
- Output: 130,000 Lux at 3.3' (15° Spot)
- 2700-8000K CCT
- 15° Spot; 50° Flood
VELVETlight VELVET MINI 3 Studio IP51 LED Panel
- 2700-6500K Color Temp, 96 TLCI, 150W
- Measures 36.5 x 7.5 x 3.5"
- 90-264 VAC, powerCON True1 In and Out
- DMX Ready, 100° Beam Angle
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


