Lupo SuperpanelPRO Full Color 30 Hard LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 16,700 Lux at 3.3' (40°, 5600K)
- 2800 to 10,000K; RGBWW Color Control
- 13.7 x 13.8" Panel; Multi-Voltage AC
Lupo SuperpanelPRO Full Color 30 Soft LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 4800 Lux at 3.3' (5600K)
- 2800 to 10,000K; RGBWW Color Control
- 13.7 x 13.8" Panel; Multi-Voltage AC
Litepanels Studio X2 Tungsten LED Fresnel Light (Pole-Operated Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 18,360 Lux at 3.3' (12° at 3200K)
- Beam Angle: 12-48°
- Color Temperature: 3200K
Dracast Webcast Plus 2-Light Kit (Bi-Color)
- LED500 Plus Bi-Color LED Light
- LED200 Bi-Color On-Camera LED Light
- 90Wh V-Mount Li-Ion Battery
- Dual V-Mount Battery Charger
Genaray Hex Lighting 36" Soft Strip 6-Light Pro Kit with Aluminum Stands
- 6 x SSL-36 Bi-Color Strip Lights
- 5 x Sturdy Air-Cushioned Stands: 9.5'
- 1 x Combo Boom Stand: 12.95'
- 7 x Filled Orange 15 lb Sandbags
Dracast Pro Series II LED2000 RGB LED Light Panel (2-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 5774 Lux at 3.3' (10,000K)
- 2700-10,000K CCT, RGB Color Control
- 19.3 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED2000 RGB LED Light Panel (2-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 5774 Lux at 3.3' (10,000K)
- 2700-10,000K CCT, RGB Color Control
- 19.3 x 10" Panel; Gold Mount; AC/DC
Hedler Profilux Daylight 1400 LED Fresnel Light with DMX
- For Studio & Film/TV Production
- Output: 40,200 Lux, 3.3' (20°, 5600K)
- 5600K Daylight
- 20 - 60° Adjustable Beam Angle
DeSisti Piccoletto VW Bi-Color LED Fresnel Light
- 18 to 80° Adjustable Beam Angle
- Color Temperature: 2800 to 6600K
- CRI: 95, TLCI: 96
- 0 to 100% Dimming, 90 to 250 VAC
DeSisti MAGIS Super Daylight-Balanced LED Fresnel Light (Manual Operation)
- 60W LED with CRI of 90
- 250W HMI Equivalent
- Color Temperature: 5600K
- 4.75" Diameter Fresnel Lens
DeSisti MAGIS Super Tungsten-Balanced LED Fresnel Light (Manual Operation)
- 60W LED with CRI of 90
- 750W Halogen Equivalent
- Color Temperature: 3200K
- 4.75" Diameter Fresnel Lens
Frezzi SKY1A-DMX SkyLight Daylight LED Light
- For Outdoor Use & Tight Spaces
- 200W HMI Equivalent Output
- 5600K CCT
- 50° Flood & 30° Spot Reflectors
Parabolix OMNI LED Light Kit with 65" Reflector and Focus Mount PRO XL
- Kit Designed for Beauty Lighting
- OMNI LED Light
- 65" Parabolic Soft Silver Reflector
- Focus Mount PRO XL
Litegear LiteMat Plus 1 Bi-Color LED Light Panel (V-Mount Dimmer Kit)
- For Studio & Film/TV Production
- Output: 1905 Lux at 3.3' (6000K)
- 2600-6200K CCT
- 21 x 11" Panel; Optional Battery Power
Litegear LiteMat Plus 1 Bi-Color LED Light Panel (Gold Mount Dimmer Kit)
- For Studio & Film/TV Production
- Output: 1905 Lux at 3.3' (6000K)
- 2600-6200K CCT
- 21 x 11" Panel; Optional Battery Power
Genaray SSL-50B Bi-Color 50" Soft Strip 4-Light Kit
- Four Bi-Color 50" Soft Strip Lights
- Four Impact Air-Cushioned Stands
- Color Temperature: 3000 to 5600K
- Light Panels Measure 50 x 4.2 x 1.9"
DigitalFoto Solution Limited Studio Video Dimming Bi-Color 500W LED Panel Soft Light with DMX
- 2800-9900K Color Temperature
- Angle Adjustable Yoke with Stand Mount
- 100-220 VAC Adapter
- Optional V-Mount 26-33.4V Batteries
ikan Rayden Daylight 3-Point LED Light Kit with 2 x RW10 and 1 x RW5
- 2 x Rayden 50° Daylight RW10
- 1 x Rayden 50° Daylight RW5
- 3 x Light Stands
- 3 x Power Supplies with Cables
DeSisti SoftLED1 Lite Variable White LED Light
- For Studio & Film/TV Production
- Output: 1468 Lux at 3.3' (5600K)
- CRI 93 | TLCI 96
- DMX and Local Control
BB&S Lighting Reflect Color Studio RGB LED Light (Studio, 2', Black)
Lupo SuperpanelPRO Dual Color 60 Soft (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 16600 Lux at 3.3' (5600K)
- 2800 to 6500K; Dual-Color
- 27.2 x 18.3" Panel
Lupo SuperpanelPRO Dual Color 60 Hard LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 16,600 Lux at 3.3' (5600K)
- 2800 to 6500K; Variable Color Control
- 27.2 x 18.3" Panel; Multi-Voltage AC
Kino Flo FreeStyle 41 LED Fixture
- 52.5 x 9 x 4" w/ 6" Barndoors
- Removable LED Panel and Louver
- Molded Corners for Rigging Options
- Several Optional Mounts
Lupo UltrapanelPRO Full Color Hard 30 LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 60,000 Lux at 3.3' (6500K)
- 2800 to 10,000K; RGB Color Control
- 13.8 x 13.7" Panel, Multi-Voltage AC
Lupo UltrapanelPRO Full Color Soft 30 LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 8350 Lux at 3.3' (6500K)
- 2800 to 10,000K; RGB Color Control
- 13.9 x 13.8" Panel, Multi-Voltage AC
Lupo DayledPRO 1000 Full Color RGB LED Fresnel Light (Pole-Operated Yoke)
- For Studio & Film/TV Production
- Output: 27,000 Lux at 3.3' (10°, 6500K)
- 2800 to 10,000K, RGB Control
- Beam Angle: 10 to 60°
ikan Stryder Bi-Color LED Fresnel Light (2-Light Kit)
- 2-Light Kit with Stands and Travel Case
- For Studio & Film/TV Production
- Output: 1318 Lux at 5' (65°, 5600K)
- 2800-6500K; Bi-Color Control
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


