Lupo UltrapanelPRO Dual Color Hard 30 LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 73,000 Lux at 3.3' (6500K)
- 2800 to 6500K CCT
- 13.8 x 13.7" Panel, Multi-Voltage AC
Lupo MovielightPRO Dual-Color 600 LED Light (Pole-Operated Yoke)
Lupo Dayled 1000 Dual Color Pro Fresnel with DMX (Pole-Operated Yoke)
- 2800-6500K Color Temp, Bluetooth / DMX
- 90-240 VAC, Measures 11.8 x 11x 10.6"
- Widely Used Bowens Front Mount
- Technopolymer Construction
Litepanels Gemini 1x1 Soft RGB LED Light Panel (Standard Yoke, UK Power Cord)
- For Studio & Film/TV Production
- Output: 614 Lux at 3.3' (5600K, 95°)
- 2700 to 10,000K; CCT RGB Control
- 12.6 x 12.6"; AC/DC Operation
Litepanels Gemini 1x1 Soft RGB LED Light Panel (Standard Yoke, EU Power Cord)
- For Studio & Film/TV Production
- Output: 614 Lux at 3.3' (5600K, 95°)
- 2700 to 10,000K; CCT RGB Control
- 12.6 x 12.6"; AC/DC Operation
Parabolix OMNI LED Light Kit with 55" Reflector and Focus Mount PRO
- Kit Designed for Beauty Lighting
- OMNI LED Light
- 55" Parabolic Soft Silver Reflector
- Focus Mount PRO
Dracast Remote Newsroom Studio Essentials Bi-Color Light Kit (Gold Mount)
- 2 LED1000 Pro Bi-Color LED Panels
- LED500 Pro Bi-Color Panel
- LED160 Bi-Color On-Camera LED Light
- 2 NP-F 2200 mAh Batteries and Charger
Dracast Remote Newsroom Studio Essentials 4-Light Kit with V-Mount Batteries
- Two LED1000 Bi-Color Lights: 3200-5600K
- LED500 Light
- LED160 Light
- Three V-Mount Batteries & Charger
ikan Rayden 1 x 1 Bi-Color 2-Point Panel LED Light Kit
- 3200-5600K, 50-Degree Beam Angle
- 2 x Rayden Bi-Color LED Panels
- 2 x V-Mount Battery Plates
- 2 x Gold Mount Battery Plates
Kino Flo FreeStyle 21 LED Fixture
- 26.5 x 3.5 x 13" w/ 6.0" Barndoors
- Removable LED Panel and Louver
- Molded Corners for Rigging Options
- Several Optional Mounts
Lupo DayledPRO 3000 Bi-Color LED Fresnel Light (Manually Operated Yoke)
- For Studio & Film/TV Production
- Output: 150,000 Lux at 3.3' (Spot)
- 2800-6500K CCT
- Beam Angle: 10 to 55°
Lupo DayledPRO 3000 Tungsten LED Fresnel Light (Manually Operated Yoke)
- For Studio & Film/TV Production
- Output: 130,000 Lux at 3.3' (Spot)
- 3200K CCT
- Beam Angle: 10 to 55°
Lupo DayledPRO 3000 Daylight LED Fresnel Light (Manually-Operated Yoke)
- For Studio & Film/TV Production
- Output: 150,000 Lux at 3.3' (Spot)
- 5600K CCT
- Beam Angle: 10 to 55°
Fluotec Vegalux 200 UHP Motorized Zoom Daylight 8" Fresnel
- Color Temperature: 5700K, CRI: 93
- 12 to 52° Spot-to-Flood Adjustment
- Dimmable Digital Control 0-100%
- Motorized Zoom, Glass Fresnel Lens
Fluotec VegaLux 200 UHP Tungsten 7" StudioLED Fresnel (Stand Mount)
- Nebula Diffusion Chamber Technology
- 12 to 52° Spot-to-Flood Adjustment
- Motorized Zoom
- Color Temperature: 5600K, CRI: 93
Aputure INFINIMAT LED with Clear Softbox & 400W Control Box Pack (1 x 4', V-Mount)
- Modular Full-Color RGBWW LED Light Mat
- Multiple Mounting & Rigging Methods
- Control Box Pack with Dual V-Mount
- Skirt, Clear Softbox, Air Pump Mini
Godox PaletteLab 600W Full-Spectral LED Light Kit
- For Content Creators & Video Productions
- Monolight with 281 Trillion Colors
- PaletteLab Full Spectrum, 92% Rec.2020
- IP65 Rated, CRI R9: 99, TM-30 RF: 97
CineGearFactory AirTube8C RGBWY LED Light Kit
- 1 x 8' RGBWY LED Light with Softbox
- Tubular Softbox Filled with Air
- 190W Power Output Equivalency
- 2500 to 20,000K CCT Range
Fluotec StudioLED 650 HP Tunable DMX Bi-Color LED Panel
- Measures 24 x 19.5 x 3.5"
- Color Temperature: 2700 to 6200K, CRI 97
- 90 to 240 VAC, 0 to 100% Dimming, 163W
- 1 x Gel Frame, 1 x C-Clamp
Lupo DayledPRO 3000 RGB LED Fresnel Light (Manually Operated Yoke)
- For Studio & Film/TV Production
- Output: 130,000 Lux at 3.3' (Spot)
- 2800-10,000K CCT; Full RGB Color Control
- Beam Angle: 10 to 55°
Dracast Pro Series II LED2000 Bi-Color LED Light Panel (2-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 4290 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 19.3 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED2000 Bi-Color LED Light Panel (2-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 4290 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 19.3 x 10" Panel; Gold Mount; AC/DC
Dracast Pro Series II LED1000 RGB LED Light Panel (3-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 2631 Lux at 3.3' (10,000K)
- 2700-10,000K CCT, RGB Color Control
- 10 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED1000 RGB LED Light Panel (3-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 2631 Lux at 3.3' (10,000K)
- 2700-10,000K CCT, RGB Color Control
- 10 x 10" Panel; Gold Mount; AC/DC
ikan Stryder Bi-Color LED Fresnel Light (3-Light Kit)
- Three Lights with Stands & Carry Bag
- 2800-6500K; Bi-Color Control
- Output: 2620 Lux at 5' per Light
- 3" Fresnel Lens, 30-65° Beam Angle
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


