Parabolix OMNI LED Light Kit with 45" Reflector and Focus Mount PRO
- Kit Designed for Beauty Lighting
- OMNI LED Light
- 45" Parabolic Soft Silver Reflector
- Focus Mount PRO
Lupo Dayled 2000 Dual-Color PRO LED Fresnel with DMX (Manual Yoke)
- 8" Lens, Beam: 15-50°
- Color: 2800-6500K, CRI/TLCI: 97/98
- 4-Way Barndoors, Onboard DMX
- Dims 0-100%, 3 Dimming Curves
ikan Lyra LB5 Bi-Color LED Panel with Stryder Fresnel (3-Light Kit)
- 2 Panels, 1 Fresnel with Stands & Cases
- For Studio & Film/TV Production
- Output: 1327 Lux at 3.3' (5600K)
- 3200-5600K Bi-Color
ikan Lyra LB5 Bi-Color LED Panel with Stryder Fresnel (3-Light Kit)
- 2 Panels, 1 Fresnel with Stands & Cases
- For Studio & Film/TV Production
- Output: 1327 Lux at 3.3' (5600K)
- 3200-5600K Bi-Color
Dracast Pro Series II LED2000 Daylight LED Light Panel (2-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 5237 Lux at 3.3'
- 5600K, Daylight Balanced
- 19.3 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED2000 Daylight LED Light Panel (2-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 5237 Lux at 3.3'
- 5600K, Daylight Balanced
- 19.3 x 10" Panel; Gold Mount; AC/DC
Godox P120Bi Bi-Color LED Light Panel (3-Light Kit)
- Three Lights with Stands & Carry Bag
- Output: 4610 Lux at 3.3' per Light
- 3200-5600K CCT
- 18 x 16" Panel with Yoke; AC/DC Power
Dracast Reporter Bi-Color 4-Light Kit (V-Mount)
- 2 LED1000 Bi-Color LED Panels V-Mount
- LED500 Pro Bi-Color Panel V-Mount
- LED160 Bi-Color On-Camera LED Light
- 2 NP-F 2200 mAh Batteries and Charger
Nila Varsa V2 Daylight LED Lamp Head
- Measures: 8.7 x 13 x 8.3"
- Daylight Color: 5600K, CRI90
- 100 to 0% Dimming Range
- Draws 75W, IP65 Water-Resistant
Westcott Flex Cine Bi-Color 1-Light Gear Kit (1 x 2')
- 1 x Bi-Color 1 x 2' Mat
- 1 x Dimmer, 1 x AC Adapter
- 1 x Power Cord, 1 x Hard Diffusion Panel
- 1 x Grip Head, 1 x Shoulder Strap
Chimera Panel Lantern Powered by LiteGear 24 x 24" Lighting Kit (EU Plug)
- 1 x PL100 LED Light Engine
- 1 x Controller, 1 x Power Supply
- 1 x Panel Frame: 24 x 24"
- 1 x Fabric Lantern:
Chimera Panel Lantern Powered by LiteGear 24 x 24" Lighting Kit (US/North American Plug)
- 1 x PL100 LED Light Engine
- 1 x Controller, 1 x Power Supply
- 1 x Panel Frame: 24 x 24"
- 1 x Fabric Lantern:
Smith-Victor Edge360 Bi-Color LED 3-Light with Boom Power Kit
- 2 x Edge360 18" Bi-Color LED Lights
- 1 x Edge360 13" Bi-Color LED Light
- 6 x NP-F750 Batteries, 3 x Dual Chargers
- 2 x 8' Light Stands, 1 x 10' Light Stand
Dracast Webcast Plus 2-Light Kit (Daylight)
- LED500 Plus Daylight LED Light
- LED200 Daylight On-Camera LED Light
- 90Wh V-Mount Li-Ion Battery
- Dual V-Mount Battery Charger
Reflecmedia RM 3261M Medium Dual LiteRing
- Blue and Green LEDs
- Maximum Lens Diameter: 112 mm
- For Chroma Key Applications
- 256 Steps Dimming w/ Optional Controller
Reflecmedia RM 3251S Small Dual LiteRing
- Blue and Green LEDs
- Maximum Lens Diameter: 72 mm
- For Chroma Key Applications
- 256 Steps Dimming w/ Optional Controller
Dracast Wedding Plus 3-Light Kit (Daylight)
- Two LED500 Plus Daylight LED Lights
- LED200 Daylight On-Camera LED Light
- Two Light Stands
- Hard Carrying Case
FotodioX Pro FACTOR 2x2 V-5000ASVL Bi-Color Kit with Grid and Travel Case
- 1 x Bi-Color 2x2 V-5000ASVL
- 1 x 90-Degree Grid
- 1 x Soft-Sided Kit Case
- Variable Color: 3200 to 5600K
VELVETlight VELVET Articulated 3-Light Studio LED Light Panel
- For Studio & Film/TV Production
- Output: 5500 Lux at 3.3'
- 2500-6500K CCT; Green/Magenta Correction
- 11.8" Long; AC Power
CHAUVET Professional Ovation F-915VW-2 Variable-White Fresnel-Style LED with Motorized Zoom
- For Theatrical and Studio Applications
- Delivers Flat, Even Field of Light
- Smooth Motorized Zoom: 17 to 85°
- Six-Color LED System
Hedler Profilux Daylight 1400 LED Fresnel Light
- For Studio & Film/TV Production
- Output: 40,200 Lux, 3.3' (20°, 5600K)
- 5600K Daylight
- 20 - 60° Adjustable Beam Angle
Lupo DayledPRO 2000 Full Color RGB LED Fresnel Light (Manually-Operated Yoke)
- For Studio & Film/TV Production
- Output: 75,000 Lux at 3.3' (10°, 6500K)
- 2800 to 10,000K, RGB Control
- Beam Angle: 10 to 60°
ikan Lyra Half x 1 Bi-Color Studio and Field LED 3-Light Kit
- 3 LBX5 LED Lights with Yoke
- 3 Heavy-Duty Stands
- Stand and Light Bags Included
- 3200-5600K Adjustable Color Temperature
ikan Lyra Half x 1 Bi-Color 3-Point Soft Panel LED Light Kit
- 3x Lyra Half x 1 Bi-Color LED Lights
- 350W Tungsten Equivalent
- Color Temperature: 3200-5600K
- Beam Angle: 110°
Fluotec Cinelight 100 - 2x1 RGBWW LED Panel with Yoke
Frezzi SKY1V Portable LED with HMI Type Output with V-Mount Battery Mount
- Daylight-Balanced 5600K LED Light
- 650W Tungsten Equivalent, Dims 0 - 100%
- Runs on AC or Optional Battery
- Optional Barn Door/Diffuser/Filter
Frezzi SKY1A Portable LED with HMI Type Output with A/B Battery Mount
- Daylight-Balanced 5600K LED Light
- 650W Tungsten Equivalent, Dims 0 - 100%
- Runs on AC or Optional Battery
- Optional Barn Door/Diffuser/Filter
Lupo UltrapanelPRO Dual Color Soft 30 LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 8,600 Lux at 3.3' (6500K)
- 2800 to 6500K CCT
- 13.8 x 13.7" Panel, Multi-Voltage AC
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


