Nanlite PavoSlim 120C RGB LED Panel (V-Mount)
- For Studio, Film & TV Production
- Output: 12,830 Lux at 3.3' (5600K)
- 2700-7500K; RGBWW Color Control
- 23.7 x 12.1" Panel; AC/DC Operation
amaran F22x 2x2 Bi-Color LED Flexible Mat (V-Mount)
- For Studio & Film/TV Production
- Output: 6960 Lux at 3.3' (5600K)
- 2500-7500K; HSI Color Control
- 2x2'; AC/DC Operation
Aputure STORM 400x Tunable White LED Monolight (Gold Mount)
- For Studio & Film/TV Production
- Output: 27,100 Lux at 3.3' (5600K)
- 2500-10,000K CCT, Green/Magenta Control
- Battery or AC Power
Aputure STORM 700x Tunable White LED Monolight (Cine Kit)
- Light with Fresnel, Barndoors & Skid
- Output: 16,730 Lux at 9.8' w/ Reflector
- 2500-10,000K CCT; BLAIR LED Chipset
- AC Power
Nanlite FS-300C RGB LED Monolight
- For Content Creators & Vloggers
- Output: 48,850 Lux at 3.3' w/ Reflector
- 2700-7500K; Full RGB Color Control
- AC Power
amaran F21x 2x1 Bi-Color LED Flexible Mat (V-Mount)
- For Studio & Film/TV Production
- Output: 3670 Lux at 3.3' (5600K)
- 2500-7500K; HSI Color Control
- 2x1'; AC/DC Operation
Nanlite FC720B Bi-Color LED Spotlight
- For Film, Broadcast & Studio Production
- Output: 133,800 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC Power
Genaray PX1-RGB Pixel RGB LED Tube Light (1')
- For Photo, Video & Film Production
- Output: 103 Lux at 3.3'
- Color Temperature: 2800-8000K; RGB Mode
- Onboard, Bluetooth
Nanlite PavoTube II 6C RGB LED Tube Light (10")
- For Photo, Video & Film Production
- Output: 169 Lux at 3.3' (5600K)
- 2700-7500K CCT; RGB Mode
- Onboard & App Control
Godox SL60IIBI Bi-Color LED Video Light
- For Film, Broadcast & Video Production
- Output: 25,100 at 3.3' (5600K)
- 2800 to 6500K CCT
- AC Power with Included Adapter
Aputure INFINIBAR PB12 RGB LED Light Panel (4')
- For Studio and Film/TV Production
- Output: 617 Lux at 3.3' (120º, 7500K)
- 2000 to 10,000K; RGB Color Control
- 47.4 x 1.8" Panel; AC/DC Operation
Raya Single LED/Fluorescent Lamp Holder with Umbrella Socket
- For LED and Fluorescent Bulbs
- E26 / E27 Edison Base
- 5/8" Receiver
- Adjustable Tilt
Neewer BASICS FL10 Portable LED Light
- For Content Creators & Vloggers
- Output: 405 Lux at 3.3' (2000K)
- Four-Color LED Lighting Effects
- 20 Gobo Creative Filters & Snoot
Elgato Key Light Neo (White)
- For Content Creators and Vloggers
- 2900 to 7000K, Cool and Warm Presets
- 5.9" Diameter Round Light
- CRI >94
SmallRig RM 03 Macro Photography LED Light
- Adjustable Lighting Angle
- 5 LEDs | 5 Levels of Brightness Control
- Multicolor Output | 140-Minute Runtime
- IP54 Weatherproof Construction
Genaray PX4-RGB Pixel RGB LED Tube Light (4')
- For Photo, Video & Film Production
- Output: 635 Lux at 3.3'
- Color Temperature: 2800-8000K; RGB Mode
- Onboard, Bluetooth, DMX
amaran T4C RGB LED Tube Light (4')
- For Photo & Video Enthusiasts
- Output: 744 Lux at 3.3' (5600K)
- 2500-7500K CCT; RGB Mode
- Onboard, DMX & App Control
Aputure MC 4-Light Travel Kit with Charging Case
- 4 x MC RGBWW Light Fixtures
- 95% BT.2020 Gamut Coverage
- Full HSI Color Control
- 0 to 100% Dimming
amaran Verge Bi-Color LED Light Panel (Charcoal)
- For Content Creators & Vloggers
- Output: 822 Lux at 3.3' (5600K)
- 2700-6500K CCT
- 11.5 x 8.7" Panel; USB-C PD Power
amaran Ace 25c RGB LED Light Panel (White)
- For Content Creators and Vloggers
- Output: 1171 Lux at 3.3' (5600K)
- 2300 to 10,000K; RGB Color Control
- 4.6 x 3" Panel; USB-C Rechargeable
SmallRig RC 30B Bi-Color LED Focusing Video Light
- For Studio & Film/TV Production
- Output: 12,000 Lux at 3.3' (15°, 5600K)
- Color Temperature Range: 2700 to 6500K
- Adjustable Beam Angle: 15 to 60°
Elgato Key Light (2-Pack)
- 3900-7000K CCT, Measures 13.8 x 9.8"
- 22-59" Pole Mount with Clamp
- Desk Clamp Keeps Light off Floor
- Wi-Fi Wireless Connection, Opal Face
Nanlite FC500B Bi-Color LED Spotlight
- For Film, Broadcast & Video Production
- Output: 65,640 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC Power
Godox SL60IIBI Bi-Color LED Video Light (2-Light Kit)
- For Film, Broadcast & Video Production
- Output: 25,100 at 3.3' (5600K)
- 2800 to 6500K CCT
- AC Power with Included Adapter
amaran F21c RGB LED Flexible Light Mat (V-Mount)
- For Studio & Film/TV Production
- Output: 3660 Lux at 3.3' (5600K)
- 2500-7500K CCT; HSI Color Control
- 2 x 1' Mat; AC/DC Operation
Nanlux Evoke 5C RGB LED Spotlight Kit
- Light with Fresnel, Battery Grip & Case
- Output: 496 Lux at 3.3' (Bare, 5600K)
- 1000-20,000K CCT; Full RGB Color Control
- +/- 200 Green/Magenta Tint Adjustment
Aputure STORM 1200x Cine Kit with Skid Support, Fresnel, and Barndoors
- STORM 1200x Bi-Color LED Monolight
- STORM 1000c/1200x Skid Flat Support
- CF12 15-45° Compact Bowens Fresnel
- 8-Leaf CF12 Barndoors
Godox Litemons LE300Bi Bi-Color LED Monolight (Black)
- For Video Production & Content Creators
- Output: 58,900 Lux at 3.3' w/ Reflector
- 2800-6500K CCT
- Integrated Power Supply; AC Power
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


