Blackmagic Design URSA Broadcast G2 Camera
- 6K CMOS Sensor, Dual Native ISO
- 2/3" B4 Lens Mount & Active EF Mount
- 6K Blackmagic RAW Recording
- Records to ProRes, H.265/264
Blackmagic Design Studio Camera 6K Pro (EF Mount)
- Active Canon EF Lens Mount
- Capture up to 6K 6144 x 3456p50
- Live Streaming
- Remote Controlled ND Filters
Blackmagic Design Studio Camera 4K Pro G2
- Micro Four Thirds Lens Mount
- Capture up to UHD 4K 3840 x 2160p60
- Live Streaming
- 12G-SDI, HDMI & 10G Ethernet Video I/O
Blackmagic Design Studio Camera 4K Plus G2
- Active Micro Four Thirds Lens Mount
- Capture up to UHD 4K 3840 x 2160p60
- 12G-SDI Input/Output, HDMI Output
- Control via HDMI, SDI, USB, or Ethernet
Blackmagic Design Micro Studio Camera 4K G2
- Active Micro Four Thirds Lens Mount
- UHD 4K Resolutions up to 3840 x 2160p60
- 12G-SDI Video Input/Output, HDMI Output
- 13-Stop Dynamic Range, Compact Design
Blackmagic Design URSA Broadcast G2 Camera Kit with Fujinon LA16x8BRM-XB1A Lens
- URSA Broadcast G2 Camera
- Fujinon 18-128mm ENG Lens with Servo
- 6K CMOS Sensor, Dual Native ISO
- T1.9 (8mm) to T2.8 (128mm) Max Aperture
Blackmagic Design URSA Broadcast G2 Camera with Fujinon 8.5-170mm Digital Servo Lens & Zoom/Focus Control
- URSA Broadcast G2 Camera
- Fujinon XA20sx8.5BERM-K3 ENG Lens
- MS-01 Rear Zoom/Focus Lens Control Kit
- Digital Servo Unit Included
JVC GY-HC900STU 2/3" HD Connected Cam Studio Camcorder (Body Only)
- 3 x 2/3" CMOS Image Sensors
- 68-Pin Interface for Optional Fiber Back
- Sports Exchange Standard 1080p/720p
- Live Stream in 1080p60/50
Blackmagic Design URSA Broadcast G2 Camera with Fujinon 8.5-170mm Lens & Zoom/Focus Control
- URSA Broadcast G2 Camera
- Fujinon XA20sx8.5BRM-K3 HD Pro Lens
- MS-01 Rear Zoom/Focus Lens Control Kit
- 6K CMOS Sensor, Dual Native ISO
Sony HXC-FZ90 4K HDR Studio Camera (Neutrik, Body Only)
- 2/3" 4K HDR CMOS Sensor, B4 Lens Mount
- Neutrik Connector to HXCU-FZ90 CCU
- Up to 1080p60 Oversampled HDR Video
- UHD 4K Requires Separate License
Sony HXC-FZ90 4K HDR Studio Camera (SMPTE LEMO, Body Only)
- 2/3" 4K HDR CMOS Sensor, B4 Lens Mount
- SMPTE LEMO Connector to HXCU-FZ90 CCU
- Up to 1080p60 Oversampled HDR Video
- UHD 4K Requires Separate License
Kokusai Denki Electric Z-HD6500U 2/3" 1080p HDR CMOS Camera Head
- 2/3" CMOS Sensor, Unibody Camera
- 1080p59.94 Resolution, B4 Lens Bayonet
- Global Shutter Eliminates Blur
- Simultaneous HDR & SDR Output
Kokusai Denki Electric Z-HD6500 2/3" UHD 4K HDR CMOS Camera Head
- 2/3" CMOS Sensor, Unibody Camera
- Up to UHD 4K Resolution, B4 Lens Bayonet
- Global Shutter Eliminates Blur
- Simultaneous HDR & SDR Output
Sony HXC-FZ90SN2 Camera Kit with 20x Lens, HDVF-EL740 EVF & Fiber Connector (Neutrik)
- 2/3" 4K HDR CMOS Sensor, B4 Lens Mount
- 20x Zoom Lens, HDVF-EL740 7.4" OLED EVF
- Up to 1080p60 Oversampled HDR Video
- UHD 4K Requires Separate License
Sony HXC-FZ90SL2 Camera Kit with 20x Lens, HDVF-EL740 EVF & Fiber Connector (SMPTE LEMO)
- 2/3" 4K HDR CMOS Sensor, B4 Lens Mount
- 20x Zoom Lens, HDVF-EL740 7.4" OLED EVF
- Up to 1080p60 Oversampled HDR Video
- UHD 4K Requires Separate License
Sony HDC-3100L 2/3" CMOS SMPTE Fiber Broadcast Camera (Head Only)
- 2/3" CMOS Sensor
- Global Shutter Produces Crisp Images
- f/12 at 1080p59.94, f/13 at 1080p50
- SMPTE LEMO Optical Fiber Interface
Kokusai Denki Electric SK-UHD7000 2/3" GS-CMOS 1080p Live Production Camera
- 3840 x 2160 2/3" CMOS Image Sensor
- Global Shutter Eliminates Motion Blur
- Up to 1080p59.94 12G-SDI Out
- UHD 4K with Optional License
Panasonic AK-UC3300 4K HDR Studio Camera with 2x HD Slow Motion
- 11.14MP Super35 CMOS Image Sensor
- Broadcast-Style B4 Lens Mount
- Up to UHD 4K59.94 3G-SDI Out
- LEMO SMPTE Hybrid Fiber Connector
Kokusai Denki Electric Z-HD6500-ST-550 2/3" 1080p Studio Camera Package with CU-HD550OU
- 2/3" CMOS Sensor, Unibody Camera
- HD550U CCU Fiber Control Unit
- Global Shutter, Simultaneous HDR and SDR
- 1080p59.94 Resolution, B4 Bayonet
Kokusai Denki Electric Z-HD6500 1080p Studio Package with Remote Panel, VF, and Wireless Mic RX Mount
- Z-HD6500 2/3" 1080p HDR GS-CMOS Camera
- VF-L20HD 2" Color ENG Viewfinder
- RU-1000VR Remote Control Panel
- Wireless Mic RX Mount, Gold Mount Plate
Ikegami HDK-73 HDTV Camera System with CA-75HD Camera Adapter
- Three 2.6MP 2/3" CMOS Sensors
- Native Multi-Format Support
- CA-75HD Camera Adapter Included
- Advanced Full Digital DSP
Kokusai Denki Electric Z-HD6500 4K Studio Package with Remote Panel, VF, and Wireless Mic RX Mount
- Z-HD6500 2/3" UHD 4K HDR GS-CMOS Camera
- VF-L20HD 2" Color ENG Viewfinder
- RU-1000VR Remote Control Panel
- Wireless Mic RX Mount, Gold Mount Plate
Kokusai Denki Electric SK-UHD7000 2/3" GS-CMOS UHD 4K Live Production Camera
- 3840 x 2160 2/3" CMOS Image Sensor
- Global Shutter Eliminates Motion Blur
- Up to UHD 4K59.94 12G-SDI Out
- Simultaneous HDR/SDR Multi-Format Output
Kokusai Denki Electric Z-HD6500 1080p Studio Production Camera Package
- 2/3" CMOS Sensor, Unibody Camera
- Includes Tripod Plate, 7" Viewfinder
- Includes Cradle Mount, HD650U CCU
- Includes RU-1000VR Remote Control
Ikegami HDK-73 HDTV Camera System with BSF-300 Digital Base Station
- Three 2.6MP 2/3" CMOS Sensors
- Native Multi-Format Support
- FA-300 Fiber Adapter with Multiple I/O
- BSF-300 Digital Base Station
Selecting the Right TV Cameras for Your Studio
TV cameras describe a grouping of professional cameras that are optimized for a television production and publishing schedule, which often requires tight turnaround times and high volumes. When looking for the right TV cameras for your studio, it's important to look for cameras that can meet all your technical and use requirements, while considering any constraints you may have in your post-production schedule.
What Makes TV Cameras Unique?
To understand the unique qualities of TV cameras, it's important to understand television production. Unlike films, which are shot on a single camera using multiple takes, television is often filmed from multiple cameras at once. This requires live or live-to-tape broadcast capabilities. Television producers will select television cameras that reduce or eliminate the need for post-production time altogether.
Types of TV Studio Cameras
When outfitting your studio, you should select TV cameras that can be used in a multi-camera environment and record a high volume of footage. Broadcast cameras are optimized for the live studio broadcast. Rather than record footage in their housing, broadcast cameras send their feeds via cables to a central control station where a director can switch between the different cameras in real-time. Because of their substantial size, broadcast cameras must be used on tripods or booms to ensure stability and smooth operation. They offer the camera operator the ability to color-correct, pan, zoom, and focus fluidly.
Other Types of Broadcast Cameras
While broadcast cameras are built for most live studio needs, not all TV studios are created equally. If space is an issue and you don’t plan to move your cameras during filming, consider using compact industrial and multi-purpose cameras.
If you want to take your studio cameras into the field, consider using professional camcorders in your studio. Unlike broadcast or industrial cameras, these cameras are compact and lightweight, designed to be used on a tripod or as a handheld camera. Many have built-in memory in addition to HD-SDI outputs, giving you maximum flexibility when selecting your locations.
If your post-production timeline is somewhat flexible, or if you're planning to record a television series that has the look and feel of a film, consider using one or more digital cine cameras in your video setup. While some models lack HD-SDI outputs, these HD cameras will deliver film-quality footage for your project.
When selecting the right TV cameras for your studio, it's important to consider the needs of your project, your production timeline, your schedule, and your space. Check out the diverse inventory at B&H Photo and Video; it's sure to have the right equipment to meet all your studio needs, no matter your budget.


