Ultrafine Chemistry Black and White Odorless Stop Bath Powder (To Make 1 gal)
Flic Film Tannic Acid Toner (50g)
- Used During Cyanotype Processing
- Produces a Variety of Shades
- Low Acidity
- Commonly Used as a Reducer
Legacy Pro L76 B&W Powder Film Developer (Makes 1 Gallon)
- Moderately Fine-Grain Developer
- Maintains Full Film Speed
- Wide Continuous-Tone
- Shadow Detail and Normal Contrast
Photographers' Formulary Rapid Fix with Hardener for Black & White Film & Paper
Photographers' Formulary Weston's Amidol Developer for Black & White Paper
Arista Liquid Paper Developer (64 oz)
- For Processing RC and Fiber Paper Types
- Wide Latitude
- Produces Neutral Image Tone
- To Make 5 gal
Ilford Bromophen Developer (Powder, Makes 5 Liters)
- For Black & White Paper
- Normal Dilution is 1+3
- Produces Slightly Warm Image
Ilford SIMPLICITY Film Fixer (100mL Sachet, 5-Pack)
- For 1x 120 or 2x 35mm Rolls of Film
- RAPID FIXER B&W Fixer Concentrate
- Rapid, Non-Hardening Formula
- Not Suitable for Use with Hardeners
Solarol Developer for Black & White Paper
Eco Pro Hypo Wash (1 Gallon)
- Concentrated to Yield 20 gal
- Removes Excess Fixer
- Reduces Washing Times
- For Film and Fiber- & RC-Based Papers
Sprint Systems of Photography Block Stop Bath for Black & White Film and Paper (20 L)
Sprint Systems of Photography Record Speed Liquid Fixer for Black & White Film and Paper (20 L)
Adox Adotol Konstant II Universal Paper Developer (To Make 1L)
- Powder Developer for B/W Photo Paper
- Neutral-Black Image Tone
- Makes 1L of Chemistry
- No Dust while Mixing
Arista Premium Powder Film Developer (To Make 1 gal)
- Phenidone-Based Developer for B&W Film
- Ideal for Hand/Tank Processing
- Can Be Used 1:1 or Straight
Moersch Photochemie SE5 Master Lith Printing Paper Developer (Part E, 100mL)
- Part E of SE5 Master Lith Kit
- Potassium Bromide Additive
- Offers Control Over Shadow Density
Moersch Photochemie SE5 Master Lith Printing Paper Developer (Part D, 100mL)
- Part D of SE5 Master Lith Kit
- Potassium Bromide Starter
- Development-Delay Substances for Control
Moersch Photochemie SE5 Master Lith Printing Paper Developer (Part C, 100mL)
- Part C of SE5 Master Lith Kit
- Sodium Sulfite Solution
- Additive, Extends Developer Working Life
Moersch Photochemie Restrainer Neutral (100mL)
- Anti-Fogging Agent for Old Film & Paper
- Reduces Base Fog for Cleaner Results
Legacy Pro Indicator Stop Bath for Black & White Film & Paper (16 oz)
Adox Adofix Plus Fixer Concentrate (16.9 oz)
- Express Fixer for B&W Photo Materials
- Suitable for Trays, Tanks & Machines
Photographers' Formulary TD-16 Developer for Black & White Film
Photographers' Formulary Film Developer 23 (to Make 1L)
- B&W Film Developer Kit
- Includes Sodium Sulfite and Metol
- Semi-Compensating Developer
- Produces Low/Medium Contrast Negatives
Foma Fomatol P (W14)
- Black and White Paper Developer
- Makes 0.66 Gallons (2.5 Liters)
- Similar to Kodak Dektol
Moersch Photochemie Bleach Concentrate (100mL)
- Reduces Density in Film and Prints
- Typically Diluted Between 1:10 and 1:100
Moersch Photochemie SE5 Master Lith Printing Paper Developer (Part Omega, 100mL)
- Part Omega of SE5 Master Lith Kit
- Ammonium Carbonate Additive
- For Use with Foma Fomatone Papers
- Contains No Antioxidants
Legacy Pro Select Soft Powder Developer for B&W Paper (Makes 1 gal)
Moersch Photochemie Finisher Blue (100mL)
- B&W Paper Developer Additive
- Produces Deep, Cold Blue-Black Tonality
- Effect Varies Based on Amount Used
Photographers' Formulary Phenidone (Pota) Developer for Black & White Film
Choosing Film Developing Chemicals
Developing film in your own darkroom can be a rewarding experience, but the process requires knowledge of the chemicals, careful measurement, plenty of open air, and time to process the film. Black-and-white film development boasts more ways to mix chemicals than color film chemistry, as the processes when using color chemicals are the same throughout mixtures.
What's Film Developer?
Film developers comprise of one or more chemicals that turn unprocessed black-and-white or color film into a photo format. The process of using film developing chemicals on film ribbon makes image transfer permanent, and removes light sensitivity that damages unprocessed film. Which developer you choose depends on what result you seek. Black-and-white developing chemicals can mix in several ways and have multiple processes that achieve different effects. There are four primary types of film developing chemicals to consider when processing black-and-white film:
- Liquid: Use only required amounts; you must dilute
- Powder: Does better in storage; mix as needed for less waste
- Solvent: Fine-grain; option to dilute or not and reuse is possible with additional development time
- Non-solvent: High acutance; increases sharpness and grain
Photographic fixer helps cement the image and complete the development of the film. Stop baths create the same affect, but take longer to attain results. Rapid fixers are popular because they quickly set images, but both development processes yield similar results.
How to Use Film Developer
Photographers use film developer in combination with black-and-white or color paper chemistry to process film and create finished photos. Black-and-white film processing requires paying special attention to the mixture and storage of chemicals. The following darkroom equipment is necessary if you're attempting to develop film at home:
- Enlarger: Handles film; 35mm enlargers are standard
- Enlarger timer: Ensures correct exposure; manual and automatic options are available
- Easel: Secures photographic paper during exposure
- Safe light: Illuminates work area without giving out too much light
- Printing tongs: To move photo paper through chemical solutions
- Processing trays: To hold chemical mixtures
- Print squeegee: To remove excess water so photos set faster
There are also practical safety precautions and safety supplies required when handling any chemical solution.
Popular Paper for Black-and-White Film Development
Using graded paper produces high-quality photos, and it comes in grades from 0 to 5. Grade 5 provides you with the most contrast, and then contrast lowers gradually with each grade. Variable contrast paper can produce different contrasts using magenta filters. Fiber-based paper is more durable and produces beautiful tones, while resin-coated paper processes faster but isn't as stable after processing as fiber-based paper is.
B&H Photo and Video has film developing chemicals, fixing solutions, darkroom enlarging paper, and safety equipment to help you from start to finish. Browse the large selection of options for photographic supplies and keep your studio stocked.


