Black & White Film & Paper Chemistry

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Ilford Ilfotol Wetting Agent (Liquid)
$4399
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Photographers' Formulary Formaflo Solution for Black & White Film - 4 Oz.
$495
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Eco Pro LegacyPro Ascorbic Acid Powder Black/ White Film Developer (Makes 5 L)

BH # ECFDP5 MFR # 747716
Key Features
  • 2 Part Powder
  • Quality / Grain Equivalent to Kodak Xtol
  • Makes 5 Liters of Developer
  • Hydroquinone Free
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$1499
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$2999
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Arista Premium Odorless Stop Bath (16 oz)

BH # AR6511 MFR # 6511
Key Features
  • Liquid Concentrate
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$1109
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$1199
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$8504
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CineStill Film D96 B&W Film Developer (To Make 1L)

BH # CID96BWD1L MFR # D96-1000ML
Key Features
  • Powder B&W Film Developer
  • Suitable for Cine Film Processing
  • Distinct S-Curve Contrast
  • For Processing Approx. 16 Rolls of 35mm
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$699
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$2995
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Arista 76 Powder Film Developer (To Make 1 gal)

BH # AR550110 MFR # 550110
Key Features
  • Fine Grain B&W Film Developer
  • Provides Full Film Speed
  • Good Shadow Detail and Normal Contrast
  • Suitable for Push Processing
$799
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Arista Premium Odorless Powder Fixer (To Make 1 gal)

BH # AR4086 MFR # 4086
Key Features
  • Rapid, Non-Hardening Formula
  • For Black & White Film and Paper
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$1199
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$1595
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Eco Pro Clearfix Neutral Rapid Fixer (One Gallon)

BH # ECCFG MFR # 1231296
Key Features
  • Ideal for Film and Prints
  • Expedites Washing
  • Process in Tray or Drum
  • Use with Prints to be Toned
$4799
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$3154
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Kodak Professional Rapid Fixer Solution Part A (1.2 gal, to Make 5 gal)

BH # KORFSPA MFR # 1059914
Key Features
  • Rapid Formula
  • For Black & White Film and Paper
  • Can Be Used with Hardener Part B
  • For Machine, Tray, or Tank Processing
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$3999
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Eco Pro Black and White Paper Developer (1 Gallon)

BH # ECTSDG MFR # 1231043
Key Features
  • Excellent for Warm Tone Paper
  • Rich Blacks, Natural Whites
  • Works Well with Toners
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$5299
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Arista Liquid Paper Developer (12 oz)

BH # AR11641 MFR # 11641
Key Features
  • For Processing RC and Fiber Paper Types
  • Wide Latitude
  • Produces Neutral Image Tone
  • To Make 1 gal
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$899
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Ilford Microphen Developer Powder for Black & White Film (Makes 1L)

BH # ILMDPW1L MFR # 1177868
Key Features
  • For Normal Tank or Tray Use
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$1395
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Eco Pro Clearstop Odorless Stop Bath (One Gallon)

BH # ECCSG MFR # 1231333
Key Features
  • Dye and Perfume Free
  • Citric Acid Based
  • No Acetic Acid
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$6499
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Ultrafine Chemistry Dektol-Style Black & White Paper Developer Powder (To Make 1 gal)

BH # ULBWPDP1G MFR # 901-181
Key Features
  • Powder Developer for B&W Paper
  • Yields a Uniform Development
  • High Capacity Developer
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$769
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Eco Pro Black and White Paper Developer (1 Quart)

BH # ECTSDQ MFR # 1231036
Key Features
  • Excellent for Warm Tone Paper
  • Rich Blacks, Natural Whites
  • Works Well with Toners
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$1799
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Photographers' Formulary TF-5 Archival Rapid Fixer (Makes 4 Gallons)

BH # PHTF5AF4G MFR # 03-0201
Key Features
  • Contains 4 Liters
  • Makes 4 Gallons Of Working Solution
  • Fixes Resin-Coated Paper In 60 Seconds
  • Low Odor When Mixed With Water
$3595
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$4201
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Ilford Washaid (1L)

BH # ILWAL MFR # 1970902
Key Features
  • Liquid Concentrate Washing Aid
  • Speeds Washing of Films and FB Papers
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$4099
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$4295
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Ilford Harman Selenium Toner (1 Liter)

BH # ILSHT1 MFR # 1143207
Key Features
  • Liquid Concentrate
  • Works on RC and Fiber-Based Paper
  • Tonal Change Depends on Paper Used
  • Working Strength of Approx. 6 Months
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$4699
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Arista Film Developer Liquid (12 oz)

BH # AR1641 MFR # 1641
Key Features
  • Liquid Concentrate B&W Film Developer
  • Makes One Gallon
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$469
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Choosing Film Developing Chemicals

Developing film in your own darkroom can be a rewarding experience, but the process requires knowledge of the chemicals, careful measurement, plenty of open air, and time to process the film. Black-and-white film development boasts more ways to mix chemicals than color film chemistry, as the processes when using color chemicals are the same throughout mixtures.


What's Film Developer?

Film developers comprise of one or more chemicals that turn unprocessed black-and-white or color film into a photo format. The process of using film developing chemicals on film ribbon makes image transfer permanent, and removes light sensitivity that damages unprocessed film. Which developer you choose depends on what result you seek. Black-and-white developing chemicals can mix in several ways and have multiple processes that achieve different effects. There are four primary types of film developing chemicals to consider when processing black-and-white film:

  • Liquid: Use only required amounts; you must dilute
  • Powder: Does better in storage; mix as needed for less waste
  • Solvent: Fine-grain; option to dilute or not and reuse is possible with additional development time
  • Non-solvent: High acutance; increases sharpness and grain

Photographic fixer helps cement the image and complete the development of the film. Stop baths create the same affect, but take longer to attain results. Rapid fixers are popular because they quickly set images, but both development processes yield similar results.


How to Use Film Developer

Photographers use film developer in combination with black-and-white or color paper chemistry to process film and create finished photos. Black-and-white film processing requires paying special attention to the mixture and storage of chemicals. The following darkroom equipment is necessary if you're attempting to develop film at home:

  • Enlarger: Handles film; 35mm enlargers are standard
  • Enlarger timer: Ensures correct exposure; manual and automatic options are available
  • Easel: Secures photographic paper during exposure
  • Safe light: Illuminates work area without giving out too much light
  • Printing tongs: To move photo paper through chemical solutions
  • Processing trays: To hold chemical mixtures
  • Print squeegee: To remove excess water so photos set faster

There are also practical safety precautions and safety supplies required when handling any chemical solution. 


Popular Paper for Black-and-White Film Development

Using graded paper produces high-quality photos, and it comes in grades from 0 to 5. Grade 5 provides you with the most contrast, and then contrast lowers gradually with each grade. Variable contrast paper can produce different contrasts using magenta filters. Fiber-based paper is more durable and produces beautiful tones, while resin-coated paper processes faster but isn't as stable after processing as fiber-based paper is.


B&H Photo and Video has film developing chemicals, fixing solutions, darkroom enlarging paper, and safety equipment to help you from start to finish. Browse the large selection of options for photographic supplies and keep your studio stocked.

Whatever You Need, We've Got It