Rollei Supergrain Film Developer (500mL)
- B&W Fine-Grain Film Developer
- 500mL Liquid Concentrate
- Dilution: 1+9, 1+12, and 1+15
- Develops Up to 60 Rolls of 35mm Film
Moersch Photochemie SE5 Master Lith Printing Paper Developer (Part A, 500mL)
- Part A of SE5 Master Lith Kit
- Litho Process Paper Developer
- Hydroquinone Base, No Additives
Ilford SIMPLICITY Film Developer (60mL Sachet, 5-Pack)
- Develop 1x 120 or 2x 35mm Rolls of Film
- ILFOSOL 3 B&W Film Developer Concentrate
- Fine Grain and High Sharpness
- Well-Suited for Medium-Speed Films
Moersch Photochemie SE5 Master Lith Printing Paper Developer (Part B, 500mL)
- Part B of SE5 Master Lith Kit
- Litho Process Paper Developer
- Potassium Carbonate Base, No Additives
Moersch Photochemie SE1 Sepia Paper Developer (1L)
- For B&W RC and FB Paper Types
- Optimized for Warm Tone Papers
- Sepia to Brown Image Tone
- Tone Varies with Paper Type and Grade
Arista Premium Odorless Powder Fixer (To Make 5 gal)
Legacy Pro 600 Wetting Agent for B&W Film (1 gal)
- Wetting Agent for Film Processing
- Reduces Streaking and Water Spots
- Promotes Faster Drying
Photographers' Formulary Toner for Black & White Prints - Gold 231
Ilford PQ Universal Paper Developer (5 L)
Photographers' Formulary Toner for Black & White Prints - Nelson Gold
Heico Perma Wash (Case of 6 Bottles)
Flic Film Hypo-Clearing Agent (To Make 1L)
- For Black & White Film and Paper
- Shortens Washing Times After Fixer
- Add Water to Make 1L Solution
Ultrafine Chemistry Spot-Free Final Rinse (1 oz)
Adox Adofix P II Powder Fixer (1.1 Quart Yield)
- Express Fixer for B&W Photo Materials
- Ammoniumthiosulfate-Based
- Shelf-Stable and Odorless
- Mixes without Producing Dust
Adox Adostop Eco Stop Bath (Powder, 1000mL)
- Powder Stop Bath
- Use with Film or Paper
- Color Changes When Exhausted
- Eco Friendly
Adox Adostop ECO Stop Bath Powder with Indicator
- Stops the Development Process
- Low Odor, Citric Acid-Based Formula
- Changes Color When Exhausted
- No Acetic Acid or Biocides
Flic Film MQ-52 Warm Tone Paper Developer (To Make 1L)
- Developer for Warm Tone Paper
- Makes 1 Liter of Stock Solution
- High Development Capacity
- Tonal Warmth Depends on Development Time
Flic Film Quintol Neutral Tone Paper Developer (To Make 1L)
- For Black & White Darkroom Prints
- Makes Up to 1 Liter of Stock Solution
- Stock Solution Keeps Up to 6 Months
- Development Times Same as Kodak Dektol
Flic Film Allergen-Free Fixer (To Make 1L)
- Contains No Ammonia or Sulfur Dioxide
- Use With Black & White Film and Paper
- Powder Makes 1 Liter of Solution
- Odorless, Non-Hardening, Easy-To-Use
Adox Adofix Plus Fixer Concentrate (3.4 oz)
- Express Fixer for B&W Photo Materials
- Suitable for Trays, Tanks & Machines
Adox Adostop ECO Stop Bath with Indicator Concentrate (3.4 oz)
- Stops the Development Process
- Low Odor, Citric-Acid-Based Formula
- Changes Color When Exhausted
- Biodegradable & Non-Toxic
Adox Adoflo II Universal Wetting Agent (3.4 oz)
Berg Toner Refill for Black & White Prints (Red-1, 1 oz)
- Convert B&W Material to a Colored Tone
- Mix Toners to Get a Wide Range of Colors
- Works with Fiber and Resin-Coated Papers
- Works with Film & Stabilization Material
Berg Toner Refill for Black & White Prints (Green, 1 oz)
- Convert B&W Material to a Colored Tone
- Mix Toners to Get a Wide Range of Colors
- Works with Fiber and Resin-Coated Papers
- Works with Film & Stabilization Material
Flic Film MQ-52 Warm Tone Paper Developer (To Make 4L)
- Developer for Warm Tone Paper
- Makes 4 Liters of Stock Solution
- High Development Capacity
- Tonal Warmth Depends on Development Time
Choosing Film Developing Chemicals
Developing film in your own darkroom can be a rewarding experience, but the process requires knowledge of the chemicals, careful measurement, plenty of open air, and time to process the film. Black-and-white film development boasts more ways to mix chemicals than color film chemistry, as the processes when using color chemicals are the same throughout mixtures.
What's Film Developer?
Film developers comprise of one or more chemicals that turn unprocessed black-and-white or color film into a photo format. The process of using film developing chemicals on film ribbon makes image transfer permanent, and removes light sensitivity that damages unprocessed film. Which developer you choose depends on what result you seek. Black-and-white developing chemicals can mix in several ways and have multiple processes that achieve different effects. There are four primary types of film developing chemicals to consider when processing black-and-white film:
- Liquid: Use only required amounts; you must dilute
- Powder: Does better in storage; mix as needed for less waste
- Solvent: Fine-grain; option to dilute or not and reuse is possible with additional development time
- Non-solvent: High acutance; increases sharpness and grain
Photographic fixer helps cement the image and complete the development of the film. Stop baths create the same affect, but take longer to attain results. Rapid fixers are popular because they quickly set images, but both development processes yield similar results.
How to Use Film Developer
Photographers use film developer in combination with black-and-white or color paper chemistry to process film and create finished photos. Black-and-white film processing requires paying special attention to the mixture and storage of chemicals. The following darkroom equipment is necessary if you're attempting to develop film at home:
- Enlarger: Handles film; 35mm enlargers are standard
- Enlarger timer: Ensures correct exposure; manual and automatic options are available
- Easel: Secures photographic paper during exposure
- Safe light: Illuminates work area without giving out too much light
- Printing tongs: To move photo paper through chemical solutions
- Processing trays: To hold chemical mixtures
- Print squeegee: To remove excess water so photos set faster
There are also practical safety precautions and safety supplies required when handling any chemical solution.
Popular Paper for Black-and-White Film Development
Using graded paper produces high-quality photos, and it comes in grades from 0 to 5. Grade 5 provides you with the most contrast, and then contrast lowers gradually with each grade. Variable contrast paper can produce different contrasts using magenta filters. Fiber-based paper is more durable and produces beautiful tones, while resin-coated paper processes faster but isn't as stable after processing as fiber-based paper is.
B&H Photo and Video has film developing chemicals, fixing solutions, darkroom enlarging paper, and safety equipment to help you from start to finish. Browse the large selection of options for photographic supplies and keep your studio stocked.


