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Zoom F6 6-Input / 14-Track Multitrack Field Recorder Kit with ORCA OR-268 Sound Bag

BH #ZOF6MBK (B&H Kit)
70 reviews
Zoom F6 6-Input / 14-Track Multitrack Field Recorder Kit with ORCA OR-268 Sound Bag
Key Features
  • Includes Zoom F6 Field Recorder
  • Includes ORCA OR-268 Sound Bag
  • Location Recording & Production Sound
  • 32-Bit Float Recording Avoids Clipping
Bundled by B&H for your convenience, this Zoom F6 6-Input / 14-Track Multitrack Field Recorder Kit pairs the Zoom F6 with a low-profile ORCA OR-268 carrying bag tailor-made for the F6. The bag is specifically designed to be comfortable to carry while providing quick and easy access to the recorder's functions.
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$768.19
Price $818.19
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Zoom F6 Overview

Bundled by B&H for your convenience, this Zoom F6 6-Input / 14-Track Multitrack Field Recorder Kit pairs the Zoom F6 with a low-profile ORCA OR-268 carrying bag tailor-made for the F6. The bag is specifically designed to be comfortable to carry while providing quick and easy access to the recorder's functions.

Zoom F6 6-Input / 14-Track Multitrack Field Recorder

Forget about digital clipping and focus on the shot with the Zoom F6, an ultra-compact, multitrack field recorder with 32-bit float technology for distortion-free dynamic range, and up to 14 tracks of simultaneous recording for professional and enthusiast applications on set and in the field. Slide it in a sound bag, sling it over your shoulder, or mount it to a camera; the F6 packs quantity and quality into a rugged frame that's more than ready for filmmaking, production/location sound mixing, sound effects recording, and electronic news gathering (ENG).

From the large, informative color display and user-friendly controls to the flexible powering options and precision timecode functionality, the F6 is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of multi-mic setups for a video shoot, or Ambisonics sound files for virtual reality and 360-audio projects, the F6 has the modes, resolutions, and media support to handle your crucial audio tasks. Plus, its operational versatility ensures that the F6 will always enhance your workflow, be it simple, complex, or always changing. You can feel confident using it as your main recorder, a USB audio interface for your dedicated computer rig, or a backup unit for added safety.

32-Bit Float Recording Avoids Digital Clipping
The F6 is designed to handle the reality of real-world dynamics. Since source levels can change unexpectedly, you need a system that can capture everything from pin-drop quiet to roaring loud without compromise or clipping. With 32-bit float resolution and dual-path A/D converters, the F6 delivers immense dynamic range to cover the audible spectrum with ease. Digital clipping is a thing of the past.
Configurable Recording Settings for Any Situation
The F6 boasts a slew of recording modes and resolutions to choose from—record all six inputs at a maximum resolution of 192 kHz in 24-bit linear or 32-bit float, or (thanks to Zoom's dual-path A/D converters) record them simultaneously in at up to 96 kHz in 24-bit and 32-bit float while printing a stereo mix.
Versatile Multitrack Modes
Maximize portability by recording directly to an SD/SDHC/SDXC card (available separately) for up to 1TB of storage space. Select MP3 format if you're only recording the stereo mix and really need extended time and minimal file size. Using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility, you can run the F6 in 6-track mode (six inputs recorded in 24-bit or 32-bit float), or 14-track mode (six inputs recorded in 24-bit and 32-bit float, plus a stereo mix). Or select Ambisonics mode to capture four channels of Ambisonics-compatible audio and have two channels to spare for traditional mics.
Audio Interface Functionality
Alternatively, use the F6 as a 6-in/4-out USB 2.0 audio interface at up to 24-bit / 96 kHz. Connect it to your computer, launch your preferred audio recording program, then enjoy the combination of the F6's premium mic preamps and A/D converters, plus the familiarity and features of your favorite software. For safe, redundant recording at up to 48 kHz, it is possible to operate the F6 as an audio interface while recording to an SD card.
Ambisonics Support for VR, AR, and 360-Audio
The F6's Ambisonics mode offers precision A-to-B decoding and balanced gain linking, enabling you to capture professional spatial audio for VR (Virtual Reality), AR (Augmented Reality), and more. Even while using the first four channels for Ambisonics recording, you can utilize channels 5-6 for other signals such as boom and lav mics. Download the free Zoom Ambisonics Player software to access user-friendly decoding and editing functions for your 360-audio.
Studio-Quality Performance for Discerning Professionals
The F6 can accommodate all manner of condenser microphones as well as balanced line-level signals via six locking Neutrik 3-pin XLR inputs. Six studio-quality microphone preamps boasting massive gain (up to 75 dB) and ultra-low noise (-127 dBu EIN) ensure that your sound sources will be amplified with sonic accuracy. Select mic/line-level per input, apply 24 or 48 VDC phantom power per input, adjust each input via a dedicated level knob, and handle hot signal levels (up to +4 dBu in mic mode, or up to +24 dBu in line mode).
Hybrid Limiters Prevent Overloading for 24-Bit Mode
In 24-bit recording mode, the F6 utilizes advanced look-ahead hybrid limiters to provide reliable protection against overloading the A/D converters. By adding a small delay of just one millisecond, the limiters are able to look-ahead at the input signal and anticipate clipping before it's recorded.
Line and Headphone Outputs for Flexible Routing and Monitoring
To use the F6 as a field mixer, simply connect its 3.5mm stereo line output into your camera, DSLR, mixer, or secondary recorder. Your audio mix will be fed through the unbalanced line, ready to be recorded.

With a transparent and high-output 100mW headphone amplifier tied to a 3.5mm stereo output, the F6 provides clean, efficient monitoring of pre- or post-fader levels and alerts for battery and recording status.
Precision Timecode and Synchronization Features
Whether you keep the F6 powered on all day, or shut it down during breaks, rock-solid sync with video cameras, master timecode clocks, or additional audio recorders will be maintained. Accurate synchronization is made possible with the F6's high-end timecode features. A 3.5mm TRS mini jack is dedicated for timecode I/O, and a Temperature Compensated Crystal Oscillator (TCXO) boasts super stable timecode accuracy to ±0.2 ppm. You can even jam sync the F6 when constant external timecode isn't present.
Efficient Remote Control Options
If you need extensive external control, Zoom has you covered. For fast and fluid hands-on remote control, the Zoom F-Control (available separately) is ideal. It features smooth 60mm faders, plus tactile controls for trim, pan, arming tracks, transport operations, and more.

For convenient wireless remote control from an iOS mobile device, connect a Zoom BTA-1 Bluetooth adapter (available separately), then use the free F-Control app to quickly monitor and tweak levels, operate transport controls, add metadata, and more.
Power for Hours
To keep up with the pace of on-location production, the F6 offers several methods of powering. Operate it via four AA batteries or a Sony L-Series type battery (available separately), power it through a USB Type-C connection, or plug it into a wall outlet with the Zoom AD-17 AC adapter (available separately). With up to 16.5 hours of battery life (AA lithium batteries, 16-bit / 48 kHz, 2-channel recording to SD card), you can rely on the F6 hour after hour.
Multifunction USB Type-C Port for Power or Audio
A USB Type-C port on the F6 serves several functions. Use it to hook up a power source, or connect a computer for file backup or live audio streaming.
Highly Visible Display
Day or night, view vital information such as audio levels, recording time, battery status, and more on the 1.54" full-color backlit LCD, which also offers a monochromatic mode. Transport controls and navigation buttons are presented nearby for sound bag-friendly, hassle-free operations.
Zoom AutoMix Software Reduces Ambient Noise
Let Zoom's AutoMix function simplify your job. This smart software automatically adjusts the levels of your mix to reduce the amount of ambient sound, so you can focus on capturing a well-balanced mix. Since you turn AutoMix on/off for each channel, you have complete control over where you want AutoMix to work.
Ultra-Compact, Portable, and Durable
The rugged build quality and compact size make the F6 an excellent choice for location recording on set and in the field. It's equally well suited for placement in an audio bag or a camera-mounted configuration. A camera-mount adapter is included.
Metadata for Simplified Post Production
Add metadata such as notes and track/scene names in BWF and iXML formats to easily catalog your files in preparation for loading them into your video or audio editing workstation. Make it a habit to make organization and collaboration in post-production easy.
UPC: 884354020804
ORCA OR-268 Low-Profile Audio Mixer Bag for Zoom F6

The Orca OR-268 is a low-profile audio mixer bag ideal for use with the Zoom F6 field recording mixer. The case features a compact and lightweight design, a rigid frame, access from all sides, and front and back pockets for wireless systems and batteries. The OR-268 includes a shoulder strap and a transparent top cover.

  • Compact and low-profile design
  • Easy access from all sides
  • Rigid internal frame consisting of four aluminum rods and PE Board
  • Front and back pockets for wireless systems and batteries
  • Comes with top transparent cover and shoulder strap

Zoom F6 6-Input / 14-Track Multitrack Field Recorder Specs

Portable Recorder
Number of TracksWAV:
8 (6 Inputs + Stereo Mix)
Maximum Sampling Rate192 kHz / 32-Bit
MicrophoneNone
Built-In SpeakerNo
DisplayColor LCD (Backlit)
Memory Card SupportSD, SDHC, SDXC (Up to 1 TB)
Internal StorageNone
Recording
Audio File FormatsBWF, iXML, MP3, WAV
Sample RatesWAV:
44.1 / 47.952 / 48 / 48.048 / 88.2 / 96 / 192 kHz
Bit Depth16 / 24 / 32-Bit
Bit Rates128 to 320 kb/s
Signal Processing & FXLimiter
Timecode SupportYes
Frame Rates Supported23.976 / 24 / 25 / 29.97 / 29.97 DF / 30 / 30 DF
Clock Accuracy±0.2 ppm (Timecode)
Recording TimeWAV 48 kHz/24-Bit:
57.69 Mins per GB (Stereo)
WAV 192 kHz/24-Bit:
14.41 Mins per GB (Stereo)
Connectivity
Analog I/O6 x XLR 3-Pin Female Balanced Line/Mic Input (Lockable)
1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output
1 x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output
Digital I/O1 x 1/8" / 3.5 mm TRS Timecode In/Out
Phantom Power+24 / 48 V
Phantom Power Current≤ 10 mA per Channel
System Connection1 x USB-C (I/O, 2.0)
Gain/Trim RangeMic Inputs:
+12 to +75 dB
Line Inputs:
+8 dB to +55 dB
Max Input LevelMic Inputs:
+4 dBu
Line Inputs:
+24 dBu
Max Output LevelLine Outputs:
+10 dBV
Headphone Output Power100 mW per Channel into 32 Ohms
Dynamic RangeLine Outputs:
95 dB
Headphone Outputs:
108 dB
ImpedanceMic Inputs:
≥3 Kilohms
Line Inputs:
≥5 Kilohms
Line Outputs:
≤100 Ohms
Headphone Outputs:
≤15 Ohms
Timecode Input:
4.6 Kilohms
Timecode Output:
≤50 Ohms
EIN≤-127 dBu (A-Weighted)
Power
Power OptionsBattery or AC/DC Power Adapter
Battery Type4 x AA (Not Included)
1 x L Series (Not Included)
Approximate Battery LifeWAV 48 kHz/16-Bit:
7.5 Hours (Alkaline, 2 Channels, Backlit Display, Phantom Off, with Headphones)
10.5 Hours (NiMH, 2 Channels, Backlit Display, Phantom Off, with Headphones)
16.5 Hours (Lithium, 2 Channels, Backlit Display, Phantom Off, with Headphones)
WAV 48 kHz/24-Bit:
5 Hours (Alkaline, All Channels, Backlit Display, Phantom Off, with Headphones)
7 Hours (NiMH, All Channels, Backlit Display, Phantom Off, with Headphones)
10.5 Hours (Lithium, All Channels, Backlit Display, Phantom Off, with Headphones)
WAV 192 kHz/24-Bit:
0.5 Hours (Alkaline, All Channels, Backlit Display, Phantom On, with Headphones)
1.5 Hours (NiMH, All Channels, Backlit Display, Phantom On, with Headphones)
3.5 Hours (Lithium, All Channels, Backlit Display, Phantom On, with Headphones)
AC/DC Power Adapter5 VDC (Not Included)
Dimensions3.9 x 2.5 x 4.7" / 100 x 62.9 x 119.8 mm
Weight1.2 lb / 530 g
Packaging Info
Package Weight2.5 lb
Box Dimensions (LxWxH)10 x 7.5 x 5"

ORCA OR-268 Low-Profile Audio Mixer Bag for Zoom F6 Specs

Power
DimensionsInternal: 5.9 x 2.4 x 11.8" / 149.9 x 59.9 x 299.7 mm
External: 7.9 x 4.7 x 12.2" / 199.9 x 119.9 x 309.9 mm
Weight1.2 lb / 0.5 kg
Packaging Info
Package Weight1.71 lb
Box Dimensions (LxWxH)10.4 x 9.6 x 6.1"

Zoom F6 Reviews

Great preamps

By Joe
Rated 5 out of 5
Date: 2023-01-16

Great preamps, solid build, easy UI. I jam this with my tentacle syncs and it works great. I got the bag and it fits two lavs perfectly. For the price, it is more than worth it. No regrets!

Amazing!

By Khachik
Rated 5 out of 5
Date: 2022-08-16

I just can't imagine using recorders without 32but float anymore! Makes the workflow so much easier! This is definitely the future of audio!

Antiquated user interface and no Bluetooth

By Bruce
Rated 3 out of 5
Date: 2022-06-30

The user interface is like something from 40 years ago before there were touch screens and emphasis on good design. Some of this can be avoided by using an iPhone and buying the optional Sound Devices Bluetooth adapter but it is a half measure. Having use the Sound Devices Mixpre-3 II recorder the Zoom F6 seems primative by comparison. The F6 does provide additional inputs but it still requires an external power source or L type batteries for long recording sessions. When using the L type batteries they are mounted directly to the rear of the F6 the NP-F battery will block access to the SD card. Similar problem with the MixPre-3 but this recorder can be operated without AA or the L batteries and using only a USB-C power source. The mechanical build of the F6 is superior to that of the Mixpre-3 II but good hardware and no touch sensitive screen as with the Sound Devices recorder negates that to a considerable degree. After using both recorders I have decided to go with the Mixpre-3 and external USB-C power banks for my own projects.

Warning Audio STOPS Recording

By Christen
Rated 1 out of 5
Date: 2022-05-04

I used this on a professional job recently where the audio skipped ahead during a recording making a portion of an interview with a celebrity client unusable. Zoom knew this was an issue, but did not notify its user base adequately. Supposedly, it has to do with recordings done using 32 bit and 24 but at the same time. A firmware patch supposedly fixed it...but how do i know that? Fortunately, I'm also doing post on this, job and was able to cut around it and save face - but in two sections of the interview this problem occurred. So it's literally a crap shoot on whether you're going to hear your recording or not. Epic failure on Zoom's part. I developed trust for the brand based on prior reliable use of the H6 line...this caused all that goodwill to evaporate. If using on a shoot that you're relying on this recorder - buyer BEWARE. Do a google search on WARNING: Audio jumps in Zoom F6 recording and you'll see another user illustrating the exact problem i had.

Great little machine!

By Arnis
Rated 5 out of 5
Date: 2022-04-01

Everything about this little machine is very good, indeed. The fact that it is small by itself presents minor challenges, such as being able to press the menu buttons etc. since they are so closely spaced. To save space, line out, timecode and headphone outputs are tiny 3.5 mm instead of a hefty XLR, but no bid deal. My only real negative is that the headphone volume switch also has other functions if it is pressed, which is so easy to do accidentally. Though no fault of the machine itself is the instruction manual. Very very few manufacturers give you a real one, expecting you to go online. Even an included disc would be appreciated. It does come with a quick guide, covering all the functions. Again, Zoom being no exception, some functions are mentioned but not given detail as to actual use. Case in point: linking. Likewise, it would be nice to expand on any accessories and how to use them, beyond how to find the features in a menu. If people understood what's available and how to fill their need - and how to use it - I'm sure customers (like me!) would be more likely to be happier, use the features more, and buy more accessories. Looking at the reviews, even the bag/case made for the F6 isn't as well thought out, including those from third party vendors. This may or may not be an issue for you. Bottom line, accessories are often afterthoughts, so look critically before you buy, because features and specs on paper don't mean much if you find it difficult to actually use your equipment. For it's price, it's so hard to beat - I bought this instead of other brands... with no regrets!

Excellent Choice for Single-Shooter Video Rig

By Michael
Rated 5 out of 5
Date: 2022-03-15

I'm using this recorder as part of a single-shooter video rig shooting gymnastics events for a YouTube channel called Grips. Chalk. Flip. This recorder works well with my setup, which includes a Nikon Z6 connected via HDMI to a BlackMagic Video Assist 12g shooting in 10-bit N-Log in ProRes HQ. I'm using 5-6 of the inputs on the Zoom, feeding the mix to the Z6 via one stereo channel and a free run clock timecode from the Zoom F6 to the other stereo channel. Both audio channels are then fed to the BMVA via HDMI. Feeding through the camera rather than direct to the BMVA helps with the HDMI latency from the Z6 by keeping the audio and video in sync. I sync my dailies using Tentacle Sync Studio, which is quick and exports easily into Final Cut Pro X. The 32-bit float is great, too, because in this setup, I can't pay much attention to the audio levels apart from what I hear in the mix, so I don't have to worry about clipping as I can fix it later.

I never knew

By Eric
Rated 5 out of 5
Date: 2022-10-19

Ironically, I have a background in audio engineering but I have been doing mostly video work. As such, I've been satisfied recording straight into the XLR inputs on my Canon C70. Until now... The audio on this little recorder is SO clean!!! I can't believe what I've been missing! I still have a lot to learn (as I'm a new owner of this device) but I am so happy to have bought this device. Also... 32 bit float is no joke! Super useful.

All that I want from Zoom... and in a small package

By Tom
Rated 5 out of 5
Date: 2022-09-01

I already use a Zoom F8n for location shoots where AC power is unavailable, but there have been occasions when I've needed more than 8 channels, but I didn't want to add a 2nd F8n, external battery pack, etc. The F6 gives me just what I need and in a small package with minimum additional weight. The menu/setup is very similar to the F8n, so there was no real learning curve. I get the same audio quality as the F8n because it's a Zoom. I never head for a location shoot without it

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YOUR RECENTLY VIEWED ITEMS

is this unit xlr only ? ie no mic jacks ???

is this unit xlr only ? ie no mic jacks ???
Asked by: phil
you can get anything that will have one end xlr, and the other end whatever type of connection you need.
Answered by: James
Date published: 2019-11-03

Will the F-6 have an associated bluetooth app for ...

Will the F-6 have an associated bluetooth app for monitoring levels, etc?
Asked by: Walt
Yes there will be an app for IOS but you will need to purchase the Zoom BTA-1 Bluetooth adapter. (B&H# ZOZBTA1)
Answered by: Elazar
Date published: 2021-04-14

How do I sync time code between Canon C70 and ...

How do I sync time code between Canon C70 and Zoom F6?
Asked by: Zinan
I haven't tried. There's a 3.5mm jack on the side for timecode output. If there's a jack for timecode input on the camera, I assume it will work by connecting with the appropriate wire and setting both devices to communicate with that timecode marker. One thing I do know is that the datetime on the device doesn't always hold if you turn the F6 off for a while or remove the batteries. This has been a problem for me just trying to find the right files to pair with video. I don't know how that would translate with the timecode. Best of luck, sorry my feedback isn't more useful.
Answered by: James
Date published: 2022-10-22

HOW TO Set the sound mixer/recorder (ZOOM F6) to ...

HOW TO Set the sound mixer/recorder (ZOOM F6) to accept external word clock and timecode signals?
Asked by: Pramod
I don't think the F6 takes input of timecode. It generates a tone used for syncing. Honestly, I haven't owned it long enough and nothing I have accepts input for sync tone so I can't really tell you.
Answered by: James
Date published: 2020-12-30

How much current is required to record one track ...

How much current is required to record one track with 48v phantom at 96kHz/32bit for one hour?
Asked by: matthew
Unfortunately that information has not been published regarding the F6.
Answered by: John
Date published: 2019-06-17

What kind of preamp does it use?

What kind of preamp does it use?
Asked by: Tony
The manufacturer does not publish the details regarding the internal components used.
Answered by: Mark
Date published: 2021-04-14

Will the separate F-Control unit work with this?

Will the separate F-Control unit work with this?
Asked by: Thad
Yes
Answered by: Elazar
Date published: 2019-05-22

Is F6 (in 32 Bit ) compatible with Reaper DAW?

Is F6 (in 32 Bit ) compatible with Reaper DAW?
Asked by: Renzo
Reaper has support 32 bit float audio files, so files recorded by the F6 will work with this software.
Answered by: Zoom Customer Support
Date published: 2021-04-14
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