DZOFilm Arcana Anamorphic Prime 3-Lens Kit (ARRI PL, Titanium)
- Full Frame | T2.1-T16 Aperture Range
- 32, 45, and 75mm Anamorphic Primes
- Neutral Flare, Dramatic Oval Bokeh
- 1.5x Anamorphic Squeeze
DZOFilm Catta Ace FF 35-80 & 70-135mm T2.9 Zoom Lens Bundle (PL/EF, Black)
- Catta Ace Full Frame 35-80mm Zoom Lens
- Catta Ace Full Frame 70-135mm Zoom Lens
- PL Mounts Installed, EF Mounts Included
- Front/Rear Caps, Shim Set
Sony FE PZ 28-135mm f/4 G OSS Full-Frame Power Zoom Lens
- Full-Frame | f/4 to f/22 Aperture Range
- Smooth Motion Optics Support 4K Video
- Quiet, Adjustable-Speed Powered Zoom
- Individual Focus, Iris, Zoom Rings
BLAZAR LENS Talon 50mm T2.1 1.5x Anamorphic AF Lens (Sony E)
- Covers Full Frame | T2.1-T16 Aperture
- Natural Horizontal Flares
- Selectable Manual and Autofocus
- 80mm Front Outside Diameter
DZOFilm VESPID 35mm T2.1 Lens (PL & EF Mounts)
- Covers Full-Frame Sensors
- T2.1 to T22 Aperture Range
- 80mm Front Diameter
- 16-Blade Iris
Sirui Night Walker T1.2 S35 Cine 3-Lens Set (E-Mount, Black)
- 24, 35, and 55mm Lens Set
- Covers Super35/APS-C Sensors
- Ultrafast T1.2 Maximum Aperture
- Compact, Lightweight Design
DZOFilm Arcana 75mm Anamorphic Prime Lens (ARRI PL, Titanium)
- Full Frame | T2.1-T16 Aperture Range
- Neutral Flare, Dramatic Oval Bokeh
- 1.5x Anamorphic Squeeze
- 0.8 MOD Gears / 270° Focus Rotation
Sirui VP-1 Vision Prime T1.4 Full-Frame Cine 3-Lens Kit (Multi-Mount, Black)
- 24, 35, and 50mm VP-1 Lens Kit
- 46mm Image Circle for Full-Frame Sensors
- Ultrafast T1.4 Aperture | Smooth Bokeh
- Native E Mount; L, Z, and RF Adapters
Nikon NIKKOR Z 28-135mm f/4 PZ Lens (Nikon Z)
- Full Frame | f/4 to f/22
- Wide to Tele Power Zoom
- Stepping Motor AF System
- Power Zoom Functionality
7Artisans Floral Bloom 57mm T2.9 Lens (ARRI PL)
- Full Frame | T2.9-T22 Aperture
- Sharp Center with Swirling/Bursting Blur
- 0.8 MOD Gearing | 300° Focus Rotation
- 79mm Front Outside Diameter
DZOFilm VESPID 90mm macro T2.8 Lens (PL & EF Mounts)
- Covers Full-Frame Sensors
- T2.1 to T22 Aperture Range
- 80mm Front Diameter
- 16-Blade Iris
DZOFilm VESPID 50mm T2.1 Lens (PL & EF Mounts)
- Covers Full-Frame Sensors
- T2.1 to T22 Aperture Range
- 80mm Front Diameter
- 16-Blade Iris
Thypoch Simera-C 35mm T1.5 Cine Lens (Leica M)
- Full Frame | T1.5 to T16 Aperture Range
- Excellent Low-Light Performance
- 2.64" Front Outside Diameter
- 16-Blade Iris for Circular Bokeh
Thypoch Simera-C 16mm T1.9 Cine Lens (Leica M)
- Full Frame | T1.9 to T16 Aperture Range
- Excellent Low-Light Performance
- 16-Blade Diaphragm
- Aspherical, LD & HR Lens Elements
DZOFilm Vespid2 35mm T1.9 Prime Lens (ARRI PL, Feet)
- Full Frame/VV | T1.9 to T22 Aperture
- Aspherical Element, Reduced Aberrations
- 0.8 MOD Gears, 300° Focus Rotation
- Cooke /i Technology Metadata
DZOFilm VESPID Prime 5-Lens Kit (ARRI PL & Canon EF)
- 12, 25, 35, 50, 75mm Lenses
- PL & EF Mounts
- Focus Markings in Feet & Meters
- Hard Case Included
DZOFilm VESPID 75mm T2.1 Lens (PL & EF Mounts)
- Covers Full-Frame Sensors
- T2.1 to T22 Aperture Range
- 80mm Front Diameter
- 16-Blade Iris
Sirui Astra Series T.18 1.33x 50mm Full-Frame Anamorphic Lens (Sony E, Neutral Flares)
- Covers Full Frame | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- 2.4:1 Aspect Ratio, No Cropping
Thypoch Simera-C 16mm T1.9 Cine Lens (Sony E)
- Full Frame | T1.9 Aperture
- Excellent Low-Light Performance
- 16-Blade Diaphragm
- Aspherical, LD & HR Lens Elements
BLAZAR LENS MANTIS 75mm T2.0 1.33x Anamorphic Lens (ARRI PL)
- Covers Full Frame | T2.0 to T22 Aperture
- 1.33x Anamorphic Squeeze for Wide FOV
- 14-Blade Iris | Signature Oval Bokeh
- Cinematic Visual Character and Depth
Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount
- 35mm Lens, T1.5
- Covers Full-Frame
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
DZOFilm VESPID 25mm T2.1 Lens (PL & EF Mounts)
- Covers Full-Frame Sensors
- T2.1 to T22 Aperture Range
- 80mm Front Diameter
- 16-Blade Iris
BLAZAR LENS MANTIS 50mm T2.0 1.33x Anamorphic Lens (ARRI PL)
- Covers Full Frame | T2.0 to T22 Aperture
- 1.33x Anamorphic Squeeze for Wide FOV
- 14-Blade Iris | Signature Oval Bokeh
- Cinematic Visual Character and Depth
DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF)
- 12mm Lens Covers Full-Frame Sensors
- 10-Blade Iris, T2.8-22 Aperture
- 270° Focus Rotation
- 80mm Front Diameter
Venus Optics Laowa 24mm f/14 Probe Lens (Sony E, Cine-Mod Version)
- Full-Frame | f/14 to f/40
- Focus and Aperture Gears for Cine Use
- Unique Probe Design for Close-Up Work
- 2:1 to Infinity Magnification
Rokinon 24, 35, 50, 85mm T1.5 Cine DS Lens Bundle for Canon EF Mount
- 24, 35, 50, 85mm Cine-Style Lenses
- Canon EF Mount
- Covers Full-Frame Sensors
- T1.5 to T22 Exposure Range
Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens (EF Mount)
- Covers Super 35 Sensor Size
- Suitable for 4K, HDR Image Capture
- Widely Used 70-200mm Focal Range
- Parfocal to Maintain Focus While Zooming
DZOFilm Vespid2 T1.9 Prime 6-Lens Kit (ARRI PL, Feet)
- Full Frame/VV | T1.9 to T22 Aperture
- 18, 24, 35, 50, 85, and 105mm Primes
- Aspherical Element, Reduced Aberrations
- 0.8 MOD Gears, 300° Focus Rotation
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


