Search results for: photography buying guide depth of field
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by Bjorn Petersen · Posted
When assembling a kit of lenses for photographing a wedding, one should take into consideration the location in which the wedding is taking place, the number of guests and, of course, the type of imagery you are seeking to create. To best represent a wedding in a dynamic manner, it is often preferable to have a range of lenses to achieve different perspectives of the event, rather than maintaining a constant perspective of your subject matter. A wide-angle lens, specifically, is a highly effective tool for capturing many of the scenes that
by Mathew Malwitz · Posted
Binoculars are a birdwatcher's best friend. They allow you to get close-up views of distant objects without having to actually get close. Some birders use spotting scopes and others use cameras with telephoto lenses, but you may be hard-pressed to find a serious birder without a pair of binoculars at the
by Todd Vorenkamp · Posted
There is nothing that can replace the extreme close-up view of a rare bird in the wild. Binoculars can get you close but, if you want to look the bird in the eye or confirm that identification for your life list, you need a spotting scope. Spotting scopes pack incredible magnification in a generally simple and lightweight package that is
by Mathew Malwitz · Posted
It is probably safe to say that many of us photographers have, either with our cameras or smartphones, tried to capture a close-up image of an insect, flower, toy, or other object. We have an idea of what we want this photograph to look like as we prepare to capture the image. We've seen and admired beautiful close-up images before but, when we nose the camera lens up to the object, we see nothing but a blur—the lens can't focus close enough to
by Todd Vorenkamp · Posted
If you are stranded on a desert island and can only have one camera lens with you, which lens would you choose? That may depend on your specific area of expertise, but for the average photographer, the 50mm focal length is an essential tool to have in your kit. The 50mm prime lens, or “Nifty Fifty,” features a field of view close to that of the human eye, and delivers exceptional image quality, subject isolation, and background rendering, all in a compact package.
The Origin of the “Nifty Fifty”
In the bygone era of film SLR photography, many
by Bjorn Petersen · Posted
Photographers are a tricky bunch to shop for, especially those avid shooters who seemingly already have all the gear they need. Cameras, lenses, bags, tripods, and so on—it’s a tough task to find a photo-related gift for the photographer who already has it all. Since the Pope’s Leica is no longer on the market, here are some ideas for not-so-common gift options sure to please all types of photographers.
Lensbaby Special Effects Lens
Sure, your
by Luke Rollins · Posted
Many hobbyists reach a turning point in their craft when they decide to pursue wedding photography seriously. With the transition to pro comes the task of updating your lens kit accordingly, and most photographers would agree that investing in quality glass is essential. Unlike the rapid turnover of camera bodies, lenses will last for years and can make all the difference in creating quality images. Understanding what some of the best available options are will help you invest appropriately.
What to Consider
Weddings are long affairs, often
by Mathew Malwitz · Posted
Wedding and portrait photographers looking for a lightweight, compact system with exceptional performance need look no further than the FUJIFILM X cameras and lenses. While the size and weight advantage of mirrorless cameras spans from Micro Four Thirds to full frame, the APS-C sensors in the FUJIFILM X system allow the cameras and lenses to be relatively small and light. Full-frame mirrorless is attractive to many, but the portability advantage of APS-C sized lenses is not to be understated.
For those looking to one-up the full-frame shooters
by Todd Vorenkamp · Posted
The Micro Four Thirds system is becoming popular among a passionate group of wedding photographers. The compact size of the cameras and lens system, as well as the sheer number of available lenses from, OM System, Panasonic, and other manufacturers, not to mention the nearly limitless option of adapted lenses, means that the wedding photographer has many options for capturing the action.
It’s worth noting that OM System, formerly known as Olympus, has lenses with both branding. As lenses are updated, they’ll adopt the OM system name, but as
by Mathew Malwitz · Posted
Lens selection is a highly personal choice for the professional photographer. Your shooting style, client needs, and cost all factor into how you choose to build your kit. Wedding photographers require a greater variety of lenses as they must cover a diverse assortment of compositions in various environments and lighting conditions. As working professionals, it’s only natural to begin investing in high-quality professional glass. For Canon users, this is the L series.
Easily identified by a thin red line circling the lens barrel, L glass is
by Bjorn Petersen · Posted
With medium format shedding many of its niche associations and becoming a more viable and mainstream format, now might just be the time to begin incorporating this larger format into your working repertoire. When film was still king among working photographers, medium format cameras, particularly 645, was seen as an ideal balance between image quality, weight, speed, and number of frames per roll. Once the shift to digital occurred, weight and speed became the primary differentiators in which cameras and systems were being considered for the
by Todd Vorenkamp · Posted
Leave it to the world of photography to confuse size and speed. In lens-speak, the term “fast glass” refers to lenses with large apertures. In this article we take a look at the lenses with the largest-opening apertures. The aperture is the opening of a lens. The aperture’s size is expressed as a number that shows the ratio of the opening to the lens’s focal length. This number is referred to as an f/number, f/stop, focal
by Shawn C. Steiner · Posted
When you start getting extremely close to your subject, you may run into some difficulty with lighting. This could be because your large lights can't get into position easily, you can't get the type of lighting you want, or you are so close that you are casting a shadow. There are solutions to these problems, and each has its own unique capabilities and look that will help you bring your macro photography up a notch.
Let's start things off with something you probably already have in your bag, an
by Rebecca Melville · Posted
If you ask most consumer-camera owners why they keep a filter on their lens, a majority will most likely reply, “For protection.” While filters do protect the surface of your lens against dust, moisture, and the occasional thumb print, the primary function of lens filters is really to improve the image quality of the pictures you take. There are many kinds of filters with obvious and lesser-known benefits, so if you’re looking for a lens
by Bjorn Petersen · Posted
In the close-up, high-magnification world of macro photography, it is seldom that the tools vary from the so-called “standards.” The main reason for this is that there is something simple and elegant about that classic 100mm f/2.8; it is a proven design that simply works well. It offers a comfortable working distance, is easy to design to 1:1 magnification, and is versatile in that many photographers tend to work with these short telephoto macro