Search results for: photography tips solutions golden hour photography
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Posted
Landscape and wildlife photographers swear by photographing at sunrise and sunset. But, there is another time of day when you can shoot nature photography and still get beautiful results. Join Sam and Matt in the Everglades to learn how to capture photos both in golden hour and blue hour.
0:00 Intro
0:52 Why Sunrise & Sunset?
6:44 Blue Hour for Landscapes
9:34 App for Identifying & Finding Birds
10:13 Mid-Day Wildlife & Landscapes
11:52 App for Tracking the Sun & Moon
12:31 Time of Year
13:26 How Early to Arrive
14:03 Can You
by Mathew Malwitz · Posted
There’s an old adage that claims in order to be a wildlife photographer, you need a lot of time and a lot of money. This is only partly true. Many great wildlife photo opportunities can occur in urban parks and even in your own backyard, as long as we know what we’re doing. In this article, we’re going to cover a number of essential tips that will help you become a better wildlife photographer.
If you’ve read our introduction
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by Mathew Malwitz · Posted
Portraiture: It’s one of the most popular and prevalent forms of photography. Although it may seem simple on paper, it comes with its own unique obstacles. Of course, you’ll want to be familiar with your gear. This is essential to all working photographers, but it allows you to focus your efforts on the genre-specific challenges you’ll face.
When photographing people, you’ll find that some folks are photogenic, while others are not. Your job as a photographer is to break down the barriers set by your clients and to put them in the most
by Emily Mandagie · Posted
"Alright, your time in flight will be approximately twelve minutes." Berty and I swallowed that weighted sentence and nervously nodded in response. Smiles were on the outside, but deep inside we were wondering how in the world we were going to make the most of those fleeting seconds in that helicopter and capture exactly what we wanted from the sky!
Aerial photography can be exciting and exhilarating. But it can also come with a lot of added challenges, such as time limits, weather conditions, and—let's be real—a large expense! (Flights aren't
by Todd Vorenkamp · Posted
The closest you will ever get to an out-of-this-world experience while standing on terra firma is during a total solar eclipse.
I have experienced two partial eclipses in my life before August 21, 2017, and both were memorable, but they were nothing like what happened on the 21st. Here is what I experienced, as well as some photographic lessons learned.
The Setup
My girlfriend, Jaime, and I end up in Nashville, TN, standing off to the side of the EN Peeler Park’s model airplane runway. We arrive an hour before the start of the eclipse to set
Posted
Join astro/landscape photographer Matt Hill as he shares a few simple tips to get beautiful dusk and golden-hour photos full of rich, vibrant, and accurate colors.
0:00 - Introduction
3:46 - Why Night Photographers Photograph the Sunset and Twilight
11:03 - Good Capture Leads to Good Edits
14:04 - What Color is Twilight? / Mojave Case Study
24:59 - Twilight Capture Settings
27:16 - Color Checker
29:24 - Editing in Lightroom Classic
33:13 - How to Apply Color-Checker Calibration to Photos
44:58 - Creating a Signature Method
47:42 - The Color
by Todd Vorenkamp · Posted
If you are selling a used car online, one great way to make your car stand out from the rest and attract more attention is to up your photo game. You don’t need to be a professional photographer to capture compelling images of the car or truck you are ready to sell—a few simple tips can help your photos grab the attention of possible buyers.
Photographs © Todd Vorenkamp
You’ve seen the standard used-car photo—the boring shot taken outside a dealership, in a driveway or crowded parking lot, midday, from standing eye level, of a sterile-looking
by Todd Vorenkamp · Posted
The sun. Always on. Always overhead (of some part of the planet). Always free. Always a consideration for every photograph taken outside of a windowless studio or closet. The sun is nature’s free light source for photography and video. Regardless of whether you are making a landscape image, architectural photograph, portrait, macro shot, street photo, etc., sunlight, or the absence of sunlight, is a critical ingredient in the image.
Photographs © Todd Vorenkamp
by Todd Vorenkamp · Posted
Texture is one of those multi-sensory things that we can feel with our sense of touch and “feel” visually with our eyes. Because texture transcends the senses, we must account for it when we create photographs. Sometimes the goal is to accentuate a specific texture. Sometimes we wish to “smooth” the texture visually. How you light your subject has a lot to do with how you reveal, or hide, texture.
Photographs ©Todd Vorenkamp
by Bjorn Petersen · Posted
There’s no denying the appeal of fast lenses and super versatile zooms, but sometimes a small and compact prime lens is all you really need—especially if you’re a landscape photographer. Whether it’s for the smaller footprint, lighter weight, or just because you like the look of a certain lens, there are many cases for trading in the huge, heavy, and complex lenses for the humble, compact, and slower prime.
Smaller and Lighter
The most obvious reason to go the way of the slow prime is because of the noticeable savings in weight and size. If
by Allan Weitz · Posted
For many people, the word “landscape” typically conjures up images of snow-capped mountains, mighty rivers, and flower-covered meadows awash in the light of golden sunsets. But what if these photo utopias are beyond the bounds of a reasonable driving distance? What if your choices of places to photograph is limited to your immediate neighborhood or town? Are you skunked when it comes to landscape photography? The answer is, “No, not at all.”
Photographs © Allan Weitz 2021
Let’s start by defining our goal. A random Google check for a definition
by Allan Weitz · Posted
When it comes to outdoor and travel photography, every season has its signature attributes. Springtime is about the pastels of awakening flowers, summer is about the lushness of landscapes in full bloom, and fall is the final riot of color before the onset of winter. And winter? Winter is about light, and wouldn’t you know it—that’s exactly what photography is about.
Photographs © Allan Weitz 2021
by Bjorn Petersen · Posted
There is a lot of talk about lighting and photography, and specifically how learning to use light can make you a better photographer. This is true, of course, but is also a notion that’s more often applied to working with artificial lighting, such as for portraits or products, where you can work in a studio with a strobe or LED to fine-tune how your shot looks. When it comes to landscapes, on the other hand, most likely you won’t have the ability to or just won’t want to use artificial lighting for your scenic shots. This is part of the
by Shawn C. Steiner · Posted
Even when you’re photographing distant landscapes with wide-angle lenses, you may notice that the image doesn’t look as sharp as you thought it would. Or perhaps some objects are tack sharp, but as you look farther into the foreground or background, it loses some of that detail. One solution is to use a technique known as focus stacking to ensure your images are as sharp as possible throughout the entire image.
What Is Focus Stacking?
A popular technique for macro and product photography, focus stacking is a technique in which multiple images