Search results for: photography tips solutions how to use light
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by Mathew Malwitz · Posted
First, a disclaimer: Like composition, lighting portraits is a subjective exercise. A setup that works for one situation may not work for the next, and lighting that one photographer adores might repulse another. Cultivating a personal lighting style involves an awareness of conventional approaches and willingness to go beyond what everyone else is doing. Study portraits
by Shawn C. Steiner · Posted
Pop on a pair of (decent) sunglasses and not only are your eyes less strained, things just look better. The reason for this is likely the polarization effect. Colors may appear more saturated, bright blue skies can take on a deeper hue, and some pesky reflections just vanish. All of these can benefit certain photographs and make the circular polarizer filter one of the best—and most difficult—filters to use.
Exactly What Does a Polarizer Do?
It’s
by Mathew Malwitz · Posted
For a beginner, few things seem more intimidating than photographing a wedding. A sense of anxiety is perfectly normal if you haven't yet spent much time in this field. It's important to remember that we all begin somewhere, and even the most experienced pros were also novices at one point. With practice and education, nerves begin to morph into confidence.
No two weddings are the same, but whether traditional or unconventional, the goal is to be properly equipped to document the key moments of the day. A
by Todd Vorenkamp · Posted
There is nothing that can replace the extreme close-up view of a rare bird in the wild. Binoculars can get you close but, if you want to look the bird in the eye or confirm that identification for your life list, you need a spotting scope. Spotting scopes pack incredible magnification in a generally simple and lightweight package that is
by Todd Vorenkamp · Posted
Taking a look at any modern mirrorless or DSLR camera, you’ll notice a slew of controls, buttons, and dials. Atop nearly all cameras sits a large dial labeled with many letters and icons. This is our mode dial. It is how we control the level of power we give to our camera or take for ourselves.
One of the wonderful things that modern electronic digital and film cameras give you is many high-tech options for your image making. One of the horrible things that modern electronic digital and film cameras give you is many high-tech options for your
by Todd Vorenkamp · Posted
One of the magical aspects of modern photography is the ability to review an image instantly within our EVF (electronic viewfinder) or right on the back of the camera.
Frequently, one possible mistake that digital photographers make is when reviewing an image on their camera—they evaluate exposure based on the reproduced image. Why might this be a mistake? Well, both your camera’s LCD and EVF likely have adjustable brightness. Also, you might be viewing your images in bright sunlight or in the pitch black of night. Just as viewing a computer
by Todd Vorenkamp · Posted
Every facet of photography is about controlling light, from the amount of light we allow to enter our camera via the aperture of a lens to the duration of our exposure set by the shutter speed. But how does the camera measure the brightness of the scene to set these settings automatically? How do you, the photographer, know how much to adjust your exposure settings to achieve a specific result for the final image? This is achieved with an in-camera light meter.
What Is Metering?
Metering is how a camera evaluates the available light to
by Luke Rollins · Posted
There comes a time in a photographer’s life—usually after some consistent success with an on-camera flash—when they say to themselves, "I’m ready to make my own light on demand." Thus begins a seemingly never-ending journey—first mastering the basics, then trying to put some feeling and expression into their photos.
Assuming you’re versed in
by Mathew Malwitz · Posted
As you begin to experiment with exposure, you’re likely to find many creative tricks. For example, one of the most visually stunning compositions you can capture is one where moving water is blurred while the rest of the scene remains tack sharp. You know the look. It’s a much sought-after effect that is quite easy to capture, once you know how. In order to achieve this look, your exposure must go on for a
by Mathew Malwitz · Posted
As photographers, we are faced with a wide array of lighting conditions, ranging from bright sunlight to dimly lit interiors. Using ambient light as your main source is often preferable; however, in a situation such as an event or portrait where time is of the essence, you will need to know how to properly expose all these varying scenes using both natural and artificial light sources.
Being resourceful with your lighting setups lends greater efficiency, and having a lighting system you can easily move from one situation to the next quickly is
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by Mathew Malwitz · Posted
We’ve all tried to photograph something up close. This small-scale world fascinates us all, whether it be a stunning flower or a bumble bee crawling about, but our cameras can’t seem to focus as close as we want. So, what is a struggling photographer to do?
There are several ways to do close-up, or "macro" photography, but the
by Mathew Malwitz · Posted
Back in the good old days, during the infancy of autofocus, you had two options when it came to autofocus: On or Off. Now, with advancements in technology, many cameras, even simple point-and-shoot cameras, have a dizzying array of high-tech autofocus modes to choose from. Honestly, they can be intimidating to even to the most experienced shooters.
Before we dive in, be forewarned: almost every manufacturer has proprietary autofocus technology, nomenclature, and features. Even more confusing, the interface to access these modes can often
by Steven Gladstone · Posted
Whether you’re a student or a seasoned veteran, selecting the right camera can make your head spin with questions. Does sensor size matter? What’s the difference between 4:2:0 and 4:2:2? Do I really need a camera that can record 8K? What about raw? We’ll explain the key components that help a camera produce cinematic images, and in doing so, hopefully help you make that all-important decision.
Evaluate Your Needs and Your Budget
Before considering certain cameras, you must know your needs and your budget. And be realistic. If you are a student
by Luke Rollins · Posted
Macro photography never ceases to amaze me. Show me the face of a jumping spider reproduced at life-size or greater and I’ll undoubtedly stop what I’m doing and stare at it for a while. What’s interesting is how ultra-wide-angle lenses, which are available for DSLRs and