Search results for: photography tips solutions understanding manual focus
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by Mathew Malwitz · Posted
For macro photographers, having the right gear is essential. Magnification and lighting are key, but you don’t necessarily need the biggest, priciest macro lenses out there to get close-up shots. If you’re a macro photographer yourself or buying a gift for one, we have some excellent recommendations for every budget.
Gifts Under $50
1. Close-up macro filters (like this
by Luke Rollins · Posted
At first glance, studio photography and the compact camera may seem strange bedfellows. The type of work associated with the studio—still life, product photography, portraiture, macro photography—usually wants cameras with larger sensors and interchangeable lenses, especially in professional applications. Compact, point-and-shoot cameras, for their part, have their natural home in everyday, travel, nightlife, and street applications, where their discretion and size become virtues.
It might seem almost cruel to introduce the compact to the
by Luke Rollins · Posted
The wealth of B&H is not measured in sales, but in the accumulated knowledge of its people. The breadth of such experience is impossible to quantify, let alone price, which is why we’re offering this batch of wedding photography advice completely free of charge.
Andrea Buritica, Sales Associate – Chat & Email
Burikitak Photography
One of the best parts about working at B&H is that I get to talk about gear all day. However, it’s doing wedding
by Todd Vorenkamp · Posted
Taking a look at any modern mirrorless or DSLR camera, you’ll notice a slew of controls, buttons, and dials. Atop nearly all cameras sits a large dial labeled with many letters and icons. This is our mode dial. It is how we control the level of power we give to our camera or take for ourselves.
One of the wonderful things that modern electronic digital and film cameras give you is many high-tech options for your image making. One of the horrible things that modern electronic digital and film cameras give you is many high-tech options for your
by Mathew Malwitz · Posted
Photography is by definition, the capture of light on a light sensitive surface. That surface could be glass, tin, film, or a digital imaging sensor like those found in most modern cameras. The amount of light that reaches our light-sensitive surface is what we can define as exposure.
A good exposure will look accurate to life or the photographer's creative vision. It will maximize an images quality and
by Mathew Malwitz · Posted
What better place to spend a Saturday morning than the zoo. You can enjoy some time outside, all while seeing a variety of both local and exotic animals you'd otherwise never dream of encountering. Zoos also are great place to try your hand at photographing wildlife! In this guide, we're talking about taking our camera to the zoo to capture natural looking images of animals in their element! We'll be covering what you need as well as tips and tricks that'll help you capture stunning, natural looking images of animals.
Above photograph © Mathew
by Mathew Malwitz · Posted
Photographing pets is something you likely do daily, whether it be with a phone or a dedicated camera. I don’t know about you, but I have thousands of pics of my pup filling up my photos app. After all, pets are part of the family, and we want to capture them in the best possible light. In this quick guide, we’re going to look at 10 ways you can improve your pet photography with practical creative tips and techniques as well as gear.
1. Get to your pet’s level. If there’s one trick to make your images more engaging, it’s to physically shoot
by Todd Vorenkamp · Posted
A lens’s hyperfocal distance—a mathematical combination of lens focal length, aperture or f-stop, and focus distance—is a tool that photographers can use to maximize their depth of field for capturing nearby foregrounds and distant backgrounds in acceptable sharpness.
While you can always dial up your lens’s sharpest aperture (sweet spot), many landscape photographers want as
by John Harris · Posted
What can you do with a high-end telephoto lens? Be a boss, is what you can do. I mean, c’mon! Strutting around the sidelines or cuttin’ through the bush with one of these beasts resting on your shoulder―not only do you look tough, but you’re also carrying a lens that you need to get the best photos in sports and wildlife photography. When I say best, let’s not underestimate the greatness of photographers who can create wonderful images with a wide-angle lens or even a telephoto of lesser quality, but to really excel in the disciplines of
by Todd Vorenkamp · Posted
So, you just bought a shiny, new, and maybe expensive, lens for your camera, and being the savvy consumer, you did your homework. You pored over customer reviews on the B&H Photo website, read online reviews splattered all over the Internet, grabbed a copy of every photo magazine that reviewed the lens, bookmarked dozens of websites, and now have the lens’s MTF curve charts burned into your retinas.
Now, your lens is here and it is time to go out shooting.
by Bjorn Petersen · Posted
Using flash is one of the technical aspects of photography that’s difficult to understand, mainly because it’s something you cannot really see with your own eyes. Working with natural light, you can usually envision how your shot will turn out, and then when you become a bit more skilled, you can even envision how the effects of aperture and shutter speed will affect your images. Working with flash further complicates our visual relationship to what we’re photographing, since it’s an additional level of abstraction we’re adding to the mix
by Jason T · Posted
One of the perks of working at B&H is that sometimes you get to play around with high-end gear that you would never be able to afford yourself. That’s been the case for me during the past six weeks, since Leica let me borrow the incredible Leica 10-P and Leica Summilux-M 35mm f/1.4 ASPH. lens while I worked on a
by John Harris · Posted
After our introductory lesson to creating narrative and telling personal stories with smartphone cameras, I asked my kids to advance their skill set by telling visual stories using a more advanced, more versatile camera. In this case, they’re using my Sony Alpha a6500 mirrorless
by Bjorn Petersen · Posted
Despite photography taking mainly a digital form nowadays, there is still immense value in the tactile side of photography, especially in regard to teaching photography. With education being based more in the home at the moment, it can be the perfect time to introduce someone to photography using the simplest and most basic tools. Pinholes are of the most primitive examples of photography but are also some of the most perfect tools with which to teach the basics of exposure without needing to complicate it using abstract modes, shutter speeds,
by Cory Rice · Posted
When many people think of special effects, they think of dimly lit rooms, expensive computers, and complicated software. While this may be an accurate picture if you are editing a blockbuster action movie, digital still photographers can do a lot to their images even before transferring files off their camera. The following guide covers some of the more popular in-camera effects on the market to consider when purchasing a new camera or for better understanding the camera you already own.
Film Simulation and Color Profiles
In recent years,