Audio Interfaces
SSL Subsidiary Harrison Audio has released the Harrison FleX-10, a new high-performance USB/ADAT 10-in/12-out audio interface compatible with MacOS and Windows with the provided ASIO driver. The FleX-10 offers advanced features in a desktop form factor with premium circuitry, injecting analog quality harmonic saturation into anything it records.
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Whether it's for recording audio or lighting a portrait, everyone has a piece of gear that's their go-to. Clare asks B&H's employees and customers what they think is the best piece of gear that stands the test of time. Big-ticket items like cameras, lenses, or audio interfaces made the list, but sometimes the less-flashy gear that is the unsung hero of the creative process.
0:00 - Intro
0:10 - What's Everyone's Go-To?
When it comes to converting and amplifying audio, these three terms are often used interchangeably, and to make things more confusing, audio interfaces and headphone amps can have DACs built into them.
But fear not dear reader, we’ve got the info you need to make the right choice! Here’s the rundown of these categories and when to consider them:
DAC (Digital-to-Analog-Converter)
What is a DAC?
A DAC is an audio component that takes the 1s and 0s of a digital audio signal and converts it into an audible analog signal that is coherent to the
Solid State Logic has announced the new SSL 1, a compact and affordable audio interface with the same form factor as the powerful and popular SSL 2+. The new SSL 1 promises to be perfect for those with small home studios doing personal projects to those wanting to refine their craft and enter the next level of production.
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Kevin and Andrew explore the show floor at Superbooth Berlin 2026 to show you the latest in software, audio interfaces, and more.
0:00 - Intro
0:34 - SPL Booth
5:46 - Focusrite
7:34 - Elysia
10:54 - Izotope & Native Instruments
Solid State Logic and their affiliate brands Slate Digital and JH Audio announced four new products from their showcase at NAMM 2026: the Origin EVO, UMD 192, VMS ML-2A, and Jessie. Let’s take a look at what makes each one special.
The 16/32-channel SSL Origin EVO is SSL’s next generation analog recording and mixing console, carrying on the legacy of the iconic SSL 4000 series while adding the latest in hybrid workflow technology. The in-line Origin Evo delivers sound that has permeated hit records since the 1980s with the integration of
Yamaha has announced two new lineups of professional audio gear at NAMM in 2026: the URX series of audio interfaces and the MGX series of digital mixing consoles.
The URX series is their newest batch of professional/prosumer-level audio interfaces, offering significantly greater quality and flexibility when compared to entry-level interfaces—all while retaining a compact and intuitive design. All three URX models come standard
It’s that time of the year again. 2026’s NAMM is starting things off strong with an announcement from Fender of several exciting new audio interfaces with musicians in mind. Co-designed by PreSonus, these interfaces feature specially designed Fender Hi-Z instrument preamps ideal for DI recording and reamping.
Fender Quantum LT 2 2x2 USB-C Audio Interface
First up is
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The Universal Audio Volt 876 USB-C Audio Interface is another one of their products that brings an analog sound to our digital age. Andrew records a track using this eight-channel audio interface, showing you how the various modes can affect your track's sound.
0:00 - About
0:30 - Song Demo - "Cat's Meow"
1:53 - Inputs & Preamps
2:14 - Vintage Mode & 76 Compressor
2:47 - Recording Drums
3:10 - Assitive Auto-Gain
Antelope Audio’s new Discrete 8 Oryx is a desktop interface intended to be the centerpiece of a home studio or small studio space, perfect for a four-piece band, electronic music producers with hybrid in-the-box and outboard setups, and hybrid mixing and reamping for guitar productions. Featuring eight discrete preamps and an additional channel via ADAT from an external preamp, the Discrete 8 Oryx boasts high-quality AD/DA
PreSonus is announcing a new edition to its lineup of popular StudioLive mixers. Built as a tour-friendly and compact rack-mountable mixer, the StudioLive SE is a 40-channel digital mixer that can be quickly and easily scaled for installed or mobile audio applications. With comprehensive mixing features, studio-grade audio quality, highly flexible bus configuration, and integrated recording capabilities (plus a suite of advanced software including Studio One Pro), the StudioLive SE is built to keep you fully in control of virtually any live
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Gabe makes his first stop at SuperBooth 2025 at the Moog booth to discover the Moog Messenger. This new member of the Moog mono-synth family brings back legendary Moog components reimagined to fit the needs of contemporary musicians and producers. Join Gabe as he takes a tour of the synth and demos it on the show floor.
0:00 - About
0:38 - Music Sample
1:25 - Architecture
2:05 - Front Panel Overview
3:56 - VCOs & Oscillators
5:46 - Moog Ladder Filter
7:17 - Envelopes
7:32 - Sequencer & Arpeggiator
8:11 - Back of Unit & Connectors
MIDI technology has evolved since the early days. And as it grows, we see more options with respect to connectivity and the creative flexibility it offers. If you’re just entering the world of MIDI, it may be helpful to first check out our article: How to Use MIDI to Sound Like a Pro. But if you’re already familiar with the basics, the following guide will help you get a better overview of the MIDI options available to you.
One of the most essential pieces of equipment for podcast recording is the audio interface. And when it comes to podcast-centric interfaces, there are a lot of options to consider, from the number of mic inputs offered to the kind of functionality that best suits your needs. We’ve put together a list of the top interfaces on the market for both solo and multi-person podcasts and have made sure to include some portable options for those who are taking their show on the road.
For Solo Podcasting
Audio Interfaces
The highly popular brand,
For those of us who have only mixed in stereo, setting up a Dolby Atmos studio can be quite a challenge. Of course, one of the first steps to mixing and mastering in Atmos is to invest in an interface that offers at least 10 output channels. You’ll also need speaker calibration tools and other acoustic adjustment features, which are included in some of the models listed in this article. While working with Dolby Atmos is not cheap, we’ve provided Atmos compatible interfaces in various price categories to meet the needs of every budget.
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