
Portable digital audio recorders and their built-in microphones have made it easier for everyone to capture high-quality audio. Ambient sounds, podcasting, and live music are obvious uses for these highly capable devices, but one of the most significant areas for portable digital recorders is in film and video production. The past decade has brought a wave of affordable camera systems that can shoot cinema-quality Full HD and 4K video. Unfortunately, the built-in pre-amps and microphones of these cameras are usually lacking. A good solution for this is to add a lavalier microphone and portable digital recorder to your kit. It is one of the simplest and most effective ways to get the professional sound that you want.
Highlighting the lavalier is a considered decision, because the other mics commonly used in film and video production have much different uses and tips for operation. Shotguns are extremely common, but need to be used with a boompole for the best sound quality—there are also on-camera shotgun mics, such as the RØDE VideoMic that are excellent, as well. Handheld mics have a much different aesthetic and are great for on-camera interviews or presenters who may need more control over mic position.
The lovely lavalier works for many similar situations, or even as a backup, thanks to its extraordinarily small size and ease of use. You can hide these under clothing easily or simply in a less conspicuous manner while still capturing great audio from a subject. When combined with a portable recorder, this entire audio setup becomes an impressive piece of effective kit. Lavaliers are also a great pick for vlogging and other creators who need to mic themselves up quickly and don’t have the benefit of a crew to attend to different options.
The Different Recorders
One thing that isn’t lacking is the variety of digital audio recorders. Nowadays, if you browse the B&H website, you can find models with tons of XLR inputs alongside color screens and plenty of knobs and buttons, or you could go check out ultra-compact options that have a couple of built-in mics and a single 3.5mm input—we haven’t even started talking about all the different shapes on the market. I am going to focus on the more portable recorders available, because they make the most sense if you want to use them with lavaliers.
At the bare minimum, you will need an audio recorder with a single input and some degree of manual control or functions. What type of input, you ask? Well, there are two main ones: the pro-grade XLR and the simpler 3.5mm, also known as 1/8" or miniphone. The easiest place to start is the 3.5mm connection, since this is available on practically all recorders, is common for lavaliers, thanks to its size, and can even be adapted to work with smartphones. Going this route is also the most affordable, and one of the most popular is the Zoom H1n. This lightweight recorder has its own set of stereo mics and a 3.5mm mic input with plug-in power, which is very important for many lavaliers. Its small size and simple controls make it easy to set up and then pocket.
Manufacturers have made some moves in digital recorders, coming up with more specialized tools. A great option for lavaliers is the Tascam DR-10L, which is designed from the ground up to be a belt pack recorder. It is very small and clips right onto a belt or waistband, making it easy to hide. Making life even better are a few functions that guarantee good recordings. This is the limiter to avoid clipping loud sounds, an auto-level setting, and the ability to record a safety track at a lower level. It doesn’t have any built-in mics like other recorders, but the included lavalier and wide compatibility through its 3.5mm input with plug-in power make the DR-10L among the best recorder options for lavs. If you want something more versatile, I would say check out the Zoom F1, a recorder I reviewed and found to be excellent.
You aren’t limited to just smaller recorders; you could go with a Zoom H5 or Tascam DR-40X if you can find a way to hide it on your subject’s person. If you don’t need to hide it, or want to wire it to a place where you or your crew can monitor the sound, you could upgrade to even bigger setups, including the Sound Devices MixPre-3 or Zoom F6. These can be great if you need to record multiple people simultaneously, because they have more inputs available. The addition of XLR inputs also means access to more microphones, and the professional-grade connector is generally more reliable.
Finding a Lavalier
Choosing a lavalier can be difficult. I know, I’ve had to do it. They all look similar and there usually aren’t too many distinguishing features. There can be a huge range of prices. Honestly, you are probably fine with whatever lavalier fits within your budget. While getting good audio is partially a measure of the mic’s quality, a lot of it has to do with technique and placement. In other words, you should be able to get good audio with any quality mic and you don’t have to break the bank.
Critical to picking a lavalier is compatibility. Certain brands and transmitters have slightly different connectors, which can cause the mic not to fit all recorders perfectly. An example is the extremely popular Sennheiser ME 2-II Omnidirectional Lavalier Microphone. It features a locking 3.5mm connector that works wonderfully with Sennheiser transmitters and numerous other related devices, but there is the potential of having the locking mechanism prevent a secure connection with select recorders based on the design. In this case, you may be better served with a more universal 3.5mm connector, such as that found on the RØDE Lavalier GO. And, if you want to go budget, you shouldn’t be afraid of the Polsen OLM-10.
Going up a level, you will encounter lavaliers with XLR connectors. This bulkier connection is the standard in the audio world and, if you are looking for a professional audio recorder, you will likely have a few of these inputs to work with. There are plenty of high-end lavaliers sporting XLR with a relatively affordable option being the Audio-Technica AT899. This offers a compact, relatively versatile design with good audio quality. Going for alternatives there are plenty out there. One to check out is the Tram TR50 because its flat, square shape makes it easy to hide on your subject, which can be very helpful to certain shoots.
Moving up the line, there is the Countryman B6, which is exceptionally small, measuring only 1/10 inch in diameter. This is a great mic for hiding while still getting high-quality sound. Or, if you want the best possible audio quality, the mic that is most recommended for pro applications is the Sanken COS-11D. This lavalier is available in a ton of varieties as well, making it easy to find one that works perfectly for your needs.
Putting the Two Together
It’s as simple as plugging the lav into the recorder. For 3.5mm mics this could mean the attached cable goes directly into the audio recorder’s input, and that’s that. XLR can work the same way, though some may require a separate XLR cable to make the actual connection. Then there is wireless, which is a whole other thing I will get to a bit later. Once the connection is made it is now about setup.
Wiring someone with a lavalier can be intimidating. Generally, you will want to hide the wire under clothes and perhaps place it in more delicate locations. Just act professional and always ask for permission if you ever need to touch your subject. If you ever need to adjust anything or need to fix a cable setup you should just ask the talent for permission. Sometimes they may be able to and want to take care of it themselves. Most individuals who are on camera often will understand and have no problems with you getting it set up. New or infrequent actors may not be as comfortable with it. Always ask, it should be your default.
As for placement, you will want to get the mic as close as possible to your subject’s mouth, which makes sense—the same technique works with nearly every mic and is no different here. If you don’t need to have the mic 100% out of sight, it is relatively easy: a shirt collar is usually the go-to spot. Feel free to get creative here if you wish; you can also get the mic up on a hat, positioned in hair, or secured with alternative clip types. The best practice is to center the mic on their person, though the omnidirectional pickup pattern of most lavs will help capture consistent audio even if you are forced to position the mic is a less than ideal location.
After it is attached, you will want to make sure that you don’t have any interference from pulling on the cable. Securing the cable with a loop using gaffer tape on clothing or using surgical tape or skin-safe tape for use directly on the talent will relieve strain on the cable and reduce or eliminate cable noise. Helpful for hiding mics under clothing are a series of options from Rycote, called Stickies, Overcovers, and Undercovers. Stickies are simply used for taping the mic to clothing or skin. Combine this with Overcovers to protect the mic from wind and contact noise from clothing. Undercovers are very similar but are designed solely for placing mics under clothing.
Recorders introduce another issue with setup. Some feature belt clips, which makes hiding them and positioning them very easy. Others are optimized for handheld use and, if you need it on the talent, you will need to be creative. One option for lighter recorders is to use surgical gauze to create a tight belt underneath clothing to hold the recorder. Some recorders may just slip into a pocket. Depending on the size and weight of the recorder, you may have to think hard to make it work. Another option is to set up a longer cable and then you have the recorder away from your talent, ideally being monitored by a sound professional or you.
Using the Recorder
With all that taken care of, now it is time to set levels (ideally between -12 and -6 dB) and hit Record. I should mention the benefits of using a recorder instead of going directly into camera with your lavaliers—namely, the quality of the recording. Digital audio recorders offer advanced controls and features that will benefit your recordings. The first step is the use of higher-quality pre-amps compared to those built into your camera. This ensures cleaner recordings and the ability to push the gain a bit if you need a louder signal. You should also have the ability to set the file type, bit depth, and sampling rate for the highest-quality files.
Now for the fun stuff—all the other functions loaded into them. One very common one, especially if you decide to keep the recorder on your talent and you can’t actively monitor it, is a limiter. This will help avoid distortion in the event that the levels start to peak. Distortion with digital recording is bad, so anything that can prevent it is good. However, the limiter can raise the noise floor. Another option is a safety track, meaning the recorder will save a second track at a lower level. It’s another way to avoid peaking and ruining your take.
Yet another feature is a low cut filter. This will eliminate sound at particular frequencies and can sometimes be set to specific maximum frequencies. By cutting these lower frequencies, you can eliminate some unwanted room noise and rumbles that would otherwise show up in your recording. It isn’t always needed or beneficial, so be careful. This leads me to my final point. Get some good headphones to monitor your sound always. Even if you won’t have the opportunity to monitor throughout the recording, it can help you get things set up.
This technique, referred to as dual-system sound, will require syncing in post because the files from your recorder are not directly connected to the video you record. Nowadays, most NLEs, including Adobe Premiere Pro and Blackmagic DaVinci Resolve, have some automated syncing options. By using a slate or even just a clap, you should have good luck with these functions. The best practice is to use a slate, which gives a visual indication and a distinct mark on your sound file that you can sync up manually when needed.
A Look at Wireless
Wireless mic systems are nowhere near as costly or difficult as they once were, with many newcomers popping onto the scene to make them available to more filmmakers. Tons of different frequencies, connectors, and systems can make this a very confusing arena for newcomers, many just opting for brands or systems they are vaguely familiar with and sticking to them. Advanced systems, such as the Sennheiser EW Series, use specialized frequencies that avoid interference from more popular bands, making them the most reliable options available, as well as the priciest. There are also more affordable takes specific to on-camera use, including the Sennheiser AVX System. There is too much to know about wireless system to truly cover them here, and this article is focused on getting you hooked up to a recorder and rolling, which brings me to what I like to refer to as cable-replacement solutions.
Arguably started with the launch of the Sennheiser XSW-D, or XS Wireless Digital, System, these new wireless options are meant to be dead simple and simple make a wireless connection between your mic and recorder. Using the more commercialized 2.4GHz frequency—meaning a greater chance of interference in busy locations, unfortunately—these relatively affordable and simplistic systems will help you meet your wireless goals. I like Sennheiser’s system because it allows you to mix and match connectors as needed. You can have a 3.5mm transmitter with an XLR receiver, a ¼" transmitter with a 3.5mm receiver, and any other combination of the three main connectors as you please. Just plug them in and turn them on to create a wireless system with nearly any mic and recorder.
Another option is the RØDE Wireless GO. This system stands out because it has an integrated microphone and a 3.5mm input. Put this directly on the talent with no wires and then keep the receiver back with you and the recorder and you are good to go, though I would recommend using a true lavalier for optimal quality. Both the RØDE and Sennheiser systems have the benefit of being extremely compact. So, if you are looking to hide mics, opting for a wireless setup may be your best approach.
Hopefully, this gives you all the information you need to start rolling on your next shoot and have some confidence in how you have your audio equipment set up. If you want to know more, the Audio for Video series on the B&H YouTube Channel is an amazing resource. Any questions or comments? Feel free to leave them below.
78 Comments
Hello,
I have been asked to record a fireworks show at the end of a fundraising event, and I was wondering if you have any suggestions on a microphone that would record loud sounds. I can’t seem to find much info on the internet , and I need something fairly simple, I have the Nikon z6, but I would like to record the sounds closer to fireworks so there would be less crowd noises. Thank you very much.
Hi Kevin -
We are not aware of an off-the-shelf device like one you have described. Using a wireless lavalier system with its receiver connected directly to the camera would avoid any syncing issues.
The 470 to 542 MHz version of the Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System B&H # SOUWPD1114 (https://bhpho.to/2ccPGAu) features all-metal construction, easy to read LCD displays, wide switching RF bandwidth, USB power and charging, automatic channel scanning, infrared synchronization between transmitter and receiver, Mic/Line switchable input on the bodypack transmitter, true diversity receiver, PLL-synthesized tuning, headphone output on the receiver, output gain controls on the receiver for optimizing the input level into a camera, and digital companding circuitry. The package is suitable for a wide range of wireless applications such as ENG, documentary work, talk shows, conferences, and more.
I wonder if anybody makes a wireless interview mic/recorder like the zoom.
It would be helpful to have an "all-in-one solution for field interviews
I envision a wireless transmitter with a lav that can be transmitted to the unit attached to my belt or camera. It would help with audio synching if I start and stop recording of both camera and audio simultaneously.
I am currently using the Sony icd-px333 digital voice recorder along with a Sony ecmcs3 lav mic to film videos out at universities and in the city. I want to buy a lav mic like the sennheiser mke2-p-c or the DPA 4080. I was just curious if those will still connect right into my Sony recorder or if I’ll need a higher end one or some kind of adapter? Any thoughts?
Hi Nathan -
These Sennheiser microphones will not connect to this recorder. The DPA 4080 will connect if purchased with an unterminated cable. A mini 1/8" (3.5mm) male connector would need to be soldered onto the unterminated cable.
DPA Microphones d:screet mini 4080 Miniature Cardioid Lavalier Microphone with an Unterminated Connection (Black) B&H # DP4080BU
Here is another excellent option that needs no soldering:
Tram TR50 - Omnidirectional Lavalier Microphone with Non-Locking SET+ Connector for Roland R05 Recorder (Black) B&H # TRTR50BNLSET
A microphone of this quality should be connected to a recorder that can is capable of capturing all the quality and nuance this type of microphone has to offer.
Tascam DR-40 4-Track Handheld Digital Audio Recorder (Black)
B&H # TADR40
Then you could use this DPA microphone:
DPA Microphones 4080 Miniature Cardioid Lavalier Microphone and MicroDot with XLR Adapter
B&H # DP4080BA01
I plugged a Y connector into my Zoom H1 and played music from my smartphone in one input and a lavalier plugged into the other half of the Y connector. The music came through beautifully, but there was nothing from the lavalier. I wanted to record my vocals with some intrumental backup .Any tips? Thanks all..
I bought an SE10 Samson microphone from you, and wanted to use it with my Zoom H4n Pro recorder. But it won't plug in to the Zoom recorder. I tried it in my MacBook (as an alternative) and that didn't work either. It also wouldn't recognise that there was anything plugged in. Do you have any solutions for this- I wanted to record spoken word to recording level, but have my hands free. Any ideas would be gratefully received, whether of adapters I can use, extras to make them compatable with each other, or failing that a microphone similar that would work with my Zoom. Thanks in advance,
Yours Frustratedly,
Hi Emma -
The Samson SE10 series of microphones are designed specifically for use with wireless transmitters and will not work with most other devices., as you have discovered. It is not just a matter of physically adapting the connector. The electronics of the microphone (impedance) are not compatible withe devices you are connecting to either. Since there is no practical way to adapt this microphone, consider using a different microphone:
The Polsen PL-5 is a replacement microphone for Polsen's ULW-16 wireless system. It is also compatible with other wireless transmitters with a standard 1/8" microphone input, or devices that have a 1/8" (3.5 mm) input with plug-in power.
Featuring an omnidirectional polar pattern, the PL-5 is optimized to accurately capture speech. It provides clear and natural sound ideal for ENG, EFP, and DSLR video applications. Because omnidirectional microphones are less susceptible to wind noise and vocal plosives (pops) than cardioid microphones, the PL-5 is suitable for indoor or outdoor use.
The miniature 0.14" head diameter offers a variety of options for discreet microphone placement, allowing the PL-5 to be easily concealed on wardrobe or costumes without sacrificing sound quality. The PL-5 comes packaged with a tie clip for securing the mic to the talent's clothing, as well as a windscreen for further reducing wind noise and vocal plosives.
I have a Pyle wireless mic and receiver that I want to use with a Canon EOS T7i DSLR. Can I connect the camera and receiver with a 1/4" to 1/8" cable? Will that work?
Hi Cynthia -
It might. But it will depend upon the receiver's output. You may need this accessory cable/adapter:
The Kopul LMT100 cable simply enables a microphone or mic-level device to be input into a high-impedance 3.5mm mini input found on DSLRs, camcorders, and other devices. It is 1.5' long and has a 3-pin XLR female connector on one end and a standard 3.5mm mini plug on the other. It is designed for use with mono microphones.
Matches low-impedance XLR output to high-impedance 1/8" (3.5mm) audio input
Ideal for plugging professional XLR microphones into DSLRs, camcorders, and other devices with a 1/8˝ microphone input
For use with battery-powered and dynamic microphones
Designed for a mono source, but will split the signal to both channels of a stereo device
I need to record 2 people being interviewed together. I'm having a hard time finding something affordable that would record both at once... I don't want to buy 2 recorders. I want just 1 recorder and 2 mics.
Hi Laura -
Here is a rock-bottom priced solution that will produce great results:
The blue H1 Handy Recorder from Zoom is an easy-to-use, versatile stereo digital audio recorder that fits into the palm of your hand. Following in the footsteps of the popular H2 and H4n, the H1 brings pro-level recording to a more compact and affordable design. Perfect for musicians, journalists, podcasters, and more, the H1 records high-quality WAV and MP3 files to meet any professional need. The H1 has a stereo X/Y microphone configuration that captures perfect stereo images. A built-in speaker lets you listen to your recordings right away. A 3.5mm mic/line input lets you connect an external microphone or music player, while a 3.5mm headphone/line output lets you connect your favorite headphones or small external speakers. A high-speed USB 2.0 port allows you to easily transfer data to your Mac or PC. A threaded tripod mount socket makes it easy to mount the H1 on a tripod or stand.
Designed for recording interviews, the OLM-20 Dual Omnidirectional Lavalier Microphone from Polsen is comprised of two of the well-received OLM-10 omnidirectional lavalier microphones. It terminates in a single 1/8" stereo connector, with each microphone recording to a discrete channel on your DSLR, camcorder, or audio recorder with a microphone input. Not limited to just interview applications, the OLM-20 can be used for presentations, podcasts, webcasts, or any situation where more than one subject needs to be recorded.
The OLM-20's dual electret condenser capsules are designed to deliver clear and natural sound, with their omnidirectional polar pattern providing off-axis response, even if the subject turns their head while talking. Both mics offer low sensitivity to wind and handling noise, as well as vocal plosives.
Thanks to its battery-operated design, the OLM-20 can be used with any camera or recorder that supports a 1/8" stereo mic level input, without the need for additional equipment or adapters. Each microphone records to a discrete channel, and the microphones themselves are labeled left and right. Its 13.5' cable provides 10' of distance between each microphone for comfortable placement, while the included tie clips allow for hands-free use.
i'm looking for something to record talking and singing by one person for the purpose of putting together podcasts. any idea about a good yet economical set up? where to obtain? cost range? many thanks!
Hi Bonnie -
Styled in black, the DR-10L Digital Audio Recorder with Lavalier Mic from Tascam is an ultra-compact, digital recorder and lavalier microphone combo with a screw-down locking connector compatible with most Sennheiser lavalier mics. It can be used for both the creative filmmaker and the busy videographer, and is also suitable for location recordings such as live events, and more.
Featuring 24-bit mono and 48 kHz BWAV (Broadcast Wav) file format, the recorder records up to 32GB on microSD or microSDHC media. There is a 1/8" headphone-output jack for easy monitoring of recordings and the recorder runs on a single AAA battery, which records up to 10 hours.
Furthermore, the limiter function automatically reduces input level to prevent distortion and the dual recording mode records to two files simultaneously with different gain levels. The easy-to-read OLED display has a wide viewing angle, and the built-in micro-USB-B port provides for external power and easy file transfer to a computer.
Finally, designed as part of a complete audio toolkit, the DR-10L delivers a flexible set of solutions for any audio production issue.
Stealth Fighter
Building on the success of the DR-10X and the DR-10SG, the DR-10L marries the industry-standard TASCAM portable mini-recorder with a high-performance lavalier mic. Easy-to-use – and easy-to-wear – the DR-10L can become your secret weapon in the war against poor production audio.
Dual Recording Records Two Files Simultaneously at Different Levels
The DR-10L has several features to prevent distorted audio, but the most secure is dual recording. This feature captures a copy of your signal at a lower level, as a safety track in case of distortion.
Automatic File Closing Saves File Data Before the Battery Runs Out
You can always monitor the battery level on the easy-to-read OLED display. If the battery runs out in the middle of a recording, the unit will automatically save the file before turning off so your take isn't lost. The case is designed so that the batteries can be changed quickly, without removing the recorder from the camera shoe mount.
Automatic Level, Limiter, and Other Functions
If the input sound level is too low or too high, an automatic level function can increase or decrease the recording volume to an appropriate level. The limiter prevents distortion caused by sudden input overloads. These functions save you from worrying about recording-level settings in situations when there is no second chance.
Compact and Lightweight Body
The DR-10L has been designed to be small, light, and easy to conceal. Perfect for on-camera talent, documentary subjects, or entire wedding parties. The DR-10L can easily be hidden away so that nothing comes between you and the perfect shot.
Operates up to 10 Hours Continuously
One easily obtained alkaline AAA battery powers the DR-10L for up to 10 hours continuously. The DR-10L can also use disposable lithium or rechargeable NiMH batteries.
I've seen people using Countryman b6 with the zoom h1 and have great sound. My problem is that I can't find any countryman that fits the h1. Do you have to modify the Countryman or is there a link someone can help me to find the a countryman that fits the H1?
Many thanks
Hi there, I am looking for a entry level portable A/V recording system to record CE events.
I need something that is small, and that I will be able to post on a website for future access. It was suggested for me to look into lapel microphone that can plug into a llaptop... with a video camera pluged in as well along with blue tooth speakers. Is there an all in one system that might be able to do this? Or do you have a suggestion on what might work for these needs? Thank you
Hi Michelle -
So you will be tethered directly to the laptop during these events? Consider:
Optimized for musicians, performers, and content creators, the Zoom Q4n Handy Video Recorder is a compact camera that combines higher-than-HD 2304x1296 video recording with Zoom's high-quality audio capture technology. It features a wide-angle 160° lens to capture the entire scene or stage and offers ten scene presets to adapt to various lighting conditions/environments. On the audio side, the Q4 features pop-up 120° microphones that can be configured in either A/B or X/Y configurations to capture live studio performances, concerts, or solo jam sessions. You can even use the Q4n as a stand-alone audio recorder, with audio saved in either uncompressed WAV (up to 24-bit / 96 kHz) or compressed AAC formats. A USB port lets you connect the Q4n to your computer or iPad (using an optional iPad camera connection kit) for use as a webcam or USB microphone. You can also stream live, transfer recordings, and recharge the included lithium-ion battery. A separately-available AC adapter is also available for battery charging.
Designed for recording interviews, the OLM-20 Dual Omnidirectional Lavalier Microphone from Polsen is comprised of two of the well-received OLM-10 omnidirectional lavalier microphones. It terminates in a single 1/8" stereo connector, with each microphone recording to a discrete channel on your DSLR, camcorder, or audio recorder with a microphone input. Not limited to just interview applications, the OLM-20 can be used for presentations, podcasts, webcasts, or any situation where more than one subject needs to be recorded.
The OLM-20's dual electret condenser capsules are designed to deliver clear and natural sound, with their omnidirectional polar pattern providing off-axis response, even if the subject turns their head while talking. Both mics offer low sensitivity to wind and handling noise, as well as vocal plosives.
Thanks to its battery-operated design, the OLM-20 can be used with any camera or recorder that supports a 1/8" stereo mic level input, without the need for additional equipment or adapters. Each microphone records to a discrete channel, and the microphones themselves are labeled left and right. Its 13.5' cable provides 10' of distance between each microphone for comfortable placement, while the included tie clips allow for hands-free use.
Stream music wirelessly with the Boombox+ Bluetooth Wireless Speaker from SHARKK. Equipped with Bluetooth 4.0, this speaker can receive and play music from any compatible device up to 33' away. It also has NFC, which lets you tap any NFC-enabled device to the top of the speaker to pair. Two 10W drivers with SHARKK's Advanced MaxxBass technology pump out the sound. The Boombox+ features a 3.5mm port so you can connect it to an external media device.
In addition to playing music, the SHARKK Boombox+ also enables you to make and receive phone calls with its built-in microphone. Its light sensors automatically illuminate control buttons in dark or dimly lit rooms. Additionally, the Boombox has a rechargeable 4400mAh Li-ion battery that lasts up to 12 hours on a full charge and LED battery indicators to let you know when it needs to be plugged in.
My wife is creating a YouTube channel, and I'm trying to help her get her audio quality up. The format is generally a panel discussion with 2-5 people. I want to get lavalier microphones for her, but don't know the first thing about how to record with that number of microphones. Will I need a mixer or any other equipment? Please help.
Hi Jared -
You will need a microphone mixer, for sure. Will you be using a video camcorder with XLR inputs?
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft's large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
PRODUCT HIGHLIGHTS;
I need to buy portable equiment for doing face to face interviews. I want to use something along the lines of 2 lavalier mics (one for me and one for the interviewee) with a Zoom type of stereo recording device. But I am a total sound novice. I want something that will sound polished enough to share online in a podcast, but won't have too many feautres I won't ever use. I was thinking of the Zoom H4N but I dont even know where the lavalier mics would plug into it, and was thinking maybe it is too much for my needs? Can you suggest a nice little gear set up for my needs? Thanks.
Hi Alison -
This combination should work well for you:
The blue H1 Handy Recorder from Zoom is an easy-to-use, versatile stereo digital audio recorder that fits into the palm of your hand. Following in the footsteps of the popular H2 and H4n, the H1 brings pro-level recording to a more compact and affordable design. Perfect for musicians, journalists, podcasters, and more, the H1 records high-quality WAV and MP3 files to meet any professional need. The H1 has a stereo X/Y microphone configuration that captures perfect stereo images. A built-in speaker lets you listen to your recordings right away.
Designed for recording interviews, the OLM-20 Dual Omnidirectional Lavalier Microphone from Polsen is comprised of two of the well-received OLM-10 omnidirectional lavalier microphones. It terminates in a single 1/8" stereo connector, with each microphone recording to a discrete channel on your DSLR, camcorder, or audio recorder with a microphone input. Not limited to just interview applications, the OLM-20 can be used for presentations, podcasts, webcasts, or any situation where more than one subject needs to be recorded.
The OLM-20's dual electret condenser capsules are designed to deliver clear and natural sound, with their omnidirectional polar pattern providing off-axis response, even if the subject turns their head while talking. Both mics offer low sensitivity to wind and handling noise, as well as vocal plosives.
When I plug a 3.5mm lavalier with a 1/4" adapter into the XLR ports, I don't get any signal. I want to get lavalier AND built-in x/y mic audio together when I turn on 4-channel mode. How can I do this (with my existing lavalier)? I've tried two lavaliers — one with a battery and one without. No luck.
Hi Gabriel -
Combo ports are typically for MiC/LINE. When using a mic in these ports it should be an XLR connector.
Please contact us via e-mail describing in detail the products you are connecting. Please include brands and model numbers.: [email protected]
I am heading into the Wedding Videography business and wondered whether the Rode Smartlav + with an ipod experiences much interference with other phones in the area. I'm really conscious of audio being ruined by this. If there is a better solution at a decent price then please let me know..
Thanks
Miles
i'm not sure about ipod - never used one with the rode mic, but I can say that connected to a Zoom H1, you'll have no issues. Maybe a good idea to make sure the grooms mobile isn't in the same pocket as the rode, but other than that precaution, we have no issues with interference using the rode smartlav +
Suggestion about what to buy please. Technology is not my speciality. I want to easily record good quality hypnosis and meditation sessions that may have background music (often recorded during a session with the client) that I can send to clients or sell. I also want the same device to be wireless so I can be moving and doing yoga sessions with a client and recording my voice over and bakground music for clients to take home to cue them for their home practice and to sell too (perhaps just as the voice cues or later attached to our VC for live recordings with picture too). Getting a bit stuck deciding what to buy that suits both purposes. Thanks
Hi Kirsty -
It sounds to me like you are looking for a portable audio recorder. For wireless, you would need to add a wireless headset or lavalier microphone.
Allowing you to record 4 tracks of audio simultaneously while providing Wi-Fi enabled transport control and file sharing, the DR-44WL Portable Audio Recorder with Wi-Fi from Tascam features a built-in XY stereo microphone and dual combo XLR inputs, and is capable of tracking in up to 24-bit/96 kHz resolution. Thanks to its built-in Wi-Fi, which requires no external network, you can control all transport functions via a free iOS and Android app. Additionally, you can use the built-in Wi-Fi to stream playback to your mobile device, as well as transfer files directly to your smart device or computer, for quick upload to social media.
Please send us an e-mail to discuss microphone selection: [email protected]
Hello. I have used an Zoom H5 and liked it. I'm planning on getting another one. I'm looking for a lavalier cardioiid microphone to use with it as an external mic. Is it possible to get one that doesn't require an XLR cable to make the mic compatible with the recorder? I'm going to use it for recording interviews. There's no need for concealment, but it does need to be a lavalier mic rather than something bigger. Thanks!
Hello! I have a Tram TR50 with the built-in 3-pin XLR connector and a Tascam DR-70D. With 48V phantom power set on the recorder, I still can't seem to get my levels past about -24dB. Is there something I'm missing here? I've tried with either phantom power turned on or alternatively with the battery in the mic.
Hi there,
I have a Focusrite Scarlett 2i2 and am looking to start filming some interviews. Because the presenter and guest will be seated in the same vicinity for every shot, I don't need to worry about it being wireless. I plan on running the mics to the audio interface out of shot.
Do you know if I can make the Rode SmartLav+ work with an interface? Do you have any other suggestions of mics I can research?
Thanks.
Hi Leigh -
The Rode SmartLav is designed specifically for compatability with iOS devices. Using a series of adapter to conect to your interface is not recommended. It sounds like you can use the Audio Technica AT899. Please contact us via e-mail if you have additional questions: [email protected]
Almost exactly the same deal here - Scarlett 2i2 and iRig Lav mics intended for iPhone but since I have them I thought I'd use them in the studio too and have a more consitent sound. I'm used to making leads so I have bought a TRRS socket and an XLR plug. If I tag an unbalanced Shure SM57 clone onto the bare wires coming off the XLR it works but NOTHING I do with the iRig makes a sound. The only possible solution I can see is that the Scarlett doesnt have enough gain for these tiny mics but I'd appreciate any advice from anyone who knows better.
I think I've solved it - the iRig at least is a small condesnor mic that requires a small voltage to work known as 'plug in power' which is supplied by PC's and smart phones but not the Scarlett. Not to be confused with 48v phantom power. So unless you start rigging up some power it'll never work.
Hi Chris -
Although we cannot suggest any "mods" you are on the right track Chris.
i have lav mic that has a xlr port, if i connect it directly to nexfs700 camera it works fine and perfect, but it never works on my zoomh4n. please any advice or help to rectify this?
Hi Olalude -
You may need to switch ON the Zoom H4n's phantom power.
I purchased the Canon70d and the Sennheiser G3 wireless. Will an H5n recorder give me a better audio quality than plugging the receiver directly into the 70d?
Hi Gloria -
If you go with this kind of work-flow, you will not believe how incredible the difference is.
I'm curious if the quality of the digital recorder matters if I'm using an external mic? I want to record for a podcast (so no video) outdoors with lav mics and digital recorders. Am I best to invest my money in some decent quality lav mics and overcovers and go cheap on the digital recorders?
I bought a Zoom H4n but then realized it's too big and actually does more than I need it to.Would a super cheap RCA digital recorder work for my purposes or is there an advantage to pricier models?
Thanks,
Brian
Hi Brian -
The quality of the recorder's pre-amps and D/A converters is very important. Any internal component that the audio signal pasess through is critical to the recorded sound. You get what you pay for - always
I started my outside recording with an Audio-technica ATR3350 mic and a Zoom H1 recorder. Unfortunately the mic only lasted a few trips and no longer works reliably. I then started using a lav mic that came with a Polar Pro mic I use mounted on my camera. Whilst this lav mic can work really well it does have a tendancy to record horrendous noise caused by the cable moving in the area it directly leaves the moulded 3.5 jack. Have you experienced the same problems with 3.5 moulded jack/cables on lav mics.
This can be a common problem with any lav mic depending on use. The area where the cable connects to the belt pack receiver is subject to a lot of wear and tear from the subject moving around and putting stress on that part of the cable. Some mics hold up better than others depending on the type of connector they use. The molded type break the easiest.
Also when put in storage, never wrap the cable around the belt pack. This causes a lot of stress on that part of cable as well.
Hi, I bought you two Pearstone OLM-10 (one single and other double) and a Zoom H5 Recorder to be used together. Its supposed that just plug and use it, but nothing happend.
I have no audio signal into the recorder, from any input. Seems some kind of technical problem from the mics, but is strange to my that both could be defective.
Do you have any idea of this kind of issues?
Thanks for your support.
Hi Matías -
Double check to make sure you have fresh batteries in the microphones and that the 3.5mm input is switched to MIC level. Check your input gain levels as well.
Please contact us via e-mail if you have additional questions: [email protected]
Hello! Thanks for this interesting article with so much details and options.
Now Im having trouble deciding what to buy. I need to record at least 2 people using lavalier mics on the field. Mostly for interviews and educational videos, but I cant be limited by power connection cords or having to carry multiple harware (interface, mixer, PC, etc).
I understand I can connect 2 lavalier mics into the 2 XLR plugs on the Zoom H4N and record on separate channels, is that right? This mics would need to have at least a 1,5 mts long cable so the subjects may stand a couple feet away from each other with the Zoom in the middle of them and not be playing "tug a war" with the cables!
Would you recommend instead getting 2 separate and simpler/smaller Zoom recorders, each with its own lavalier mic (XLR or mini plug?!)?
Or do you have any other ideas?
I appreciate very mmuch the attention and support!
Hi Marcos -
Keep it simple - one recorder with two mics. Using wireless lavaliers would give your subjects the mobility and freedom without tethering cables.
Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System
Please contact us via e-mail if you have additional questions: [email protected]
can i use sennheiser me-2 lavanier with zoom h1 ? will be there any issue ?
Hi Vibhu -
The issue may be the connector on the ME-2. It has a locking collar designed to fir Sennheiser wireless bodypacks only. This is a better choice:
The black EMW Omnidirectional Lavalier Microphone for Digital Recorders from Countryman features a 3.5mm connector wired for use with a variety of digital recorders. Its capsule is designed to produce low rubbing noise when clipped to your shirt while providing a uniform omnidirectional pattern over a broad range of frequencies. The mic is tuned with a 6dB boost between 2 and 15kHz to provide clarity for vocals. The EMW has a Kevlar cable and a moisture resistant design that allows it to be used near water or in intense weather. It can be used as a mic for digital recorders for film or broadcast production.
Compatibility
Please contact us via e-mail if you have additional questions: [email protected]
Hi,
I asked a comment on the site earlier on but I can't find it now.
I was asking about audio blowing out using an iphone and a RODE lavalier mic. When I record my fitness routines etc. it seems if my voice is too loud, it blows the sound out and loses all contrast. Is this an aspect of levalier mics or of the iphone which cannot change the recording levels?
This is a sample video where the above is happening: https://www.youtube.com/watch?v=8UEaI1diB0s
I wonder if a Zoom H1 would sort this issue out or whether I would need to purchase a new, more expensive levalier mic such as the sennheiser ME2 in order to resolve this audio blow-out issue?
Thanks and looking forward to your response.
Richard
It seems to be the case that you need to adjust the sensitivity on your iPhone audio App. The microphone is experiencing volume overload in consequence; the capsule is muting the circuit in order to prevent damage to the condenser element.
Adjusting your levels before recording while wearing headphones for monitoring should fix this isue.
NOTE: You will experience the same issue with a protable recorder like the Zoom H1.
Thanks Yossi for your reply.
I downloaded an alternative app, called TASCAM PCM Recorder, which allows me to adjust the mic in level. This does help a little bit, but at the loudest parts in my voice the top level does 'blow out' and become distorted.
Is this a microphone quality issue, and will a more expensive mic be able to process higher, more 'forceful' levels of volume directed into it, or is this an inherent issue with lavalier mics and would I need a shotgun mic or other type to prevent this type of distortion at the louder ranges of my voice?
Thanks
Richard
Hi Richard -
You could try wrapping the lavalier you have now. There are few choices for alternative microphones compatible with an iPhone. An adapter would be required. A Sennheiser ME-2 mic would offer substantially better headroom than the RODE smartLav - so that might be the best way to go if you already own one or have access to one. A shotgun placed a few feet from your mouth should remedy the issue as well.
Sennheiser ME 2 Omnidirectional Condenser Lavalier Microphone
Rycote - Furry Lavalier Windjammer
Sescom - iPhone / iPod / iPad 3.5mm TRRS to 3.5mm Mic Jack & 3.5mm Monitor Jack
Rycote - Undercover - Lavalier Wind Cover
Rode VideoMic Pro Compact Shotgun Mic & DeadCat VMP Wind Muff Kit
Rode - Micro Boompole - 3-Section Boom Pole
Rode - Stereo Mini Male to Stereo Mini Female Cable - 10'
Please contact us via e-mail if you have additional questions: [email protected]
For example... Would the Sennheiser ME 2 have a wider range and therefore improve the pickup quality?
Or do I need to go down the route of putting barriers between the mic and the voice - as in the suggested overcovers and windjammers?
Thanks again
Richard
Hi Richard -
You may need to experiment with either solution. As I replied earlier the ME-2 lav mic offers substantially better headroom so that distortion is less probable at higher vocal volume levels.
Please contact us via e-mail if you have additional questions: [email protected]