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by John Harris · Posted
It would be foolish to claim that there is only one way to take a portrait, but there are some accepted norms and basic camera settings that you should understand if portraiture is to become your area of photographic interest. Remember though, as you walk down your creative path, that a portrait is more than a headshot, more than a beautiful photo of your subject; it is an opportunity to get to know someone, to have a visual conversation with a person, and to use your photographic skills to pass that understanding of the person on to the
by Mathew Malwitz · Posted
As you begin to research cameras, you’ll likely hear some technical jargon about sensors. While it’s easy to ignore some elements of any devices, there’s no way to work around sensors. But what is a sensor and what does it do? In this guide, we’re diving into the often confusing world of imaging sensors. By time we’re done, you’ll have a better understanding of the most significant component in our digital camera.
About Sensors
What Is an Imaging Sensor?
At the heart of our digital cameras sits an imaging sensor, which serves as the digital
by Allan Weitz · Posted
For the longest time, comparing image quality between point-and-shoot cameras and full-frame cameras, or even APS-C format cameras, was a conversation you could have start to finish during the course of an elevator ride. Point-and-shoot cameras were convenient, but the detail and dynamic range of their smaller sensors never measured up to the detail and dynamic range you get from larger sensors. And then one day Sony introduced a new 1" format CMOS sensor, and BOOM! People started having second thoughts about slinging heavy camera bags over
by Todd Vorenkamp · Posted
Raw vs. JPEG. The debate has persisted since the early days of digital photography. With modern digital technology, in-camera JPEG processing has never been better. Across brands, some photographers claim to have switched their workflow to JPEG exclusively, forgoing the advantages (and disadvantages) of shooting raw files. Others shoot raw + JPEG simultaneously to enjoy the benefits of both. Of course, many shoot only raw images. With a week in Ireland to focus on photography, I decided to dive deeper into the raw vs. JPEG option and see if it
by Allan Weitz · Posted
If the longest telephoto lens you own never seems to get you in tight enough to your subject, you have three choices. The first is to get up and get physically closer to your subject. If you can’t, for whatever reason, do this, you can either take the picture as is and crop it to your liking post-capture, or you can use a teleconverter.
Photographs © Allan Weitz 2021
Either method will work, albeit at a cost. As for the price of cropping versus the price of
by Jill Waterman · Posted
In his 1997 article “The Problem with Wildlife Photography,” author and environmental activist Bill McKibben wrote, “Without Kodak there’d be no Endangered Species Act.”
While viewed by some at the time as controversial, McKibben’s point has only gained traction in the intervening years. Recent news reports abound with stories of overenthusiastic shutterbugs who do harm to themselves—or worse yet, to their intended animal subjects—when attempting selfies in the wild or trying to capture a prize-winning close-up. Fueled by the power of
by Todd Vorenkamp · Posted
The art of photographing the wristwatch is known as one of the most challenging aspects of still life photography. Between the relatively small size of the timepiece, reflective sapphire and acrylic crystals, shiny elements on the watch face, matte leather or nylon straps, etc., there are a multitude of surfaces with different properties and reactions to light and the camera.
Photographs ©Todd Vorenkamp
If you are a lover of the wristwatch or a horologist, you
by Todd Vorenkamp · Posted
When photographing a planetary transit of the sun, be it Mercury or Venus, all of the same safety precautions of solar photography are required, without exception. This is because you are not photographing a planet in the night sky, you are photographing the sun as a planet passes between Earth and the sun.
Images of the transit of Mercury and Venus from NASA/JPL
Photographing the sun poses a very real danger to not only your camera gear, but to your eyes and eyesight. Let’s discuss safety precautions for photographing the sun with or without
by Cory Rice · Posted
Over the past few years, pixel-shift image capture has transformed from a luxury reserved for deep-pocketed specialists to an increasingly common feature on new, resolution-oriented cameras. Today, in addition to Hasselblad’s behemoth Hasselblad H6D-400c, Olympus, Pentax, Sony, and Panasonic offer versions of the technology at much more accessible prices.
While it is advertised under several names (High Resolution Mode,