Canon EF 85mm f/1.4L IS USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/22
- One Aspherical Element
- Air Sphere Coating
Venus Optics 200mm f/2 AF FF Telephoto Prime Lens (Canon EF)
- Full-Frame | f/2 to f/22
- Telephoto Prime, Powerful Compression
- Highly Accurate, Responsive Autofocus
- Minimized Chromatic Aberration
Canon EF 24-70mm f/2.8L II USM Lens (Refurbished)
- Refurbished Products Have a Limited 1-Year B&H Warranty
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- One Super UD Element, Two UD Elements
ZEISS Milvus 100mm f/2M ZE Macro Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- Two Low Dispersion Elements
- Planar Optical Design
Pentax HD PENTAX-D FA* 85mm f/1.4 ED SDM AW Lens
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- Three Super ED Elements
- One Aspherical Element
Canon EF 14mm f/2.8L II USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Two UD Elements, Two Aspherical Elements
- Super Spectra Coating
Pentax HD PENTAX D FA 150-450mm f/4.5-5.6 DC AW Lens
- K-Mount Lens/Full-Frame Format
- 225-675mm (35mm Equivalent on APS-C)
- Aperture Range: f/4.5 to f/27
- Extra-Low Dispersion Glass Elements
Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports Lens (Sigma SA)
- SA-Mount Lens/Full-Frame Format
- Aperture Range: f/4.5 to f/32
- Three FLD Elements, One SLD Element
- Super Multi-Layer Coating
Canon TS-E 17mm f/4L Tilt-Shift Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Four UD Elements, One Aspherical Element
- Floating Optical System, Rear Focusing
Canon EF 70-200mm f/2.8L IS III USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Fluorite Element & Five UD Elements
- Air Sphere Coating
Canon EF 11-24mm f/4L USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- One Super UD and One UD Element
- Four Aspherical Elements
Canon TS-E 90mm f/2.8L Macro Tilt-Shift Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/45
- One UD Element, One Aspherical Element
- Air Sphere Coating
Sigma 500mm f/4 DG OS HSM Sports Lens for Nikon F (Refurbished)
- Refurbished Products Have a Limited 90-Day Manufacturer Warranty
- F-Mount Lens/FX Format
- Aperture Range: f/4 to 32
- One SLD and Two FLD Elements
Sigma 500mm f/4 DG OS HSM Sports Lens for Canon EF (Refurbished)
- Refurbished Products Have a Limited 90-Day Manufacturer Warranty
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to 32
- One SLD and Two FLD Elements
Sigma 500mm f/4 DG OS HSM Sports Lens for Sigma SA
- SA-Mount/Full-Frame Format
- Aperture Range: f/4 to 32
- One SLD and Two FLD Elements
- Super Multi-Layer Coating
Nikon AF-S NIKKOR 500mm f/4E FL ED VR Lens
- F-Mount Lens/FX Format
- Aperture Range: f/4 to f/22
- Two Fluorite and Three ED Elements
- Nano Crystal & Super Integrated Coatings
Nikon AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR Lens
- F-Mount Lens/FX Format
- Aperture Range: f/4 to f/32
- Built-In 1.4x Teleconverter
- One Fluorite and Eight ED Elements
Canon EF 200-400mm f/4L IS USM Extender 1.4x Lens (Canon EF)
- Full-Frame | f/4 to f/32
- Built-In 1.4x Extender
- One Fluorite and Four UD Elements
- Super Spectra Coating
Nikon AF-S NIKKOR 800mm f/5.6E FL ED VR Lens
- F-Mount Lens/FX Format
- Aperture Range: f/5.6 to f/32
- Two Fluorite and Two ED Elements
- Nano Crystal & Super Integrated Coatings
Canon EF 600mm f/4L IS III USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/32
- Super UD, Fluorite & Aspherical Elements
- Super Spectra and Air Sphere Coatings
Canon EF 600mm f/4L IS III USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/32
- Super UD, Fluorite & Aspherical Elements
- Super Spectra and Air Sphere Coatings
The Importance of a Good Camera Lens
A good camera lens has a major impact on the quality of your photos. It gives even the most basic cameras the ability of producing great images. There are several important components to consider when shopping for a lens, including zoom capability, aperture size, focal length, quality of the glass, and more. If you’re still exclusively using the lens that came with your camera and want to improve your photography, it may be time to find out what other lenses can do for you.
Which lens is right for me?
It depends on what you’re shooting. Some common types of photography include panoramas, skyscapes, interiors, landscapes, candid family shots, portraits, sports and action, wildlife, and the night sky. Different subjects require different lenses. One important aspect to consider is focal length, which is the path the light travels on the way to your camera’s sensor. Generally speaking, big, wide scenes require lenses with shorter focal lengths, while more distant subjects require longer focal lengths. A zoom lens will allow you to use a single lens at a variety of focal lengths.
Here are various applications, and the lenses most ideally suited for them. Note that these examples use the focal length marked on the lens itself, or 35mm-equivalent. For some cameras – such as APS-C or m4/3 – you may need to apply a crop factor (see this Explora article for more information):
- For ultra-wide scenes, waterscapes, and skyscapes—a fisheye or ultra-wide angle lens with a focal length range between 8mm – 24mm
- For interiors, architecture, and general landscapes—a standard wide angle lens with a focal length range between 24mm – 35mm
- For environmental or full-length portraits, street photography, and travel—a standard lens with a focal length range between 35mm – 85mm (50mm is the most common)
- For portraits and candid shooting—a short telephoto lens with a focal length range between 85mm – 135mm
- For close sports and action—a medium telephoto lens with a focal length range between 135mm – 300mm
- For wildlife and more distant sports—a super telephoto lens with a focal length above 300mm
It’s not uncommon for versatile photographers to own multiple lenses. Check out Explora’s Purchasing Your Next Lens article for more information.


