Venus Optics Laowa 60mm f/2.8 2X Ultra-Macro Lens for Pentax K-Mount
- K-Mount Lens/APS-C Format
- 90mm (35mm Equiv. on APS-C Format)
- Aperture Range: f/2.8 to f/22
- Magnification Range: 2.0x to 0.1x
Rokinon 14mm f/2.8 IF ED UMC Lens For Canon EF with AE Chip
- Ultra Wide-Angle 14mm Lens
- Compatible w/ Full Frame & APS-C Cameras
- Hybrid Aspherical Lenses -- Sharp Images
- Multi-Layer Coating to Reduce Flare
Samyang MF 85mm f/1.4 WS Mk2 Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/1.4 to 22
- One Hybrid Aspherical Element
- Ultra Multi-Coating
Samyang MF 85mm f/1.4 WS Mk2 Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to 22
- One Hybrid Aspherical Element
- Ultra Multi-Coating
NiSi 250mm f/5.6 Reflex Lens (Nikon F)
- Full-Frame | Fixed f/5.6 Aperture
- Manual Focus Design
- Pleasing Donut-Shaped Bokeh
- Multi-Coating for Reduced Aberration
Pentax HD Pentax DA 40mm f/2.8 Limited Lens (Black)
- Pentax K Mount
- 60mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- Compact Pancake-Style Design
IRIX 11mm f/4 Blackstone Lens for Canon EF
- Canon EF-Mount/Full-Frame Format
- Aperture Range: f/4 to f/22
- Three Aspherical Elements
- Two ED and Four HR Elements
IRIX 11mm f/4 Blackstone Lens for Pentax K
- Pentax K-Mount/Full-Frame Format
- Aperture Range: f/4 to f/22
- Three Aspherical Elements
- Two ED and Four HR Elements
IRIX 45mm f/1.4 Lens for Nikon F
- Full Frame Format | f/1.4 to f/22
- Manual Focus Design with Focus Lock
- One Aspherical Element, Four HR Elements
- One Extra-Low Dispersion Element
IRIX 21mm f/1.4 Dragonfly Lens for Nikon F
- Nikon F-Mount/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- Two Aspherical Elements
- Four Ultra-Low Dispersion Glass Elements
Mitakon Zhongyi 200mm f/4 1x Macro Lens (Canon EF)
- Full-Frame | f/4 to f/32
- Manual Focus Design
- Minimum Focusing Distance: 1.6'
- Apochromatic APO Design
IRIX 15mm f/2.4 Blackstone Lens for Nikon F
- Nikon F-Mount/FX Format
- Aperture Range: f/2.4 to f/22
- Two Aspherical Elements
- Two ED and Three HR Elements
IRIX 15mm f/2.4 Blackstone Lens for Pentax K
- Pentax K-Mount/Full-Frame Format
- Aperture Range: f/2.4 to f/22
- Two Aspherical Elements
- Two ED and Three HR Elements
Samyang 10mm f/2.8 ED AS NCS CS Lens (Pentax K Mount)
- Pentax K Mount Lens
- Aperture Range: f/2.8 to f/22
- 15mm (35mm Equivalent)
- Designed for APS-C-Sized Sensors
Pentax HD PENTAX-DA 55-300mm f/4.5-6.3 ED PLM WR RE Lens
- KAF4-Mount Lens/APS-C Format
- 84.5-460mm (35mm Equivalent)
- Aperture Range: f/4.5 to f/32
- Extra-Low Dispersion Glass
Samyang 100mm f/2.8 ED UMC Macro Lens for Nikon F
- F Mount Lens/FX Format
- Aperture Range: f/2.8 to f/32
- One High Refractive Index Element
- One Extra-Low Dispersion Element
Lensbaby Velvet 56mm f/1.6 Lens (Nikon F, Black)
- F-Mount Lens/FX Format
- Aperture Range: f/1.6 to f/16
- Singlet-Doublet-Singlet Optical Design
- Soft Glowing Effect at Wide Apertures
Lensbaby Velvet 56mm f/1.6 Lens (Canon EF, Black)
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.6 to f/16
- Singlet-Doublet-Singlet Optical Design
- Soft Glowing Effect at Wide Apertures
Bower 16mm f/2.0 ED AS UMC CS Lens for Four Thirds Mount
- Four Thirds Mount Lens
- For Four Thirds Sized Image Format
- Aperture Range: f/2.0-22
- 32mm Equivalency in 35mm Format
Bower 16mm f/2.0 ED AS UMC CS Lens for Sony Alpha Mount
- Sony Alpha Mount Lens
- For APS-C Sized Image Format
- Aperture Range: f/2.0-22
- 24mm Equivalency in 35mm Format
Samyang 24mm f/1.4 ED AS UMC Wide-Angle Lens for Nikon
- 24mm Wide-Angle Lens
- Aperture Range: f/1.4-22
- For APS-C & Full-Frame Image Formats
- Minimum Focusing Distance of 9.84"
Voigtlander Ultron 40mm f/2 SL IIS Aspherical Lens for Nikon F (Black Rim)
- F-Mount Lens/FX Format
- Aperture Range: f/2 to f/22
- One Double-Sided Aspherical Element
- Ultra-High Refractive Index Glass
Venus Optics Laowa 105mm f/2 Smooth Trans Focus Lens for Pentax K
- Pentax K-Mount Lens/Full-Frame Format
- Aperture Range: f/2 (T3.2) to f/22
- One Apodization Element for Smooth Bokeh
- Three Low Dispersion Elements
Pentax HD Pentax DA 35mm f/2.8 Macro Limited Lens (Black)
- Pentax K Mount
- 53.5mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- Macro 1:1 Maximum Magnification Ratio
Pentax HD Pentax DA 21mm f/3.2 AL Limited Lens (Black)
- Pentax K Mount
- 31.5mm (35mm Equivalent)
- Aperture Range: f/3.2 to f/22
- Compact Pancake-Style Design
Meyer-Optik Gorlitz Lydith 30mm f/3.5 II Lens (Leica R)
- Full-Frame | f/3.5 to f/22
- Produces 3D-Like Effect
- Manual Focus Design
- Coated Schott and Ohara Optical Glass
Meyer-Optik Gorlitz Trioplan 50mm f/2.8 II Lens for Leica R
- Full-Frame Format | f/2.8 to f/22
- Revised Triplet Optical Design
- Distinct Soap Bubble Bokeh
- Manual Focus Design
Mitakon Zhongyi Speedmaster 85mm f/1.2 Lens for Pentax K
- Pentax K Mount/Full-Frame Format
- Aperture Range: f/1.2 to f/16
- Two Extra-Low Dispersion Elements
- Four High Refractive Index Elements
The Importance of a Good Camera Lens
A good camera lens has a major impact on the quality of your photos. It gives even the most basic cameras the ability of producing great images. There are several important components to consider when shopping for a lens, including zoom capability, aperture size, focal length, quality of the glass, and more. If you’re still exclusively using the lens that came with your camera and want to improve your photography, it may be time to find out what other lenses can do for you.
Which lens is right for me?
It depends on what you’re shooting. Some common types of photography include panoramas, skyscapes, interiors, landscapes, candid family shots, portraits, sports and action, wildlife, and the night sky. Different subjects require different lenses. One important aspect to consider is focal length, which is the path the light travels on the way to your camera’s sensor. Generally speaking, big, wide scenes require lenses with shorter focal lengths, while more distant subjects require longer focal lengths. A zoom lens will allow you to use a single lens at a variety of focal lengths.
Here are various applications, and the lenses most ideally suited for them. Note that these examples use the focal length marked on the lens itself, or 35mm-equivalent. For some cameras – such as APS-C or m4/3 – you may need to apply a crop factor (see this Explora article for more information):
- For ultra-wide scenes, waterscapes, and skyscapes—a fisheye or ultra-wide angle lens with a focal length range between 8mm – 24mm
- For interiors, architecture, and general landscapes—a standard wide angle lens with a focal length range between 24mm – 35mm
- For environmental or full-length portraits, street photography, and travel—a standard lens with a focal length range between 35mm – 85mm (50mm is the most common)
- For portraits and candid shooting—a short telephoto lens with a focal length range between 85mm – 135mm
- For close sports and action—a medium telephoto lens with a focal length range between 135mm – 300mm
- For wildlife and more distant sports—a super telephoto lens with a focal length above 300mm
It’s not uncommon for versatile photographers to own multiple lenses. Check out Explora’s Purchasing Your Next Lens article for more information.


