Search results for: photography basics focal length perspective
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by Mathew Malwitz · Posted
There’s an old adage that gear doesn’t make the picture, it’s the photographer. This is partly true. A super-telephoto prime with a fast aperture will make quick work of busy backgrounds, and the faster focusing systems of high-end full-frame cameras will more easily track a bird’s eye in some of the most challenging lighting conditions. But there’s another factor to consider. At the heart of the image is a creative eye and technical proficiency. High-end camera gear only serves a purpose once you know what you’re doing.
In this guide, we’re
by Bjorn Petersen · Posted
There were nearly 200 new lenses released this year, many of which were iterations of an existing lens. Many of the lenses were also wholly new designs, whether first-party designs to pair with a new flagship camera or third-party innovations designed to fill the gaps in existing lineups.
With such a breadth of new lenses available in the past 12 months, we're narrowing things down to cover some of the highlights and most unique or exciting lenses that came out
by Shawn C. Steiner · Posted
What a week! Tons of you showed up for the B&H Depth of Field conference, in person here in New York and online through our virtual portal. On top of that, we had loads of new camera and lens announcements from Canon, Nikon,
by Todd Vorenkamp · Posted
Welcome to Part 3 of our journey into the world of Intentional Camera Movement (ICM) photography. In this final chapter of the 3-part series of articles, we voyage back into the mental aspects of creating ICM art, as well as take in some tips for some of the more common ICM subjects and finish with inspirational words from some of the masters of the craft.
Above image © Morag Paterson
Approach
Because ICM eschews many of the lessons we have tried so hard to learn in photography over the years, the approach and process are very
by Todd Vorenkamp · Posted
Specular out-of-focus highlights have appeared in photographs since the first photos were taken through lenses. In 1997, Photo Techniques magazine introduced the word “bokeh” to the photography world’s vernacular and the out-of-focus areas of photographs have been scrutinized ever since. Before the term, there was certainly discussion about the aesthetics of the out-of-focus specular highlights of a photograph, but until 1997, there wasn’t a good word in the English language to describe the phenomenon. Credit goes to Mike Johnston, article
by Todd Vorenkamp · Posted
Before we talk gadgets, know that it is possible to do epic panoramic photographs handheld. Thanks to awesome modern post-processing software, the combination of digital camera and computer can crank out good panoramic results for many photographers. However, if you remember the early days of photo stitching, have gotten some wonky stitching results, or you simply want to make the cleanest, best panoramic photographs possible, there are some unique tools to help you. Here, we will start with the simplest tools and work our way through the more
by Shawn C. Steiner · Posted
Simply put, the DJI Mavic 2 is the best drone in its class. From top to tail, it excels in nearly every category of performance and design. In fact, the closest the Mavic comes to a true rivalry is between its two subclasses, the Pro and the Zoom. This
by Todd Vorenkamp · Posted
by Allan Weitz · Posted
What is a lens?
Superficially, a lens is little more than a cylinder containing optical elements that shift about as you focus by turning a ring around the cylinder. But even in its most basic form, a camera lens is far more complex than it might appear.
A lens is more than the sum of its parts. When you attach a lens to a camera, your choice of lens is very much like a painter's choice of brush. For finer details, the painter will choose a narrow, pointier brush. For cloud-free skies, a broader brush would be a wiser choice. Wide-angle lenses