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by Mathew Malwitz · Posted
Sony's super-telephoto lenses have long been divided into two well-defined categories. At one end of the spectrum, you have a variety of relatively affordable super-zooms ranging from 100mm to 800mm. On the other end sit the primes, highly sought-after optics that are just as cumbersome as they are expensive. For years, these categories have been separated. That all ends today with the unveiling of not one but two ultra-lightweight lenses. Introducing the FE 400mm f/4.5 and FE 600mm f
by Luke Rollins · Posted
Sigma announces its highly anticipated 85mm f/1.2 DG Art lens alongside a new 20-60mm f/2.8-4 DG Contemporary lens, both for L-Mount and Sony E-mount full-frame mirrorless cameras.
Sigma 85mm f/1.2 DG Art lens
by Luke Rollins · Posted
At first glance, studio photography and the compact camera may seem strange bedfellows. The type of work associated with the studio—still life, product photography, portraiture, macro photography—usually wants cameras with larger sensors and interchangeable lenses, especially in professional applications. Compact, point-and-shoot cameras, for their part, have their natural home in everyday, travel, nightlife, and street applications, where their discretion and size become virtues.
It might seem almost cruel to introduce the compact to the
by Mathew Malwitz · Posted
Venus Optics has once again delivered a game changing tool for close focus with the Laowa Aksen 45mm and 17.5mm Coaxial Illumination lenses. These lightweight, ultra-macro lenses have a fixed focal distance and feature an innovative internal parfocal zoom system for easy magnification adjustments.
First up, let’s look at the 45mm f/2.8 1-5x Macro APO. As hinted at in the name, this
by Luke Rollins · Posted
Achieving a standard of production value is an essential component of establishing a brand and growing a following. For part-time, burgeoning, and mid-level creators, it can feel like bridging that gap is less a matter of learned skill and more about the equipment you can afford.
In most cases, the problem isn’t budget at all. Acquiring the specific know-how can give your content professional sheen with little to no financial outlay.
Lighting design is arguably the most immediately visible production component—and the one most capable of
by Mathew Malwitz · Posted
Traveling with camera gear can be a daunting experience, especially as we start expanding our arsenal of lenses. Picking the right lens for the job is a challenge in itself, and now we’re finding the space to pack it among our clothes, and other essentials. Wouldn’t it be nice if we had one lens to do it all?
Luckily, such lenses do exist, and these travel-ready all-in-one zooms come in a variety of mounts, some brand specific, and others available for many different cameras. In today’s guide, we’re covering the best travel zooms for APS-C or
by Mathew Malwitz · Posted
Let's face it: smartphone cameras are not the vibe anymore. What we want is a dedicated point-and-shoot camera, whether it be a classic hand-me-down model from the early 2000s or a more current spec'd out model with modern bells and whistles. These small point-and-shoot cameras may be made for travel but they excel in some scenarios more than others.
In today's guide, we're covering just a few of the best travel-friendly
by Mathew Malwitz · Posted
Dental photography is a unique genre of photography that requires a specialized set of tools to deliver the clarity, brightness, and color accuracy dentists rely upon to accurately record their patients’ progress.
In this guide, we’re going to cover the essential tools dental professionals need to capture the best quality images of their work, from the camera itself to the lighting tools required to accurately capture the color and detail of those pearly whites.
The Camera
Of course, one could use almost any camera, so long as it produces
by Shawn C. Steiner · Posted
Wedding season is upon us and whether you’re a first-time wedding photographer or an experienced pro, you’re likely debating which lenses you should keep or add to your daily kit. Sony makes deciding even tougher with an incredible variety of glass offerings for their E-mount mirrorless system.
Don’t worry though, we’re here to help with our picks for the best Sony lenses for wedding photography.
The New f/2 Zooms: FE 28-70mm f/2 GM and FE 50-150mm f/2 GM
Released in late 2024 and early 2025 respectively, the
by Todd Vorenkamp · Posted
Taking a look at any modern mirrorless or DSLR camera, you’ll notice a slew of controls, buttons, and dials. Atop nearly all cameras sits a large dial labeled with many letters and icons. This is our mode dial. It is how we control the level of power we give to our camera or take for ourselves.
One of the wonderful things that modern electronic digital and film cameras give you is many high-tech options for your image making. One of the horrible things that modern electronic digital and film cameras give you is many high-tech options for your
by Todd Vorenkamp · Posted
Many interchangeable-lens cameras, be it DSLR or mirrorless, are sold today with what we call "kit" lenses. Current kit lenses, in general, thanks to computer technology and advanced manufacturing techniques, are more capable and of higher quality than those of yesteryear. However, many of us who use interchangeable-lens cameras feel the gravitational pull of other lenses that are not yet in our bags.
Adding lenses to your quiver is all about choices and selection and, in photography, we often find ourselves at a sort of "gear crossroads." The
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by Mathew Malwitz · Posted
It is probably safe to say that many of us photographers have, either with our cameras or smartphones, tried to capture a close-up image of an insect, flower, toy, or other object. We have an idea of what we want this photograph to look like as we prepare to capture the image. We've seen and admired beautiful close-up images before but, when we nose the camera lens up to the object, we see nothing but a blur—the lens can't focus close enough to
by Luke Rollins · Posted
Macro photography never ceases to amaze me. Show me the face of a jumping spider reproduced at life-size or greater and I’ll undoubtedly stop what I’m doing and stare at it for a while. What’s interesting is how ultra-wide-angle lenses, which are available for DSLRs and
by Luke Rollins · Posted
Many hobbyists reach a turning point in their craft when they decide to pursue wedding photography seriously. With the transition to pro comes the task of updating your lens kit accordingly, and most photographers would agree that investing in quality glass is essential. Unlike the rapid turnover of camera bodies, lenses will last for years and can make all the difference in creating quality images. Understanding what some of the best available options are will help you invest appropriately.
What to Consider
Weddings are long affairs, often