Search results for: photography tips solutions environmental portrait photography
About 24 filtered resultsby John Harris · Posted
It would be foolish to claim that there is only one way to take a portrait, but there are some accepted norms and basic camera settings that you should understand if portraiture is to become your area of photographic interest. Remember though, as you walk down your creative path, that a portrait is more than a headshot, more than a beautiful photo of your subject; it is an opportunity to get to know someone, to have a visual conversation with a person, and to use your photographic skills to pass that understanding of the person on to the
by Mathew Malwitz · Posted
There’s an old adage that claims in order to be a wildlife photographer, you need a lot of time and a lot of money. This is only partly true. Many great wildlife photo opportunities can occur in urban parks and even in your own backyard, as long as we know what we’re doing. In this article, we’re going to cover a number of essential tips that will help you become a better wildlife photographer.
If you’ve read our introduction
by Mathew Malwitz · Posted
Composition in photography refers to the way in which we arrange visual elements in an image. It's how we position the subject in the frame and how all elements combine to create a visually appealing photograph.
All photographs © Mathew Malwitz
Expensive cameras and long lenses can only get us so far. It's not the gear that makes the photo, but the photographer. A creative and observant eye is the key to making visually pleasing photographs. These skills can be learned, and with practice, you'll be well on your way to creating strong
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by Mathew Malwitz · Posted
What better place to spend a Saturday morning than the zoo. You can enjoy some time outside, all while seeing a variety of both local and exotic animals you'd otherwise never dream of encountering. Zoos also are great place to try your hand at photographing wildlife! In this guide, we're talking about taking our camera to the zoo to capture natural looking images of animals in their element! We'll be covering what you need as well as tips and tricks that'll help you capture stunning, natural looking images of animals.
Above photograph © Mathew
by Mathew Malwitz · Posted
These days, everyone has a camera right in their pocket. Smartphones have long been the go-to camera for quick photos of our friends, family, pets, and of course, ourselves. With features like portrait mode, users can simulate blurry backgrounds and isolate their subject for more eye-catching images. What else could you ever need? What if I told you that with the
by Mathew Malwitz · Posted
Portraiture: It’s one of the most popular and prevalent forms of photography. Although it may seem simple on paper, it comes with its own unique obstacles. Of course, you’ll want to be familiar with your gear. This is essential to all working photographers, but it allows you to focus your efforts on the genre-specific challenges you’ll face.
When photographing people, you’ll find that some folks are photogenic, while others are not. Your job as a photographer is to break down the barriers set by your clients and to put them in the most
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Join SanDisk Extreme Team Ambassador Cliff Mautner as he discusses his approach to photographing the entire wedding day event. Cliff will discuss the wedding prep stages, and the stories and techniques behind each photo.
0:00 - Intro
3:10 - About Cliff Mautner
5:12 - Gear
8:02 - Capturing the Details / Lighting
14:32 - Individual Portraits
20:30 - The First Look
22:48 - Outdoor Harsh Light & Mixing light
33:35 - Skin Tones
36:22 - Environmental Portraits
39:26 - Lenses & Lights
46:12 - Family Portraits
51:36 - Ceremonies &
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Photographing in a studio is not always an option for portrait sessions. In Part 3 of this four-part series, Sony Artisan of Imagery Tony Gale explains how to plan your photo shoot and then create great portraits—in any location.
0:00 - Introduction
4:22 - In this Webinar
5:43 - What is a Location Photoshoot?
6:46 - Planning
8:11 - Location vs. Environmental Portraiture
11:58 - Finding a Location
19:36 - Permits
29:59 - How to Choose Gear
35:11 - Lighting
Do you have any portrait photography tips to share? Please do so in the Comments
by Caleb Quanbeck · Posted
Getting close enough to wild animals is one of the greatest challenges a wildlife photographer faces. So how do you solve this problem? The way most wildlife photographers do is to buy a telephoto lens with as much reach as their wallet allows. Today, a fairly economical way to enter the realm of the super-telephoto lens has been via the family of very nice 150-600mm lenses from brands like Sigma and
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Documentary photographer Alison Wright shares five tips for photographing people. In this video, she discusses how she tries to capture the essence of who and where they are, and what they do, in an effort to tell their story.
What are your tips for creating successful environmental portraits? Share them with us in the Comments section, below.
by Jill Waterman · Posted
In his 1997 article “The Problem with Wildlife Photography,” author and environmental activist Bill McKibben wrote, “Without Kodak there’d be no Endangered Species Act.”
While viewed by some at the time as controversial, McKibben’s point has only gained traction in the intervening years. Recent news reports abound with stories of overenthusiastic shutterbugs who do harm to themselves—or worse yet, to their intended animal subjects—when attempting selfies in the wild or trying to capture a prize-winning close-up. Fueled by the power of
by Cory Rice · Posted
Every portrait photographer who started with a kit zoom remembers the first time they swapped it out for a prime lens. The “Wow” factor of a bright, sharp prime is hard to match, even with the best zooms. Optical benefits aside, working from a fixed focal length encourages more natural photographer-sitter interactions and better spatial awareness. Read on to learn why so many portrait photographers love their prime lenses.
by Cory Rice · Posted
Once your portrait needs have advanced beyond what natural and available light can provide, it is time to begin exploring studio lighting. The best way to build any lighting kit is one light at a time. This allows you to grow with your setup, developing an understanding of how and when to use your lights along the way. One of the simplest creative setups to experiment with when working with your first light is low-
by Allan Weitz · Posted
I’ll never forget the first time I looked through the viewfinder of a camera fitted with a 20mm ultra-wide-angle lens. Everything looked amazing and I blew several rolls of film shooting everything I saw along the way. Prior to using this “exotic” lens, I had never shot with anything wider than the 50mm normal that came with my first 35mm camera.
The sobering part came when I developed the film and started eyeballing the results of my first outing. In a word, they were underwhelming, but I kept at it until I figured out how to use ultra-wide-