Search results for: photography tips solutions how freeze action
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by John Harris · Posted
It would be foolish to claim that there is only one way to take a portrait, but there are some accepted norms and basic camera settings that you should understand if portraiture is to become your area of photographic interest. Remember though, as you walk down your creative path, that a portrait is more than a headshot, more than a beautiful photo of your subject; it is an opportunity to get to know someone, to have a visual conversation with a person, and to use your photographic skills to pass that understanding of the person on to the
by Todd Vorenkamp · Posted
Taking a look at any modern mirrorless or DSLR camera, you’ll notice a slew of controls, buttons, and dials. Atop nearly all cameras sits a large dial labeled with many letters and icons. This is our mode dial. It is how we control the level of power we give to our camera or take for ourselves.
One of the wonderful things that modern electronic digital and film cameras give you is many high-tech options for your image making. One of the horrible things that modern electronic digital and film cameras give you is many high-tech options for your
by Mathew Malwitz · Posted
If there’s one area of wildlife photography that challenges even some of the most consummate artists, it’s birds in flight. A dynamic flight shot shows action, and a bit of technical prowess. As you can imagine, capturing birds in flight is no easy feat.
To consistently capture these shots, one must be proficient with their gear and have a knowledge of animal behavior. We’d go as far as to say you need a bit of luck too, but what is luck if not preparedness meeting opportunity. In order to make the most of the opportunities that present
by Mathew Malwitz · Posted
If you’ve been around photography for any length of time, you’ve probably heard of ISO. ISO is one of the three settings that determine our exposure in photography. These settings are collectively referred to as the exposure triangle. ISO is unique in this equation, and in this guide, we’re going to explore why.
ISO can be referred to in two ways. It’s most commonly spoken as an abbreviation, but it is also sometimes referred to as a word pronounced as eye-so. General consensus is that you call it whichever you like. After all, it’s not what
by Mathew Malwitz · Posted
As we learn about exposure, we need to talk about shutter speed. Your camera’s shutter controls the duration of an exposure and is one of the three settings that determine the exposure of an image. Together, these settings are known as the exposure triangle.
Where aperture controls the amount of light we allow to reach our imaging area, it is the duration of our exposure that will directly influence whether an image is sharp or blurred. This is what makes it such a significant piece of the exposure puzzle. Now, let’s take a closer look
by Mathew Malwitz · Posted
Photography is by definition, the capture of light on a light sensitive surface. That surface could be glass, tin, film, or a digital imaging sensor like those found in most modern cameras. The amount of light that reaches our light-sensitive surface is what we can define as exposure.
A good exposure will look accurate to life or the photographer's creative vision. It will maximize an images quality and
by Luke Rollins · Posted
Subject and style may vary, but consistency is a quality shared by all successful photo studios. When working indoors, that begins with lighting. Strobes remain the bread and butter of many still photography studios. Unlike natural light, which can be finicky and unpredictable; on-camera flashes, which are not typically designed for studio use; or continuous lights, which can become costly as output increases; strobes are built to withstand the rigors of studio life while providing flexible and powerful light. But with so many options on the
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Nothing beats the thundering energy and human drama that unfolds across the surface of an automotive racetrack. Photographers who specialize in this adrenaline-fueled niche are best served by nerves of steel and the high endurance to lug multiple cameras and the long lenses needed to freeze the action. In today’s show, we plunge headfirst into what it takes to cover the many facets of auto racing with two of the finest professionals in the field, photographers Camden Thrasher and Jamey Price.
Above Photograph © Jamey Price
by John Harris · Posted
Many photographers, attempting to postpone a major decision or save money, will buy a lens they believe will give them the results they desire, only to find that the lens does not perform as expected. When budget is a factor (and when isn’t it?), it’s important to select a telephoto lens that best serves your specific purposes. When it comes to sports and wildlife photography, the purposes are often similar—magnify distant subjects, separate the subject from background—but it’s worth understanding a few basic distinguishing features and how
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The Sony a9 III makes it possible to sync your flash at any shutter speed (even up to 1/80000 of a second)! Matt Zefi explains how the a9 III's global shutter allows you to freeze the action.
0:00 - Introduction
0:11 - Rolling vs. Global Shutter
1:26 - What do you think?
What do you think of the a9 III? Let us know in the Comments section, below.
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How do you freeze fast-moving subjects in camera? Keydrin Franklin shares his lens choice, camera settings, and other factors when taking action shots.
0:00 - Introduction
0:17 - Today’s Photo Shoot
0:54 - Lens Focal Length
1:21 - ISO
1:41 - Aperture
2:10 - Shutter Speed
2:42 - Tracking
3:50 - Background
4:38 - Check Your Work
5:10 - The Entire Process
by Todd Vorenkamp · Posted
Welcome to Part 3 of our journey into the world of Intentional Camera Movement (ICM) photography. In this final chapter of the 3-part series of articles, we voyage back into the mental aspects of creating ICM art, as well as take in some tips for some of the more common ICM subjects and finish with inspirational words from some of the masters of the craft.
Above image © Morag Paterson
Approach
Because ICM eschews many of the lessons we have tried so hard to learn in photography over the years, the approach and process are very
by Todd Vorenkamp · Posted
One of the first words I learned how to say was, “Moon.” All of my life, I have been fascinated by our natural satellite and I have been photographing it for as long as I have had a camera. My photos have gotten better over the years, but I still search for the perfect photo of the moon. Here are some tips and thoughts for your own lunar photography.
Above photograph: A waxing gibbous moon the day before the full moon. FUJIFILM X-T1; Leica APO-Televid 77 spotting scope @ 1000mm (1500mm, 35mm equivalent); f/13, 1/500-second, ISO 200
by Todd Vorenkamp · Posted
Photography is all about capturing light. In fact, the etymology of the word “photograph” is basically “light drawing.” To make a photograph that we can see, we have to control both the amount of light that is exposed to a photosensitive surface, be it film or a digital sensor, and also control the sensitivity of that surface to the light. In this series, we will discuss a bit of the physics and characteristics of light and then how a camera and lens combine to control exposure by using what is commonly known as the “Exposure Triangle.”
by Brian Zwiebel · Posted
The technological advancements in photography could hardly be imagined by photographers using slow film with manual focus, non-stabilized lenses just 20 years ago. Go back further and cameras did not even have built-in meters. Photographers had to use an incident meter to determine a proper exposure, then dial-in the settings manually. Everyone had to know how to use manual mode!
Above image: Black-billed Magpie; manual mode; 1/2000 second; f/8; ISO 800
The above image was the ultimate exposure challenge. A high-contrast bird was flying in