Search results for: photography tips understanding camera shake
About 18 filtered resultsby Mathew Malwitz · Posted
Imagine, if you will, a photo shoot. Your subject is a striped, orange cat bouncing off of the walls. You have your camera raised to your brow, finger on the trigger, waiting for the perfect pose. He turns his gaze toward you, but his head is constantly moving. No matter, you quickly fire a few frames, figuring that you finally nailed the shot. You check your shots, only to see a series of blurry portraits.
If this sounds like a situation you’ve been in before, we know the feeling. That’s why, today, we’re taking a look at settings for pet
by Mathew Malwitz · Posted
There’s an old adage that claims in order to be a wildlife photographer, you need a lot of time and a lot of money. This is only partly true. Many great wildlife photo opportunities can occur in urban parks and even in your own backyard, as long as we know what we’re doing. In this article, we’re going to cover a number of essential tips that will help you become a better wildlife photographer.
If you’ve read our introduction
by Mathew Malwitz · Posted
Composition in photography refers to the way in which we arrange visual elements in an image. It's how we position the subject in the frame and how all elements combine to create a visually appealing photograph.
All photographs © Mathew Malwitz
Expensive cameras and long lenses can only get us so far. It's not the gear that makes the photo, but the photographer. A creative and observant eye is the key to making visually pleasing photographs. These skills can be learned, and with practice, you'll be well on your way to creating strong
by Mathew Malwitz · Posted
As we learn about exposure, we need to talk about shutter speed. Your camera’s shutter controls the duration of an exposure and is one of the three settings that determine the exposure of an image. Together, these settings are known as the exposure triangle.
Where aperture controls the amount of light we allow to reach our imaging area, it is the duration of our exposure that will directly influence whether an image is sharp or blurred. This is what makes it such a significant piece of the exposure puzzle. Now, let’s take a closer look
by Mathew Malwitz · Posted
For macro photographers, having the right gear is essential. Magnification and lighting are key, but you don’t necessarily need the biggest, priciest macro lenses out there to get close-up shots. If you’re a macro photographer yourself or buying a gift for one, we have some excellent recommendations for every budget.
Gifts Under $50
1. Close-up macro filters (like this Macro Lens
by Tim Ireland · Posted
Macro photography allows photographers to explore the intricate details of subjects at a 1:1 or greater magnification ratio. However, capturing sharp, stable, and well-lit macro shots can be challenging, due to factors like camera shake, focusing difficulties, and lighting issues. This comprehensive guide will delve into the support systems and related tools that can enhance your macro photography experience, addressing specific challenges that may arise.
Stabilization Tools
Studio Stands: Studio stands are large, stable support systems
by John Harris · Posted
Many photographers, attempting to postpone a major decision or save money, will buy a lens they believe will give them the results they desire, only to find that the lens does not perform as expected. When budget is a factor (and when isn’t it?), it’s important to select a telephoto lens that best serves your specific purposes. When it comes to sports and wildlife photography, the purposes are often similar—magnify distant subjects, separate the subject from background—but it’s worth understanding a few basic distinguishing features and how
by John Harris · Posted
What can you do with a high-end telephoto lens? Be a boss, is what you can do. I mean, c’mon! Strutting around the sidelines or cuttin’ through the bush with one of these beasts resting on your shoulder―not only do you look tough, but you’re also carrying a lens that you need to get the best photos in sports and wildlife photography. When I say best, let’s not underestimate the greatness of photographers who can create wonderful images with a wide-angle lens or even a telephoto of lesser quality, but to really excel in the disciplines of
by Jill Waterman · Posted
Making pictures by night is a curious practice. While specialists of this subject embrace it as a deep-seated passion and have a never-ending quest for technical and creative advancement, those more familiar with daytime photography are often unaware that tried and true photography rules often need to be adapted or even overlooked at night. With this in mind, consider the following tips the next time you venture out in the darkness, to help you to adapt.
1. Take a Chance and Explore the Unknown
What’s my exposure time? This is the number one
by Shawn C. Steiner · Posted
Time lapses feel a lot like photography during capture stages and a lot like video during the editing process. Creating them is a common progression for photographers looking to dip their toes into video and motion because you can start making high-quality time lapses with your current still photo equipment. If you are starting to tackle time-lapse projects, applying some video tricks can help smooth out your final product.
The Absolute Basics
I’m hoping that by the time you make it to this article you already have a basic understanding of how
by Bjorn Petersen · Posted
There is a lot of talk about lighting and photography, and specifically how learning to use light can make you a better photographer. This is true, of course, but is also a notion that’s more often applied to working with artificial lighting, such as for portraits or products, where you can work in a studio with a strobe or LED to fine-tune how your shot looks. When it comes to landscapes, on the other hand, most likely you won’t have the ability to or just won’t want to use artificial lighting for your scenic shots. This is part of the
by John Harris · Posted
Landscape photography is often considered the realm of the wide-angle lens, but as my editor made clear in the pitch for this article—“It isn’t all about wide-angle.” And she is right: As photographers, we tend to grab the 35mm (or wider) lens when we are inspired by our vistas. Could it be the sheer scale—the vastness of the oceans and mountains—that enchants us? And is it human folly to try to encapsulate what cannot be confined? Do we want to replicate what our natural angle of view perceives, or, perhaps, is it the distortion created by
by Todd Vorenkamp · Posted
Shutter speed is a measurement of time that a camera's shutter is open—allowing light, usually after it has passed through a lens and through the aperture diaphragm, to strike a photosensitive surface, like film or a digital sensor.
This article is part of a multi-part series of about photographic Exposure.1. Introduction: The Exposure Triangle2.
by Todd Vorenkamp · Posted
ISO, which stands for International Organization of Standards, is a measure of the sensitivity of film or a digital sensor to light.
This article is part of a multi-part series about photographic Exposure.
1. Introduction: The Exposure Triangle
2. Aperture
3.
by David Adler · Posted
Initially only existing in the domain of serious hobbyists and professionals, Unmanned Aerial Vehicles (or UAVs for short, also colloquially referred to as “drones”), have made a big splash in the consumer-electronics world. With a consumer base ranging from content creators to thrill-seeking individuals, UAVs now come in a strikingly wide variety of shapes, sizes, prices, and applications. While the size of the selection can almost assure that any new customer will find a UAV that will fit their needs, there is a lot that needs to be known