Cinema Zoom Lenses
The announcement of DZOFilm’s X-Tract 18-28mm T8 probe lens marked an exciting development in the growing probe category by introducing the ability to zoom in and out, allowing users to adjust the field of view while keeping the lens in place. At launch, the only iteration had a forward-facing direct view. Now, DZOFilm has formally unveiled
Though once considered an extremely niche lens category, probe lenses have recently exploded in popularity thanks to filmmakers and videographers discovering countless innovative shots, angles, and perspectives that are only achievable with these long tube-like lenses. DZOFilm is now entering the space with an innovative addition to the formula—zoom! The
If you're looking to add an immersive, widescreen feel to your cine-style capture, check out the DZOFilm PAVO 2x T2.1 Anamorphic lens series. Introduced at NAB 2023, the series currently consists of two primes, 28 and 75mm, with four more—32, 40, 55, and 100mm—on the way, while teasing two longer lenses in the future. DZOFilm also revealed the Tango 18-90mm Cinema Zoom and showcased its 25-300mm Cine Zoom at NAB.
When DJI released the Ronin 4D full-frame cinema gimbal camera, its design transformed the landscape of modular cinema gear. Now the brand has enhanced that flagship combo full-frame cinema camera/gimbal system with the Ronin 4D Flex, an extension for your Zenmuse X9 gimbal and camera that doesn't require the Ronin 4D body.
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Canon has never been one to sit out an opportunity to enter new markets, and during the past year, a need has manifested itself in the world for remotely controlled, networked cameras to create high-quality broadcast productions with minimal staff and crew over the Internet, from just about anywhere. To meet the requirements of the times, Canon has just announced a new line of 4K PTZ cameras, including the CR-N300 and
Filmmakers, take heed: the Leitz Cine Primes and Zooms are sharp, with natural-looking bokeh and round, out-of-focus highlights, and they cover VistaVision. Lenses, not diamonds—it is lenses that are forever, or at least a long time—provided you get the right one. Even in this digital age, with new sensors and new cameras coming fast and furious, your lens investment can outlast the most recent camera. The lens that
ARRI is a brand name that has been long associated with cinema, and products that bear the ARRI name are renowned for the utmost in quality, usability, and reliability. Optics are no different. ARRI lenses are used the world over for cinema, television, and commercial production. As a matter of fact, ARRI developed the newer, large-format LPL lens mount and the original PL mount. Robust, yet simple in design, these lens mounts serve as the standard for cine-style cameras. Reliably introducing new technologies and implementing creative designs