E-Image 5-Section Telescoping Carbon Fiber Microphone Boompole (11.5')
- Telescoping Microphone Boompole
- 5-Section, Carbon Fiber Pole
- Extends from 34.5 to 138"
- 1/4"-20 and 3/8"-16 Mounts
Deity Microphones BP380 Telescoping Boom Pole
- For Filmmaking and Audio for Video
- 3 to 12.5' Length Extension
- Durable, Lightweight Carbon Fiber Tube
- Aluminum Twist-Lock Collars
K-Tek KE-79 Avalon Series Aluminum Boompole (Uncabled)
- Measures 1' 10" to 6' 7"
- Six Locking Sections
- Captive-Collet Coupling System
- Made in the USA
K-Tek KC108CC Indie 5-Section Composite Boompole with Coiled Cable (9')
- 5 Sections, Composite, Extends to 9'
- Collapses to 29.5"
- Internal Coiled Cable
- 3-Pin XLR-M, Straight Bottom Exit
K-Tek KE-110CC Avalon Series Aluminum Boompole with Internal XLR Cable
- Measures 2' 7" to 9' 2"
- Five Locking Sections
- Internal Coiled Cable
- Bottom XLR Connection
K-Tek KE-79CCR Traveler Aluminum Boompole with Internal Coiled XLR Cable (Right Angled)
- Avalon Series
- Measures 1' 8" - 6' 7" (0.54 - 2.04m)
- 6 Locking Sections
- Internal Coiled Cable
K-Tek KE-144CCR Avalon Series Aluminum Boompole
- Internal Coiled Cable
- Side XLR Connection
- 5 Locking Sections
- Captive-Collet Coupling System
K-Tek KP12CCR 12' KlassicPro Graphite 6-Section Boompole with Internal XLR Coiled Cable, Side Exit
- Measures 40.5" to 12.3'
- Six Locking Sections
- Lightweight Graphite Material
- Offers Increased Interchangeability
Cavision SGP515F 5-Section Mixed Fiber Boom Pole with Fixed Top
- 1.80 to 4.92' (0.55 to 1.5m)
- Fixed Top Top with 3/8" Stud
- Mixed Fiber Construction
- 5 Telescoping Sections
Movo Photo CMP-17 Professional Aluminum Boompole (9.8')
- For Filmmakers, Sound Designers & More
- 5-Section Pole Arm with Twist Locks
- 2.5 to 9.8' Height Adjustment
- 3/8"-16 Threaded Stud, 5/8" Adapter
Movo Photo CMP-17C Boompole with Internal XLR Cable
- For Filmmakers and Sound Designers
- 2.5 to 9.8' Length Adjustment
- 5 Sections with Twist Locks
- Durable and Lightweight Aluminum
E-Image 5-Section Telescoping Aluminum Microphone Boompole (11.5')
- Telescoping Microphone Boompole
- 5-Section, Aluminum Pole
- Extends from 34.5 to 138"
- 1/4"-20 and 3/8"-16 Mounts
Cavision SGP330F 5-Section Mixed Fiber Boom Pole with Fixed Top
- 3.67 to 9.84' (1.12 to 3.0m)
- Fixed Top Top with 3/8" Stud
- Mixed Fiber Construction
- 3 Telescoping Sections
Zacuto MICRO Boompole with NATO Adapter
- Lightweight On-Camera Boompole
- Adjusts from 14 to 35" in Length
- Shoe Mount with Bidirectional NATO Rail
- Internal Cable Included
K-Tek KE-89 Avalon Series Aluminum Boompole (Uncabled)
- Measures 2' 5" to 7' 2"
- 4 Locking Sections
- Captive-Collet Coupling System
- Made in the USA
K-Tek KE-69CC Avalon Series Aluminum Boompole with Internal XLR Cable
- Measures 2' 4" to 5' 9"
- Three Locking Sections
- Internal Coiled Cable
- Bottom XLR Connection
E-Image BA12P Aluminum Telescoping Boompole with Integrated XLR Cable (11.5')
- Comfortable Padded Foam Grip
- Ergonomic Twist-Lock Adjustments
- Extends 38 to 138"
- 5 Sections
K-Tek KE-110 Avalon Series Aluminum Boompole (Uncabled)
- Measures 2' 7" to 9' 2"
- 5 Locking Sections
- Captive-Collet Coupling System
- Made in the USA
Cavision SGP535R 5-Section Mixed-Fiber Boompole with Removable Top (11.5')
- Lightweight 1.4 lb Mixed Fiber
- Extends from 2.5 to 11.5'
- 5 x Collapsible Sections
- Removable Top with 3/8"-16 Thread
Proaim Carbon Fiber Boompole with XLR Cable (12')
- Expandable from 3.6 to 12'
- XLR Cable Runs Internally
- Foam-Padded, Sound-Isolating Handgrip
- 3/8"-16 Mounting Screw
Cavision Six-Section Boompole (15')
Deity Microphones BP500 Telescoping Boom Pole
- For Filmmaking and Audio for Video
- 4.2 to 16.4' Length Extension
- Durable, Lightweight Carbon Fiber Tube
- Aluminum Twist-Lock Collars
K-Tek GO-Kit 88 4-Section Boompole Kit with Shockmount, Headphones, and Windscreen
- For Film and TV Production
- For On-Location, In-Studio
- KC88CC 4-Section Cabled Boompole
- AIRO Shockmount and Windscreen Included
K-Tek GO-Kit 108 5-Section Boompole Kit with Shockmount, Headphones, and Windscreen
- For Film and TV Production
- For On-Location, In-Studio
- KC108CC 5-Section Cabled Boompole
- AIRO Shockmount and Windscreen Included
K-Tek KP12 KlassicPro Graphite 6-Section Boompole (Uncabled, 12')
- Measures 37" to 12'
- Six Locking Sections
- Lightweight Graphite Material
- Offers Increased Interchangeability
Ambient Recording QuickPole Series 5 Slim-Short 4-Section Carbon Fiber Boompole (10.8')
- Extends from 3.3 to 10.8'
- Ultralightweight Carbon Fiber Compound
- Thin 30mm Diameter
- Fast and Smooth Operation
K-Tek KP16 KlassicPro Graphite 6-Section Boompole (Uncabled, 16')
- Measures 44" to 16'
- Six Locking Sections
- Lightweight Graphite Material
- Offers Increased Interchangeability
Lightweight Boompoles for Field Recording
Boompoles are extendable or otherwise collapsible wands that hold microphones. Audio technicians use them for electronic news gathering (ENG), electronic field production (EFP), documentary video (DV), and other field recording applications, such as reality TV shows, to record the audio components of interviews and footage. The poles enable technicians to get the mics as close as possible to the subjects while also keeping the mics out of camera view. Since technicians have to hold them above their heads, the mic holders must be lightweight.
Boompole Specs
Most mic poles are telescoping, normally with four to five sections, but sometimes up to seven. When extended, they can range in length from 6 to 12 feet, and even longer. You loosen or tighten the telescoping sections in place with grooved or dimpled captive collets. Some booms, such as Rode boompoles, have sections that screw together for an ultra-secure locking mechanism. Most poles feature aluminum or lightweight carbon fiber. The majority of poles weigh between one and two pounds, although some are lighter than a pound, including some Rode micro boompoles, which weigh less than 14 ounces.
Connecting Mics to the Poles
The poles have threaded tips, most with a standard size of 3/8-inch, to directly secure mics. The tips also fit a variety of pro audio grips and mic suspensions that include shock and lyre mounts for cradling mics to reduce their vibration and noise.
Some telescoping poles come with an internal microphone cable that plugs directly into a mic with an XLR 3- or 5-pin male connection. The cable runs down to the grip to an XLR male output pin jack on the side or at the bottom of the pole. This allows you to plug the pole into a video camera, recorder, preamp, or wireless transmitter. In addition, a variety of in-line mic accessories, including preamps, input attenuators, USB interfaces, and signal adapters, are available for attachment to either of the pin connections.
Non-cabled boompoles have side clips or Velcro strips for securing external microphone cables, and some poles have an internal raceway for manually snaking a mic cable through the pole. These arrangements make it easy to remove the cable at the end of video sessions and quickly collapse the pole without entangling any cable.
Boompole Accessories
Several boom box stands are available for standing the poles upright during breaks, as are resting mounts that secure to adjustable C-stands, which are also useful for stabilizing the poles during static takes such as sit-down interviews. Many other boompole accessories are also available, including carrying bags, external cable wiring clips, mic stand adapters, and pole counterweights.
Check out B&H Photo and Video to find the boompole with the right weight and length for any ENG, EFP, and DV production environment, and match those with the right accessories.


