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by Shawn C. Steiner · Posted
Pop on a pair of (decent) sunglasses and not only are your eyes less strained, things just look better. The reason for this is likely the polarization effect. Colors may appear more saturated, bright blue skies can take on a deeper hue, and some pesky reflections just vanish. All of these can benefit certain photographs and make the circular polarizer filter one of the best—and most difficult—filters to use.
Exactly What Does a Polarizer Do?
It’s
by Mathew Malwitz · Posted
Wedding photography is a blend of genres, sort of a marriage (pun intended) between portrait, street, and occasionally even landscape photography. There’s always a bit of mystery when it comes to lighting, and we need to be ready for anything. In a reception hall, you may dimly chandeliers, bright LEDs, or even pulsating, colorful strobes from the DJ booth. All of these variables, and you may not be able to use flash! What can you do?
by Luke Rollins · Posted
The wealth of B&H is not measured in sales, but in the accumulated knowledge of its people. The breadth of such experience is impossible to quantify, let alone price, which is why we’re offering this batch of wedding photography advice completely free of charge.
Andrea Buritica, Sales Associate – Chat & Email
Burikitak Photography
One of the best parts about working at B&H is that I get to talk about gear all day. However, it’s doing wedding
Posted
Join Jeff Carpenter from Readylight Media for a real-time look at how he creates acting headshots from the first frame to the final capture. Jeff uses Profoto lighting and light shapers to highlight character traits, build different looks, and create images that speak to a range of roles.
0:00 - Intro
2:20 - Setup and First Look: Commercial
21:47 - Introducing Another Light
34:04 - Second Look: Dramatic
54:16 - Using a Grid & Beauty Dish / Third Look: Changing the Background
1:17:20 - Fourth Look: Using an On-Camera Flash
1:20:55 - Using
by Todd Vorenkamp · Posted
There is nothing that can replace the extreme close-up view of a rare bird in the wild. Binoculars can get you close but, if you want to look the bird in the eye or confirm that identification for your life list, you need a spotting scope. Spotting scopes pack incredible magnification in a generally simple and lightweight package that is
by Todd Vorenkamp · Posted
Taking a look at any modern mirrorless or DSLR camera, you’ll notice a slew of controls, buttons, and dials. Atop nearly all cameras sits a large dial labeled with many letters and icons. This is our mode dial. It is how we control the level of power we give to our camera or take for ourselves.
One of the wonderful things that modern electronic digital and film cameras give you is many high-tech options for your image making. One of the horrible things that modern electronic digital and film cameras give you is many high-tech options for your
by Todd Vorenkamp · Posted
One of the magical aspects of modern photography is the ability to review an image instantly within our EVF (electronic viewfinder) or right on the back of the camera.
Frequently, one possible mistake that digital photographers make is when reviewing an image on their camera—they evaluate exposure based on the reproduced image. Why might this be a mistake? Well, both your camera’s LCD and EVF likely have adjustable brightness. Also, you might be viewing your images in bright sunlight or in the pitch black of night. Just as viewing a computer
by Mathew Malwitz · Posted
Do you plan your images? Really think about that question. Do you have an idea of an image before you head out for a shoot, or do you let the moment inspire you as the pieces fall into place? There's no wrong answer here. Planning or "pre-visualization" is a key piece of the photography puzzle that some put a lot of thought and effort into while others effortlessly come up with ideas on the fly.
No matter how you go about taking a picture, there is some level of planning that goes into a shot. With that said, there's a big difference between
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by Mathew Malwitz · Posted
If there’s one area of wildlife photography that challenges even some of the most consummate artists, it’s birds in flight. A dynamic flight shot shows action, and a bit of technical prowess. As you can imagine, capturing birds in flight is no easy feat.
To consistently capture these shots, one must be proficient with their gear and have a knowledge of animal behavior. We’d go as far as to say you need a bit of luck too, but what is luck if not preparedness meeting opportunity. In order to make the most of the opportunities that present
by Mathew Malwitz · Posted
If you’ve been around photography for any length of time, you’ve probably heard of ISO. ISO is one of the three settings that determine our exposure in photography. These settings are collectively referred to as the exposure triangle. ISO is unique in this equation, and in this guide, we’re going to explore why.
ISO can be referred to in two ways. It’s most commonly spoken as an abbreviation, but it is also sometimes referred to as a word pronounced as eye-so. General consensus is that you call it whichever you like. After all, it’s not what
by Mathew Malwitz · Posted
Aperture is one of the most significant settings in photography and also one of the first we should learn. It’s also one of the three settings collectively referred to as the exposure triangle that help to determine an image’s exposure.
Much like the iris of the human eye, a lens’s aperture opens and closes to control the amount of light reaching a light-sensitive imaging area. For this reason, the setting is
by Mathew Malwitz · Posted
Photography is by definition, the capture of light on a light sensitive surface. That surface could be glass, tin, film, or a digital imaging sensor like those found in most modern cameras. The amount of light that reaches our light-sensitive surface is what we can define as exposure.
A good exposure will look accurate to life or the photographer's creative vision. It will maximize an images quality and
by Luke Rollins · Posted
Subject and style may vary, but consistency is a quality shared by all successful photo studios. When working indoors, that begins with lighting. Strobes remain the bread and butter of many still photography studios. Unlike natural light, which can be finicky and unpredictable; on-camera flashes, which are not typically designed for studio use; or continuous lights, which can become costly as output increases; strobes are built to withstand the rigors of studio life while providing flexible and powerful light. But with so many options on the
by Mathew Malwitz · Posted
What better place to spend a Saturday morning than the zoo. You can enjoy some time outside, all while seeing a variety of both local and exotic animals you'd otherwise never dream of encountering. Zoos also are great place to try your hand at photographing wildlife! In this guide, we're talking about taking our camera to the zoo to capture natural looking images of animals in their element! We'll be covering what you need as well as tips and tricks that'll help you capture stunning, natural looking images of animals.
Above photograph © Mathew