Search results for: photography tips techniques motion blur shutter speed
About 13 filtered resultsby Luke Rollins · Posted
Whether you’re the designated photographer at a friend’s night out or a professional working an event, a compact, point-and-shoot camera can be a strategic choice for creating a distinctive look for your images. Depending on where you’re starting, the move to a compact camera can be either a step up from the smartphone or an embrace of a more limited feature set. In either case, the best event and party photography with a compact camera says one thing: you had to be there.
The number one advantage to using a compact camera is social. The
by Mathew Malwitz · Posted
If there’s one area of wildlife photography that challenges even some of the most consummate artists, it’s birds in flight. A dynamic flight shot shows action, and a bit of technical prowess. As you can imagine, capturing birds in flight is no easy feat.
To consistently capture these shots, one must be proficient with their gear and have a knowledge of animal behavior. We’d go as far as to say you need a bit of luck too, but what is luck if not preparedness meeting opportunity. In order to make the most of the opportunities that present
by Mathew Malwitz · Posted
Winter brings with it some of the best photographic opportunities imaginable. As the temperatures begin to drop, our approach to photography changes a bit. Cooler weather brings with it snow, stunningly colorful evening skies, wintering birds, and an assortment of beautiful weather conditions. Some of the best photographic opportunities present themselves in these unfortunately cold times. That being said, if we prep ourselves and our gear appropriately, we can capture stunning images.
Before You Head Out
First, some safety precautions. Cold
by Todd Vorenkamp · Posted
Welcome to Part 3 of our journey into the world of Intentional Camera Movement (ICM) photography. In this final chapter of the 3-part series of articles, we voyage back into the mental aspects of creating ICM art, as well as take in some tips for some of the more common ICM subjects and finish with inspirational words from some of the masters of the craft.
Above image © Morag Paterson
Approach
Because ICM eschews many of the lessons we have tried so hard to learn in photography over the years, the approach and process are very
by Todd Vorenkamp · Posted
Welcome to Part 2 of our deep dive into the world of Intentional Camera Movement (ICM) photography. In this second part of the three-part series of articles, we look at the kinds of gear that ICM artists recommend, as well as the technical side of the art including camera settings and techniques.
Above image © Ceri Herd
Camera
Gear is not a limiting factor in exploring ICM photography—you can even use a smartphone, provided you have a way of controlling the shutter speed. For repeatable, deliberate results, you will want to have a camera that
by Todd Vorenkamp · Posted
Welcome to the world of Intentional Camera Movement (ICM) photography—a fascinating and beautiful world where the camera and the photographer’s movements combine to become a mechanical paintbrush—transforming photographic capture into something completely unique and otherwise invisible to the naked eye. In a photographic world generally obsessed with image sharpness, there are photographic artists amongst us who give little thought to everything we’ve ever been taught about photography to create spectacular images by intentionally moving their
by Todd Vorenkamp · Posted
One of the first words I learned how to say was, “Moon.” All of my life, I have been fascinated by our natural satellite and I have been photographing it for as long as I have had a camera. My photos have gotten better over the years, but I still search for the perfect photo of the moon. Here are some tips and thoughts for your own lunar photography.
Above photograph: A waxing gibbous moon the day before the full moon. FUJIFILM X-T1; Leica APO-Televid 77 spotting scope @ 1000mm (1500mm, 35mm equivalent); f/13, 1/500-second, ISO 200
by Todd Vorenkamp · Posted
by Jill Waterman · Posted
The bright lights and lively bustle of the city at night is especially captivating to photographers, who have long sought to capture this rich spectrum of color, contrast, and motion in images. Yet there is more to consider in the world after dark than just a snapshot approach and automatic camera settings. With this in mind, consider these seven tips to help you get the most out of urban environments in low light.
Establishing time and place
by Jill Waterman · Posted
The mysterious realms of miniscule objects, colorful flora and creepy-crawly bugs hold a fascination for image makers of all sorts. Most photographers know that capturing images on such an intimate scale requires a macro lens or special accessories to allow for close focusing, but another critical component is the lighting.
For an overview on the different lighting tools and approaches to consider, we spoke with macro photography and lighting specialist Lester Lefkowitz, who will present a talk about macro photography at the
by Allan Weitz · Posted
Sometimes, the phrases, acronyms and strings of numbers or number-letter combinations used to identify photographic hardware or techniques can be daunting to the uninitiated neophyte photographer.
We've prepared a list of the basic terms. Have we left any out that you think should be added? Please let us know!
0-9 | A | B | C | D | E | F | G | H | I |
by John Harris · Posted
So, you just bought your first DSLR camera and you are interested in joining the ranks of image-makers everywhere who find pleasure and creativity in documenting the world as they see it. What are you gonna do now? Do you know how to set your aperture? Or what ISO is? Did you know that DSLR stands for Digital Single Lens Reflex? It doesn’t matter: what you do know is that you’re ready to step up from your point-and-shoot camera and create images over which you have more control.
A digital SLR camera is a great machine that allows you to
by Todd Vorenkamp · Posted
Aside from the fully automatic modes, DSLR and many point-and-shoot cameras feature Aperture Priority, Shutter Priority, and Manual shooting modes. I've met more than a few rookie DSLR users at photography workshops over the past several years who, while struggling with the complexities of their new cameras, claimed that "professional photographers" told them that they needed to start shooting in Manual mode—choosing shutter speed and aperture for each shot—and that they should never use the automatic modes. They were advised that they