Universal Audio Volt 2 USB-C Audio/MIDI Interface
- Musicians, Singers, and Content Creators
- AC Powered / Mac, Windows, iOS
- 2 Vintage-Tone Mic / Line / Hi-Z Preamps
- 1 Headphone Out, 2 Line Outs
Roland BRIDGE CAST ONE Dual-Bus Streaming/Gaming Mixer
- For Gaming, Streaming & Content Creation
- Dual Mix Bus: Stream Mix & Personal Mix
- High-Gain Mic Preamp: 75 dB of Gain
- 32-Bit Floating Point DSP FX
IK Multimedia iRig Pro Duo I/O 2-Channel Audio/MIDI Interface for Mobile Devices and Computers
- Lightning, USB Type-C / Type-A Hookup
- 2 Class-A Preamps with Phantom Power
- 2 XLR-1/4" Combo Mic/Instrument Inputs
- 2 1/4" TRS Outputs with Level Control
TASCAM US-4x4HR USB-C Audio/MIDI Interface
- Producers, Musicians, and Home Studios
- AC and Bus Powered / Mac, Windows, iOS
- 4 Mic Pres, 2 Line / Hi-Z In, 2 Line In
- 2 Headphone Out, 4 Line Out
Focusrite Vocaster Two USB-C Audio Interface
- Podcasting, Streaming & Content Creation
- Bus Powered / Mac, Windows, iPadOS
- 2 High-Gain Mic Preamps with Auto Gain
- 2 Headphone Out, Stereo Monitor Out
Zoom PodTrak P4next Portable Multitrack Podcast Recorder with Essentials Kit
- Four XLR Inputs with +70 dB Gain
- 4x Batteries + Charger, microSDXC Card
- Save Stereo Mix and Individual Tracks
- Four Headphone Outputs with Volume
Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface
- Musicians, Producers, VO Artists
- USB Type-C Connectivity
- 2 Class-A Mic Preamps, 1/4" Hi-Z Input
- 2 Headphone Outputs, 4 Monitor/Line Outs
AUDIOSIGMA MikeHero DSP Portable Audio Interface for Voiceovers
- Designed for Voicovers and Audiobooks
- Denoise, Limiter, EQ, and Depop FX
- Loopback and Monitor Channel Functions
- Condenser/Dynamic Mic Switch
TC-Helicon GoXLR 4-Channel USB Streaming Mixer
- Flexible and Intuitive USB-Based Mixing
- Ultralow Noise Midas Mic Preamp
- EQ, De-Essing, Compression, and Gating
- Customizable Motorized Faders with LCDs
Universal Audio Volt 4 Max 12x6 USB-C Audio Interface
- Musicians, Singers, and Content Creators
- 60 dB of Gain & 3 Preamp Character Modes
- Integrated Max Dynamics Processing
- 2 Mic/Line Combo Inputs, 2 Hi-Z Inputs
Universal Audio Volt 476P Portable 4x4 USB Audio/MIDI Interface with Four Mic Preamps and Built-In Compressor
- Musicians, Producers & Content Creators
- 4 Mic / Line / Hi-Z Preamps
- USB Type-C for Computers, iPad & iPhone
- Vintage UA 610 Tube-Preamp Emulation
TASCAM Mixcast 4 Podcast Mixer, Recorder, and USB Audio Interface
- Podcast Recorder and Mixer in One Box
- 4 Combo XLR-1/4" Mic/Line Inputs
- 8 Faders to Control Audio Levels
- Onboard and USB Multitrack Recording
Apogee Electronics Duet 3 Ultracompact 2x4 USB-C Audio Interface
- Musicians, Producers, Songwriters
- USB-C Connectivity
- 2 Mic / Line / Hi-Z Preamps
- 1 Headphone Out, 2 Line/Monitor Outs
Antelope Zen Quadro Synergy Core Dual USB-C Audio Interface
- Producers/Musicians/Podcasters/Streamers
- Bus-Powered, Mac/Windows, iOS
- 4 Mic/Line and 2 Hi-Z Inputs, 75 dB Gain
- 2 Headphone Outs, 4 Line Outs
RODE RODECaster Duo 2-Person Podcasting Kit with 512 AUDIO Limelight Mics, Boom Arms & Headphones
- Includes Podcasting Interface/Recorder
- Includes 2 Hypercardioid Dynamic Mics
- Includes 2 Boom Arms, 2 XLR Cables
- Includes 2 Headphones and microSDHC Card
Universal Audio Volt 876 24x28 USB-C Audio Interface
- For Home and Pro Studios
- AC Powered, Mac/Windows/iOS
- 8 Vintage-Tone XLR-1/4" Combo Inputs
- 2 Headphone Out, 6 Line Out, Monitor Out
Solid State Logic SSL 18 USB-C Audio/MIDI Interface
- Studio Recording and Mixing
- AC Powered, Mac/Windows
- 8 Mic/Line In, 2 Hi-Z In, 2 Send/Return
- 2 Headphone Out, 10 Line Out
Ferrofish Pulse8 AE 8x8 AD/DA Converter with 66-Channel ADAT to USB Audio Interface
- For Studio and Live Setups
- 16 Balanced Analog I/O on TRS
- 16-Channel ADAT I/O
- 32-Bit / 192 kHz ESS D/A & A/D Converter
teenage engineering TX-6 Ultraportable Pro Mixer, Audio Interface, and Recorder (Silver)
- 6 Stereo Inputs and 2 Stereo Outputs
- Battery Powered: Up to 8 Hours of Use
- 8 Built-In Effects with Reverb and Delay
- Onboard Synthesizer and Sequencer
teenage engineering TX-6 Ultraportable Pro Mixer, Audio Interface, and Recorder (Black)
- 6 Stereo Inputs and 2 Stereo Outputs
- Battery Powered: Up to 8 Hours of Use
- 8 Built-In Effects with Reverb and Delay
- Onboard Synthesizer and Sequencer
Sound Devices USBPre 2 USB-B Audio Interface
- Field Mixers & Location Sound Recordists
- Bus Powered, Mac/Windows/Linux
- 2 Mic Preamps, 2 Line In, Stereo Aux In
- 2 Headphone, 2 Mic/Line, 2 Aux Out
MOTU 848 28x32 Thunderbolt 4 Audio Interface
- For Professional Studio Applications
- 40 Gbps Thunderbolt 4/USB4 Connectivity
- AC Powered, macOS/Windows/iOS
- Up to 32-Bit Float / 192 kHz Conversion
RODE RODECaster Pro II 2-Person Podcasting Kit with SM7B Mics, Broadcast Arms, and Headphones
- For 2 Podcasters, Streamers
- RODECaster Pro II Podcast Studio
- 2 Shure SM7B Broadcasting Mics
- 2 Broadcast Arms with XLR Cables
RODE RODECaster Pro II 4-Person Podcasting Kit with SM7B Mics, Broadcast Arms, and Headphones
- For Four Podcasters, Streamers
- RODECaster Pro II Podcast Studio
- 4 Shure SM7B Broadcasting Mics
- 4 Broadcast Arms with XLR Cables
Solid State Logic UMD192 Portable 192-Channel USB-C Dante/MADI Audio Interface
- For Live Sound, Broadcast, and Studios
- Up to 192 Channels of I/O at 96 kHz
- USB 3.0 Class-Compliant Design
- Dante AoIP with AES67 & ST 2110 Support
Saramonic MV-Mixer USB-C Audio Interface
- Podcasters/Streamers, Singers, Musicians
- Bus Power Mac/Windows
- 2 Mic / Line / Hi-Z Preamps
- 1 Headphone Out, 2 Monitor Outs
MXL MicMate Pro USB Adapter Interface for Microphones with XLR Outputs
- Converts XLR to USB Output
- Supplies +48V Phantom Power
- Headphone Monitoring with Level Control
- Mic Input Gain Control
NearStream AMIX20B USB-C Audio Interface and Mixer
- Musicians, Podcasters, Streamers
- Bus/External Power, Computer/Smartphone
- XLR Mic In, 1/4" Instrument In, Aux In
- Headphone Out, Speaker Out
What Is a USB Audio Interface?
A USB audio interface is a type of sound interface that connects your compatible audio devices and peripherals to your computer via a non-Thunderbolt USB plug.
What Are the Advantages of USB Audio Interfaces?
While both USB and Thunderbolt audio interfaces can deliver excellent audio quality, they differ in speed, latency, compatibility, and cost. Advantages of a USB audio interface include:
Greater Compatibility: The biggest advantage of USB audio interfaces is universal compatibility. Nearly every modern Windows PC and Mac includes USB ports, making USB interfaces easy to connect without requiring adapters or specialized hardware. USB interfaces also work with a wide variety of recording software, making them ideal for beginners and professionals alike.
Lower Cost: USB audio interfaces are generally more affordable than Thunderbolt interfaces. Entry-level USB sound interfaces are available at budget-friendly prices, while professional USB interfaces often cost less than comparable Thunderbolt versions.
What Are the Differences Between USB Connection Types?
USB audio interfaces are available in two different connection types: USB-A and USB-C. Key differences between these connection types include:
USB Connector Type: The primary difference between USB-A and USB-C is the physical connector.
- USB-A is the traditional rectangular connector found on older desktops, laptops, and USB hubs.
- USB-C is a smaller, reversible connector that has become the standard on most modern laptops, tablets, and smartphones.
Because USB-C plugs in either way, it's considered more convenient to use and less prone to wear and tear from repeated insertion.
Speed and Bandwidth: Because USB-C is the newer connector type, people often assume that it is faster, but that's not necessarily true. Remember: USB-C describes the physical connector; the data speed depends on the protocol being used. For example, a USB-C interface may operate using any of the following protocols:
- USB 2.0
- USB 3.2 Gen 1
- USB 3.2 Gen 2
- USB4
Similarly, some USB-A interfaces also use USB 3.0 or USB 3.2.
For audio recording, USB 2.0 already provides enough bandwidth for dozens of simultaneous audio channels, so faster USB standards rarely improve recording performance for typical users.
Audio Quality: There is no inherent difference in audio quality between USB-A and USB-C interfaces. Sound quality depends on factors such as:
- Microphone preamp design
- Analog-to-digital and digital-to-analog converters
- Clock accuracy
- Internal circuitry
- Driver quality
A well-designed USB-A interface can easily outperform a lower-quality USB-C model.
Power Delivery: USB-C ports can supply more power than traditional USB-A ports, depending on the computer and interface. This additional power can benefit:
- Interfaces with multiple microphone preamps
- Models with DSP processing
- Bus-powered interfaces that don't require an external power supply
However, many compact USB-A interfaces are also fully bus-powered and work perfectly without external adapters.
Future-Proofing: USB-C has become the standard connector on most new computers, making USB-C interfaces a more future-proof investment. Benefits include:
- Better compatibility with newer laptops
- Fewer adapters for modern devices
- Easier integration into evolving computer ecosystems
USB Audio Interface vs. Thunderbolt Audio Interface
Both USB audio interfaces and Thunderbolt audio interfaces are capable of delivering professional-quality recordings, but they differ in terms of several key areas:
Data Transfer (Higher Bandwidth): Thunderbolt provides much faster data transfer rates compared to USB, typically ranging from 10 Gbps (Thunderbolt 1) up to 40 Gbps (Thunderbolt 3/4). Faster data transfer rates allow for the simultaneous transmission of multiple audio tracks with minimal latency, which is critical in professional audio work.
Latency: Thunderbolt's high-speed connection helps achieve very low latency, which is crucial for real-time audio monitoring and live performance settings.
Channel Count: Thunderbolt interfaces can often handle more input and output channels compared to USB interfaces. This means you can connect multiple pieces of and audio gear (microphones, instruments, etc.) without compromising on performance.


