Harrison Audio Flex-10 10-In / 12-Out USB-C Audio Interface
- Harrison Analog Console Character
- 32-Bit / 192 kHz Audio
- H-DRIVE Transformer Saturation
- Dual Mic Preamps with Inserts
Focusrite Scarlett 4i4 USB-C Audio/MIDI Interface with Two-Person Podcasting Kit (4th Generation)
- Singers, Musicians, Podcasters/Streamers
- Bus/External Power, Mac/Windows/iPadOS
- 2 Mic/Line/Instrument Preamps, 2 Line In
- Headphone Output, 4 Line Outputs
RODE RODECaster Duo 2-Person Podcasting Kit with 512 AUDIO Limelight Mics, Boom Arms & Headphones
- Includes Podcasting Interface/Recorder
- Includes 2 Hypercardioid Dynamic Mics
- Includes 2 Boom Arms, 2 XLR Cables
- Includes 2 Headphones and microSDHC Card
Focusrite Clarett+ 4Pre Desktop 18x8 USB-C Audio/MIDI Interface
- Musicians, Producers, and Small Bands
- USB-C and-A Connectivity
- 4 Mic/Line Pres (2 with Hi-Z), 4 Line In
- 2 Headphone Outs, 4 Line Outputs
Yamaha URX44V 6x4 USB-C Audio/Video Interface (Black)
- For Content Creation and Streaming
- 32-Bit / 192 kHz Sampling
- Onboard DSP-Powered Mixing and Effects
- Integrated LCD Touch-Panel GUI
TASCAM Mixcast 4-Person Podcast Kit with Mixer-Recorder, Microphones, Mic Stands, and Cables
- Includes Mixcast 4 Podcast Mixer
- 4 Audio-Technica Microphones
- 4 Mic Stands
- 4 XLR Cables
RME MADIface USB 128-Channel USB Interface for Mobile Computers
- 64 I/O Record/Playback Channels
- 2 x MADI I/O (Optical and Coaxial)
- TotalMix FX Realtime Mixer
- No External Power Supply Required
Focusrite Clarett+ 8Pre Rackmount 18x20 USB-C Audio/MIDI Interface
- Bands, Project Studios, and Producers
- USB-C and USB-A Connectivity
- Inputs: 8 Mic/Line Preamps (2 with Hi-Z)
- Outputs: 2 Headphone, 2 Monitor, 4 Line
TASCAM Model 24 - Digital Mixer, Recorder, and USB Audio Interface
- 22 x Input Channels
- 16 x Microphone Preamps
- 20 x Line Inputs (12 Mono + 4 Stereo)
- Single-Knob Compressor
Solid State Logic SSL 18 USB-C Audio/MIDI Interface
- Studio Recording and Mixing
- AC Powered, Mac/Windows
- 8 Mic/Line In, 2 Hi-Z In, 2 Send/Return
- 2 Headphone Out, 10 Line Out
RODE RODECaster Pro II Podcasting Kit with SM7B Mic, Broadcast Arm, and Headphones
- For One Podcaster, Streamer
- RODECaster Pro II Podcast Studio
- Shure SM7B Broadcasting Mic
- Broadcast Arm with XLR Cable
Audient iD48 24-In | 32-Out USB-C Audio Interface
- Producers, Musicians, Engineers
- External Power, Mac/Windows
- 8 Mic/Line Preamps, 2 Hi-Z Inputs
- 2 Headphone Outs, 24 Line/Monitor Outs
TASCAM Mixcast 4-Person Podcast Kit with Podcast Mixer-Recorder, Microphones, Boom Arms, and Headphones
- Includes Mixcast 4 Podcast Mixer
- 4 Audio Technica Microphones
- 4 Boom Arms
- 4 Pairs of Audio Technica Headphones
RODE RODECaster Pro II 4-Person Podcasting Value Kit with Mics, Boom Arms, Headphones, and More
- Includes Podcasting Interface/Recorder
- Includes 4 Hypercardioid Dynamic Mics
- Includes 4 Boom Arms with XLR Cables
- Includes 4 Headphones and microSDHC Card
Sound Devices USBPre 2 USB-B Audio Interface
- Field Mixers & Location Sound Recordists
- Bus Powered, Mac/Windows/Linux
- 2 Mic Preamps, 2 Line In, Stereo Aux In
- 2 Headphone, 2 Mic/Line, 2 Aux Out
MOTU 10pre 26x28 Thunderbolt 4 / USB4 Audio Interface
- 10 Transparent Mic / Hi-Z Inputs
- ESS Sabre32 DAC, 125 dB Dynamic Range
- Thunderbolt 4 / USB4 Connectivity
- 54 Simultaneous Audio Channels
RODE RODECaster Duo 2-Person Podcasting Kit with SM7B Mics, Broadcast Arms & Headphones
- Includes Podcasting Interface/Recorder
- Includes Two SM7B Cardioid Dynamic Mics
- Includes Two Boom Arms with XLR Cables
- Includes Two Headphones & microSDHC Card
TASCAM Mixcast 2-Person Podcast Studio Kit with Shure SM7B Microphones
- Mixcast 4 All-In-One Podcast Recorder
- 2 Shure SM7B Dynamic Vocal Mics
- 2 Cabled Broadcast Arms
- 2 Closed-Back Studio Headphones
RME Fireface 802 FS 60-Channel USB-B Audio/MIDI Interface (Silver/Blue)
- Studio Recording, Live, Postproduction
- AC Powered, Mac/Windows/iPadOS
- 4 Mic / Line / Hi-Z In, 8 Line In
- 2 Headphone Out, 8 TRS Line Out
Focusrite ISA C8X 26x28 USB-C Audio Interface
- 8 Mic Pres: 2 ISA, 6 Focusrite Mic Pres
- Lundahl LL1538 Input Transformers
- Up to 79 dB Stepped & Fine Gain Control
- Switchable Impedance and HPF, Auto Gain
iConnectivity PlayAUDIO2U Audio and MIDI Interface for Live Performance
- All-In-One Live Audio and MIDI Hub
- 24 Balanced XLR Stage Outputs
- Four Mic/Line Combo Inputs
- 24-Bit / 96 kHz Audio Resolution
TASCAM Mixcast 4-Person Podcast Studio Kit with Shure SM7B Microphones
- Mixcast 4 All-In-One Podcast Recorder
- 4 x Shure SM7B Dynamic Vocal Mic
- 4 x Cabled Broadcast Arm
- 4 x Closed-Back Studio Headphones
Antelope Orion Studio Synergy Core Pro Audio Interface
- Up to 32 Channels of AD/DA Conversion
- Up to 24-Bit / 192 kHz Resolution
- Supports Thunderbolt, USB, ADAT & S/PDIF
- 12 Discrete Preamps with XLR-1/4" Jacks
Audient ORIA Immersive Audio Interface and Monitor Controller
- For Music, Film, TV, and Game Production
- Up to 9.1.6 Atmos Multichannel Support
- Onboard Room Calibration DSP
- Up to 24-Bit / 96 kHz Sampling
Behringer U-PHONO UFO202 USB Audio Interface with Phono Preamp
- Connects to Turntables & Cassette Decks
- Transfer Vinyl & Tape Audio to Computer
- Phono Input Switchable to Line Level
- RCA I/O with Turntable Ground
Behringer UCA222 2-Channel USB Audio Interface
- Highly Compact Portable Audio Interface
- Recording and Playback Function
- Up to 16-Bit / 48 kHz Sampling
- TOSLINK S/PDIF Optical Output
Behringer UCA202 2-Channel USB Audio Interface
- Highly Compact Portable Audio Interface
- Recording and Playback Function
- Up to 16-Bit / 48 kHz Sampling
- TOSLINK S/PDIF Optical Output
MXL USB Mic Mate Preamp and USB Interface
What Is a USB Audio Interface?
A USB audio interface is a type of sound interface that connects your compatible audio devices and peripherals to your computer via a non-Thunderbolt USB plug.
What Are the Advantages of USB Audio Interfaces?
While both USB and Thunderbolt audio interfaces can deliver excellent audio quality, they differ in speed, latency, compatibility, and cost. Advantages of a USB audio interface include:
Greater Compatibility: The biggest advantage of USB audio interfaces is universal compatibility. Nearly every modern Windows PC and Mac includes USB ports, making USB interfaces easy to connect without requiring adapters or specialized hardware. USB interfaces also work with a wide variety of recording software, making them ideal for beginners and professionals alike.
Lower Cost: USB audio interfaces are generally more affordable than Thunderbolt interfaces. Entry-level USB sound interfaces are available at budget-friendly prices, while professional USB interfaces often cost less than comparable Thunderbolt versions.
What Are the Differences Between USB Connection Types?
USB audio interfaces are available in two different connection types: USB-A and USB-C. Key differences between these connection types include:
USB Connector Type: The primary difference between USB-A and USB-C is the physical connector.
- USB-A is the traditional rectangular connector found on older desktops, laptops, and USB hubs.
- USB-C is a smaller, reversible connector that has become the standard on most modern laptops, tablets, and smartphones.
Because USB-C plugs in either way, it's considered more convenient to use and less prone to wear and tear from repeated insertion.
Speed and Bandwidth: Because USB-C is the newer connector type, people often assume that it is faster, but that's not necessarily true. Remember: USB-C describes the physical connector; the data speed depends on the protocol being used. For example, a USB-C interface may operate using any of the following protocols:
- USB 2.0
- USB 3.2 Gen 1
- USB 3.2 Gen 2
- USB4
Similarly, some USB-A interfaces also use USB 3.0 or USB 3.2.
For audio recording, USB 2.0 already provides enough bandwidth for dozens of simultaneous audio channels, so faster USB standards rarely improve recording performance for typical users.
Audio Quality: There is no inherent difference in audio quality between USB-A and USB-C interfaces. Sound quality depends on factors such as:
- Microphone preamp design
- Analog-to-digital and digital-to-analog converters
- Clock accuracy
- Internal circuitry
- Driver quality
A well-designed USB-A interface can easily outperform a lower-quality USB-C model.
Power Delivery: USB-C ports can supply more power than traditional USB-A ports, depending on the computer and interface. This additional power can benefit:
- Interfaces with multiple microphone preamps
- Models with DSP processing
- Bus-powered interfaces that don't require an external power supply
However, many compact USB-A interfaces are also fully bus-powered and work perfectly without external adapters.
Future-Proofing: USB-C has become the standard connector on most new computers, making USB-C interfaces a more future-proof investment. Benefits include:
- Better compatibility with newer laptops
- Fewer adapters for modern devices
- Easier integration into evolving computer ecosystems
USB Audio Interface vs. Thunderbolt Audio Interface
Both USB audio interfaces and Thunderbolt audio interfaces are capable of delivering professional-quality recordings, but they differ in terms of several key areas:
Data Transfer (Higher Bandwidth): Thunderbolt provides much faster data transfer rates compared to USB, typically ranging from 10 Gbps (Thunderbolt 1) up to 40 Gbps (Thunderbolt 3/4). Faster data transfer rates allow for the simultaneous transmission of multiple audio tracks with minimal latency, which is critical in professional audio work.
Latency: Thunderbolt's high-speed connection helps achieve very low latency, which is crucial for real-time audio monitoring and live performance settings.
Channel Count: Thunderbolt interfaces can often handle more input and output channels compared to USB interfaces. This means you can connect multiple pieces of and audio gear (microphones, instruments, etc.) without compromising on performance.


