Fender Quantum LT 16 16x8 USB-C Audio Interface
- For Home Recording and Content Creation
- PreSonus DSP Meeets Fender Hi-Z Design
- 8 MAX-HD Mic Preamps with 75 dB of Gain
- Dual Fender-Designed Instrument Inputs
Focusrite Scarlett 4i4 USB-C Audio/MIDI Interface Single-Person Podcasting Kit (4th Generation)
- Singers, Musicians, Podcasters/Streamers
- Bus/External Power, Mac/Windows/iPadOS
- 2 Mic/Line/Instrument Preamps, 2 Line In
- Headphone Output, 4 Line Outputs
Black Lion Audio Revolution 6x6 Dual USB-C Audio Interface for Computer and Mobile Devices
- For Musicians, Creators, Podcasters
- Dual USB-C for Mac/Windows/iOS/Android
- Bus and External Power
- 2 Mic / Line / Hi-Z Preamps
Roland BRIDGE CAST X Dual Bus Streaming Mixer and Video Capture
- For Gaming, Streaming & Content Creation
- Dual Mix Bus: Stream Mix & Personal Mix
- Vocal Transformer from Roland VT
- Dual USB-C Ports
Focusrite Clarett+ 2Pre Desktop 10x4 USB-C Audio/MIDI Interface
- Musicians, Podcasters, and Producers
- USB-C and USB-A Connectivity
- 2 Mic/Line/Instrument Preamps
- 1 Headphone Out, 4 Line Outputs
Harrison Audio Flex-10 10-In / 12-Out USB-C Audio Interface
- Harrison Analog Console Character
- 32-Bit / 192 kHz Audio
- H-DRIVE Transformer Saturation
- Dual Mic Preamps with Inserts
RODE RODECaster Duo Podcasting Kit with PodMic & Desktop Stand
- Includes Podcasting Interface/Recorder
- Includes PodMic Cardioid Dynamic Mic
- Includes Desktop Stand & XLR Cable
- Includes Foam Windscreen
Henry Engineering USB Matchbox II
TASCAM Mixcast 4 Two-Person Podcast Value Kit with Limelight Mic, Boom Arm, and Headphones
- Includes Mixcast 4 Podcast Mixer
- Includes 2 Large-Diaphragm Dynamic Mics
- Includes 2 Boom Arms with XLR Cables
- Includes 2 Headphones
Mackie DLZ Creator Adaptive Digital Mixer with Mix Agent Technology
- For Podcasting and Streaming
- Easy, Enhanced, and Pro Control Modes
- Full NDI Integration
- Four Onyx80 Microphone Preamps
BOSS Gigcaster 8 Audio Streaming Mixer
- For Online Musicians, Education, Podcast
- 8-Channel Mixer with Sound-Shaping Tools
- 48 kHz Sampling with 32-Bit Float DSP
- 4 x Combo XLR-1/4" Inputs, 8 x FX Pads
RODE RODECaster Duo Podcasting Kit with PodMic, Studio Boom Arm, Headphones, and Cable
- For 1 Podcaster/Streamer
- RODECaster Duo Podcast Studio
- Includes PodMic Podcasting Mic
- Includes Boom Arm and XLR Cable
Audient ID44 MkII 20x24 Desktop USB Audio Interface
- Musicians, Podcasters, Producers
- 4 Class-A Mic Preamps, 2 Hi-Z Inputs
- Audio Loopback for Streaming
- 2 Independent Class-AB Headphone Amps
RODE RODECaster Duo 2-Person Podcasting Kit with PodMics, Broadcast Arms & Headphones
- Includes Podcasting Interface/Recorder
- Includes 2 PodMic Cardioid Dynamic Mics
- Includes 2 Boom Arms with XLR Cables
- Includes 2 Headphones & microSDHC Card
Universal Audio Apollo Twin X USB DUO Heritage Edition USB-C Audio Interface with UAD DSP (Windows Only)
- Musicians, Producers, and Songwriters
- AC Powered, Windows Only
- 2 Mic/Line Unison Preamps, Hi-Z Input
- Headphone Out, 4 Line Out
Focusrite Clarett+ 8Pre Rackmount 18x20 USB-C Audio/MIDI Interface
- Bands, Project Studios, and Producers
- USB-C and USB-A Connectivity
- Inputs: 8 Mic/Line Preamps (2 with Hi-Z)
- Outputs: 2 Headphone, 2 Monitor, 4 Line
RODE RODECaster Pro II 2-Person Podcasting Kit with PodMics, Broadcast Arms, and Headphones
- For Two Podcasters, Streamers
- RODECaster Pro II Podcast Studio
- 2 PodMic Podcasting Mics
- 2 Broadcast Arms with XLR Cables
Audient iD48 24-In | 32-Out USB-C Audio Interface
- Producers, Musicians, Engineers
- External Power, Mac/Windows
- 8 Mic/Line Preamps, 2 Hi-Z Inputs
- 2 Headphone Outs, 24 Line/Monitor Outs
Antelope Discrete 8 Oryx Synergy Core 26x38 USB-C Audio Interface
- Studio Hub for Hybrid Workflows
- 8 Discrete Mic Preamps: Up to 130 dB
- 8 XLR-1/4" Combo Inputs, 8 Gain Knobs
- 4 ADAT Optical I/O, RCA S/PDIF I/O
MOTU 10pre 26x28 Thunderbolt 4 / USB4 Audio Interface
- 10 Transparent Mic / Hi-Z Inputs
- ESS Sabre32 DAC, 125 dB Dynamic Range
- Thunderbolt 4 / USB4 Connectivity
- 54 Simultaneous Audio Channels
Apogee Electronics Symphony Desktop 10x14 USB Audio Interface
- Symphony Sound Quality in Desktop Format
- Preamp Emulation, Hardware DSP, Plug-Ins
- Easy Operation with Color Touchscreen
- Two Stepped-Gain Preamps with 75 dB Gain
RME Digiface AES 14x16 Audio Interface
- Portable USB Bus-Powered Audio Interface
- 24-Bit / 192 kHz Digital Audio
- 30x16 Matrix Router
- 6-Ch. XLR AES and 8-Ch. Optical ADAT
RME Fireface 802 FS AE 60-Channel USB-B Audio/MIDI Interface (Black)
- Studio Recording, Live, Postproduction
- AC Powered, Mac/Windows/iPadOS
- 4 Mic / Line / Hi-Z In, 8 Line In
- 2 Headphone Out, 8 TRS Line Out
iConnectivity PlayAUDIO2U Audio and MIDI Interface for Live Performance
- All-In-One Live Audio and MIDI Hub
- 24 Balanced XLR Stage Outputs
- Four Mic/Line Combo Inputs
- 24-Bit / 96 kHz Audio Resolution
Antelope Orion Studio Synergy Core Audio Interface with SRC Remote Controller
- Up to 32 Channels of AD/DA Conversion
- Up to 24-Bit / 192 kHz Resolution
- Supports Thunderbolt, USB, ADAT & S/PDIF
- 12 Discrete Preamps with XLR-1/4" Jacks
Behringer U-PHONO UFO202 USB Audio Interface with Phono Preamp
- Connects to Turntables & Cassette Decks
- Transfer Vinyl & Tape Audio to Computer
- Phono Input Switchable to Line Level
- RCA I/O with Turntable Ground
Behringer UCA222 2-Channel USB Audio Interface
- Highly Compact Portable Audio Interface
- Recording and Playback Function
- Up to 16-Bit / 48 kHz Sampling
- TOSLINK S/PDIF Optical Output
Behringer UCA202 2-Channel USB Audio Interface
- Highly Compact Portable Audio Interface
- Recording and Playback Function
- Up to 16-Bit / 48 kHz Sampling
- TOSLINK S/PDIF Optical Output
What Is a USB Audio Interface?
A USB audio interface is a type of sound interface that connects your compatible audio devices and peripherals to your computer via a non-Thunderbolt USB plug.
What Are the Advantages of USB Audio Interfaces?
While both USB and Thunderbolt audio interfaces can deliver excellent audio quality, they differ in speed, latency, compatibility, and cost. Advantages of a USB audio interface include:
Greater Compatibility: The biggest advantage of USB audio interfaces is universal compatibility. Nearly every modern Windows PC and Mac includes USB ports, making USB interfaces easy to connect without requiring adapters or specialized hardware. USB interfaces also work with a wide variety of recording software, making them ideal for beginners and professionals alike.
Lower Cost: USB audio interfaces are generally more affordable than Thunderbolt interfaces. Entry-level USB sound interfaces are available at budget-friendly prices, while professional USB interfaces often cost less than comparable Thunderbolt versions.
What Are the Differences Between USB Connection Types?
USB audio interfaces are available in two different connection types: USB-A and USB-C. Key differences between these connection types include:
USB Connector Type: The primary difference between USB-A and USB-C is the physical connector.
- USB-A is the traditional rectangular connector found on older desktops, laptops, and USB hubs.
- USB-C is a smaller, reversible connector that has become the standard on most modern laptops, tablets, and smartphones.
Because USB-C plugs in either way, it's considered more convenient to use and less prone to wear and tear from repeated insertion.
Speed and Bandwidth: Because USB-C is the newer connector type, people often assume that it is faster, but that's not necessarily true. Remember: USB-C describes the physical connector; the data speed depends on the protocol being used. For example, a USB-C interface may operate using any of the following protocols:
- USB 2.0
- USB 3.2 Gen 1
- USB 3.2 Gen 2
- USB4
Similarly, some USB-A interfaces also use USB 3.0 or USB 3.2.
For audio recording, USB 2.0 already provides enough bandwidth for dozens of simultaneous audio channels, so faster USB standards rarely improve recording performance for typical users.
Audio Quality: There is no inherent difference in audio quality between USB-A and USB-C interfaces. Sound quality depends on factors such as:
- Microphone preamp design
- Analog-to-digital and digital-to-analog converters
- Clock accuracy
- Internal circuitry
- Driver quality
A well-designed USB-A interface can easily outperform a lower-quality USB-C model.
Power Delivery: USB-C ports can supply more power than traditional USB-A ports, depending on the computer and interface. This additional power can benefit:
- Interfaces with multiple microphone preamps
- Models with DSP processing
- Bus-powered interfaces that don't require an external power supply
However, many compact USB-A interfaces are also fully bus-powered and work perfectly without external adapters.
Future-Proofing: USB-C has become the standard connector on most new computers, making USB-C interfaces a more future-proof investment. Benefits include:
- Better compatibility with newer laptops
- Fewer adapters for modern devices
- Easier integration into evolving computer ecosystems
USB Audio Interface vs. Thunderbolt Audio Interface
Both USB audio interfaces and Thunderbolt audio interfaces are capable of delivering professional-quality recordings, but they differ in terms of several key areas:
Data Transfer (Higher Bandwidth): Thunderbolt provides much faster data transfer rates compared to USB, typically ranging from 10 Gbps (Thunderbolt 1) up to 40 Gbps (Thunderbolt 3/4). Faster data transfer rates allow for the simultaneous transmission of multiple audio tracks with minimal latency, which is critical in professional audio work.
Latency: Thunderbolt's high-speed connection helps achieve very low latency, which is crucial for real-time audio monitoring and live performance settings.
Channel Count: Thunderbolt interfaces can often handle more input and output channels compared to USB interfaces. This means you can connect multiple pieces of and audio gear (microphones, instruments, etc.) without compromising on performance.


