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by Mathew Malwitz · Posted
There’s an old adage that claims in order to be a wildlife photographer, you need a lot of time and a lot of money. This is only partly true. Many great wildlife photo opportunities can occur in urban parks and even in your own backyard, as long as we know what we’re doing. In this article, we’re going to cover a number of essential tips that will help you become a better wildlife photographer.
If you’ve read our introduction
by Todd Vorenkamp · Posted
Taking a look at any modern mirrorless or DSLR camera, you’ll notice a slew of controls, buttons, and dials. Atop nearly all cameras sits a large dial labeled with many letters and icons. This is our mode dial. It is how we control the level of power we give to our camera or take for ourselves.
One of the wonderful things that modern electronic digital and film cameras give you is many high-tech options for your image making. One of the horrible things that modern electronic digital and film cameras give you is many high-tech options for your
by Todd Vorenkamp · Posted
Every facet of photography is about controlling light, from the amount of light we allow to enter our camera via the aperture of a lens to the duration of our exposure set by the shutter speed. But how does the camera measure the brightness of the scene to set these settings automatically? How do you, the photographer, know how much to adjust your exposure settings to achieve a specific result for the final image? This is achieved with an in-camera light meter.
What Is Metering?
Metering is how a camera evaluates the available light to
by Mathew Malwitz · Posted
Any place in the world can be a photo destination in the winter, but the general idea is to explore a few locations that offer wonderful photographic possibilities in winter that they might not offer in summer. We want to make use of all that snow and everything else the cold temperatures have to offer. After all, we can enjoy the warmer weather come spring. We can always blend in a bit of that warm escapism we all crave after a few months of short days, snow, and cold.
Lake Reschen and South Tyrol, Italy
The Tyrol region of northern Italy and
by Mathew Malwitz · Posted
As photographers, we are faced with a wide array of lighting conditions, ranging from bright sunlight to dimly lit interiors. Using ambient light as your main source is often preferable; however, in a situation such as an event or portrait where time is of the essence, you will need to know how to properly expose all these varying scenes using both natural and artificial light sources.
Being resourceful with your lighting setups lends greater efficiency, and having a lighting system you can easily move from one situation to the next quickly is
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by Mathew Malwitz · Posted
If there’s one area of wildlife photography that challenges even some of the most consummate artists, it’s birds in flight. A dynamic flight shot shows action, and a bit of technical prowess. As you can imagine, capturing birds in flight is no easy feat.
To consistently capture these shots, one must be proficient with their gear and have a knowledge of animal behavior. We’d go as far as to say you need a bit of luck too, but what is luck if not preparedness meeting opportunity. In order to make the most of the opportunities that present
by Mathew Malwitz · Posted
As we learn about exposure, we need to talk about shutter speed. Your camera’s shutter controls the duration of an exposure and is one of the three settings that determine the exposure of an image. Together, these settings are known as the exposure triangle.
Where aperture controls the amount of light we allow to reach our imaging area, it is the duration of our exposure that will directly influence whether an image is sharp or blurred. This is what makes it such a significant piece of the exposure puzzle. Now, let’s take a closer look
by Mathew Malwitz · Posted
Photography is by definition, the capture of light on a light sensitive surface. That surface could be glass, tin, film, or a digital imaging sensor like those found in most modern cameras. The amount of light that reaches our light-sensitive surface is what we can define as exposure.
A good exposure will look accurate to life or the photographer's creative vision. It will maximize an images quality and
by Luke Rollins · Posted
Subject and style may vary, but consistency is a quality shared by all successful photo studios. When working indoors, that begins with lighting. Strobes remain the bread and butter of many still photography studios. Unlike natural light, which can be finicky and unpredictable; on-camera flashes, which are not typically designed for studio use; or continuous lights, which can become costly as output increases; strobes are built to withstand the rigors of studio life while providing flexible and powerful light. But with so many options on the
by Mathew Malwitz · Posted
What better place to spend a Saturday morning than the zoo. You can enjoy some time outside, all while seeing a variety of both local and exotic animals you'd otherwise never dream of encountering. Zoos also are great place to try your hand at photographing wildlife! In this guide, we're talking about taking our camera to the zoo to capture natural looking images of animals in their element! We'll be covering what you need as well as tips and tricks that'll help you capture stunning, natural looking images of animals.
Above photograph © Mathew
by Mathew Malwitz · Posted
Winter brings with it some of the best photographic opportunities imaginable. As the temperatures begin to drop, our approach to photography changes a bit. Cooler weather brings with it snow, stunningly colorful evening skies, wintering birds, and an assortment of beautiful weather conditions. Some of the best photographic opportunities present themselves in these unfortunately cold times. That being said, if we prep ourselves and our gear appropriately, we can capture stunning images.
Before You Head Out
First, some safety precautions. Cold
by Mathew Malwitz · Posted
Photographing pets is something you likely do daily, whether it be with a phone or a dedicated camera. I don’t know about you, but I have thousands of pics of my pup filling up my photos app. After all, pets are part of the family, and we want to capture them in the best possible light. In this quick guide, we’re going to look at 10 ways you can improve your pet photography with practical creative tips and techniques as well as gear.
1. Get to your pet’s level. If there’s one trick to make your images more engaging, it’s to physically shoot
by Mathew Malwitz · Posted
Portraiture: It’s one of the most popular and prevalent forms of photography. Although it may seem simple on paper, it comes with its own unique obstacles. Of course, you’ll want to be familiar with your gear. This is essential to all working photographers, but it allows you to focus your efforts on the genre-specific challenges you’ll face.
When photographing people, you’ll find that some folks are photogenic, while others are not. Your job as a photographer is to break down the barriers set by your clients and to put them in the most
by Todd Vorenkamp · Posted
Close-up or macro photography is an incredible way to capture the tiny world around us on a super-detailed level. While the dedicated macro lens is still one of the best tools for exploring the world on a miniature scale, there are some very inexpensive ways to jump into macro photography with the lens or lenses you already own—no need for a specialized close-up macro lens. In this article, we will take a closer look (no