Search results for: photography tips solutions what is dynamic range
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by Todd Vorenkamp · Posted
One of the magical aspects of modern photography is the ability to review an image instantly within our EVF (electronic viewfinder) or right on the back of the camera.
Frequently, one possible mistake that digital photographers make is when reviewing an image on their camera—they evaluate exposure based on the reproduced image. Why might this be a mistake? Well, both your camera’s LCD and EVF likely have adjustable brightness. Also, you might be viewing your images in bright sunlight or in the pitch black of night. Just as viewing a computer
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by Steven Gladstone · Posted
Whether you’re a student or a seasoned veteran, selecting the right camera can make your head spin with questions. Does sensor size matter? What’s the difference between 4:2:0 and 4:2:2? Do I really need a camera that can record 8K? What about raw? We’ll explain the key components that help a camera produce cinematic images, and in doing so, hopefully help you make that all-important decision.
Evaluate Your Needs and Your Budget
Before considering certain cameras, you must know your needs and your budget. And be realistic. If you are a student
by Luke Rollins · Posted
Macro photography never ceases to amaze me. Show me the face of a jumping spider reproduced at life-size or greater and I’ll undoubtedly stop what I’m doing and stare at it for a while. What’s interesting is how ultra-wide-angle lenses, which are available for DSLRs and
by Rachel Leathe · Posted
I can’t count the number of times a stranger has approached me while I’ve been setting up my drone to ask if they can watch the launch. I imagine this is how the world’s first television owners must have felt as the neighborhood kids crowded around the only television on their block to witness such groundbreaking technology.
by Allan Weitz · Posted
For the longest time, comparing image quality between point-and-shoot cameras and full-frame cameras, or even APS-C format cameras, was a conversation you could have start to finish during the course of an elevator ride. Point-and-shoot cameras were convenient, but the detail and dynamic range of their smaller sensors never measured up to the detail and dynamic range you get from larger sensors. And then one day Sony introduced a new 1" format CMOS sensor, and BOOM! People started having second thoughts about slinging heavy camera bags over
by Allan Weitz · Posted
Though there aren’t any hard rules on the subject—and all rules are made to be broken—wide-angle and ultra-wide-angle lenses are often considered to be the go-to lenses for landscape photography. It’s not like you can’t capture wonderful landscapes with normal or telephoto lenses (you absolutely can), but due to their broad capture angles, wide- and ultra-wide-angle lenses usually win out over the alternative choices. For those who wish to go wider than ultra-wide, you have to turn to fisheye lenses.
Photographs © Allan Weitz 2020
What Is a
by Todd Vorenkamp · Posted
Is the solar-photography filter a one-trick (or eclipse) pony? After the solar eclipse, does your solar-photography filter become a paperweight, a forgotten photo accessory in the bottom of your drawer, or is it destined for the classified section of a local newspaper in the path of the next eclipse? Before you retire your solar filter, know that you can use it for a few interesting things before the next eclipse!
Generally, a neutral density (
by Emily Mandagie · Posted
"Alright, your time in flight will be approximately twelve minutes." Berty and I swallowed that weighted sentence and nervously nodded in response. Smiles were on the outside, but deep inside we were wondering how in the world we were going to make the most of those fleeting seconds in that helicopter and capture exactly what we wanted from the sky!
Aerial photography can be exciting and exhilarating. But it can also come with a lot of added challenges, such as time limits, weather conditions, and—let's be real—a large expense! (Flights aren't
by Todd Vorenkamp · Posted
When the moon passes directly between Earth and the sun, those on Earth are treated to one of nature’s greatest spectacles—a total solar eclipse. It is a phenomenon that almost every observer would like to capture in a photograph.
Due to the rarity of the event, the short duration in which to capture it, and the dynamic nature of the subject, it is one of those photographic opportunities that requires the proper gear, setup, planning, and practice.
Eclipse and solar
by Todd Vorenkamp · Posted
One of the first words I learned how to say was, “Moon.” All of my life, I have been fascinated by our natural satellite and I have been photographing it for as long as I have had a camera. My photos have gotten better over the years, but I still search for the perfect photo of the moon. Here are some tips and thoughts for your own lunar photography.
Above photograph: A waxing gibbous moon the day before the full moon. FUJIFILM X-T1; Leica APO-Televid 77 spotting scope @ 1000mm (1500mm, 35mm equivalent); f/13, 1/500-second, ISO 200
by Todd Vorenkamp · Posted
The question: What can you do with a macro lens? The answer: Just about anything! If you want to get into close-up photography, the best tool for the job is almost always a dedicated macro lens—preferably one that does life-size (1:1) reproduction. An alternative 1:2 (half-size) macro lens is nothing to sneeze at and could easily fall into the “best tool” category as well. Having said that, a macro lens is also a supremely capable tool for capturing portraits,
by Todd Vorenkamp · Posted
Raw vs. JPEG. The debate has persisted since the early days of digital photography. With modern digital technology, in-camera JPEG processing has never been better. Across brands, some photographers claim to have switched their workflow to JPEG exclusively, forgoing the advantages (and disadvantages) of shooting raw files. Others shoot raw + JPEG simultaneously to enjoy the benefits of both. Of course, many shoot only raw images. With a week in Ireland to focus on photography, I decided to dive deeper into the raw vs. JPEG option and see if it
by John Harris · Posted
What can you do with a high-end telephoto lens? Be a boss, is what you can do. I mean, c’mon! Strutting around the sidelines or cuttin’ through the bush with one of these beasts resting on your shoulder―not only do you look tough, but you’re also carrying a lens that you need to get the best photos in sports and wildlife photography. When I say best, let’s not underestimate the greatness of photographers who can create wonderful images with a wide-angle lens or even a telephoto of lesser quality, but to really excel in the disciplines of
by Todd Vorenkamp · Posted