Search results for: videos 8k cameras
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by Steven Esposito · Posted
Angelbird is happy to announce its latest V PRO CFexpress v4 Type A memory cards designed for creatives looking to capture cinema-quality 8K RAW videos, as well as those involved in extended burst photography.
The AV PRO CFexpress v4 Type A cards offer consistent read and write performance across the entire capacity with sustained write speeds of 1000 MB/s and read speeds of 1700 MB/s. In a well
by Mary Latvis · Posted
Fresh in with the 2026 fall lens crop, the DZOFilm Arles 25-75mm and 65-180mm T2.6 FF Zoom Cine Lenses bring the soft, natural bokeh and cinematic, painterly depth of the existing Arles prime series to your shoot in a convenient zoom form. Available individually and in a two-lens set, these
by Zack Young · Posted
GoPro is taking a bold leap forward with their new MISSION 1 line of compact cameras. Billed as the world’s smallest, lightest, most rugged cinema cameras, initial offerings include the MISSION 1 PRO, capable of 8K60p and 4K240p, the MISSION 1, which supports 8K30p and 4K120p, and the MISSION 1 PRO ILS, which swaps the fixed lens for a Micro Four Thirds (MFT) lens mount. All three
by Zack Young · Posted
Looking to learn more about the LED volume walls used in the burgeoning field of OSVP (on-set virtual production)? These walls are a key component of the process, serving as true-to-life backgrounds, sets, and locations for OSVP. Volume walls are composed of multiple LED displays (also called cabinets) that are seamlessly joined together to form a custom-size screen on which your background footage and real-time graphics are shown. Here, we’re going over key specs for the most visible component, the displays themselves.
Configuration
The first
by Zack Young · Posted
The new Insta360 X6 360° 8K camera represents a solid step forward for one of the brand’s most popular product lines. With upgraded 1/1.1” square sensors, triple AI chips, 8K50p 360° video, and longer battery life, the X6 should prove popular with content creators, filmmakers, athletes, world travelers and more, as the appetite for 360° video continues to grow.
by Zack Young · Posted
Insta360 has officially unveiled the Luna Ultra 8K gimbal camera, with dual Leica Summicron lenses, a triple AI chip, and a detachable 2” OLED touchscreen. The primary lens packs a 1” CMOS image sensor, while the telephoto lens has a 1/1.3" CMOS sensor. The Luna Ultra is also compatible with Insta360’s new Mic Pro wireless system
by Mary Latvis · Posted
Optimal imaging for virtual production (VP) requires certain camera functions that are not integral to all video cameras. A global shutter (or fast readout speeds), genlock capability, and timecode input are key factors to look for when selecting a camera for your VP video capture. Let’s review these specifications and highlight several cameras that incorporate these key specs.
Global Shutter Sensor
Most video cameras are designed with a “rolling” shutter that successively scans each row of photosites (the physical embodiments of pixels) on
by Bjorn Petersen · Posted
In a world where photographers are being asked to capture video and filmmakers need to shoot photos, having one tool that can do both is a major asset—especially in the world of wedding photography where it’s often the same team putting together both the photographs and the video. For this type of scenario, Sony’s latest camera solutions offer some of the best options for hybrid shooting.
Here are some of the best
by Mathew Malwitz · Posted
The wait is finally over, and Sony has unveiled not one, but two new game changing imaging tools to their arsenal. Introducing the a7R VI mirrorless camera and the FE 100-400mm f/4.5 G Master lens. The perfect marriage of speed and resolution.
by Luke Rollins · Posted
Video performance was a stealth strength of the a7R V, and in this next-generation a7R VI Mirrorless Camera, the improved performance moves the camera from “if you know you know” to video headliner. Sony’s latest acknowledges the new hybrid table-stakes for professionals and creators by delivering video quality worthy of the “R” imprimatur.
by Mathew Malwitz · Posted
Wedding photography is a blend of genres, sort of a marriage (pun intended) between portrait, street, and occasionally even landscape photography. There’s always a bit of mystery when it comes to lighting, and we need to be ready for anything. In a reception hall, you may dimly chandeliers, bright LEDs, or even pulsating, colorful strobes from the DJ booth. All of these variables, and you may not be able to use flash! What can you do?
by John Foldi · Posted
One flight for limitless creativity. With the announcement of the Avata 360, DJI has entered the 360-degree drone category in a big way. The Avata 360 is actually a hybrid, using a twisting gimbal for dual-camera modes—360 and Single Lens—maintaining the Avata’s FPV legacy.
DJI Avata 360
The Avata 360 is available in
by Steven Esposito · Posted
Looking for a capture card for your video podcast? You've come to the right place. In this guide, we're looking at some of our favorite capture cards and discussing how they can help streamline and enhance your production.
AVerMedia Live Gamer ULTRA 2.1 Capture Card
The different tiers
by Zack Young · Posted
It’s been six years since GoPro launched the original MAX 360 action camera, so its long awaited follow-up, the new MAX2 360, feels less like a sequel and more like a reinvention, capturing 8K 360° video that’s far sharper and more detailed than anything the original MAX could produce. It’s clear GoPro is trying to match or exceed the specs of competitor cameras that are many more than two
by Mathew Malwitz · Posted
If renowned landscape photographer Ansel Adams were alive today, he would surely be astounded at the variety of cameras available. When compared to his hulking 8x10 view camera, today’s cameras look like child’s play. He would also be flabbergasted at the image quality these little devices produce.
This year, we have a bottomless well of cameras