Canon EF 100mm f/2.8L Macro IS USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Ultra-Low Dispersion Element
- Super Spectra Coating
Nikon AF-S DX Micro NIKKOR 40mm f/2.8G Lens
- F-Mount Lens/DX Format
- 60mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- Super Integrated Coating
Tokina atx-i 100mm f/2.8 FF Macro Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/32
- Multilayered Coating
- 1:1 Magnification, 11.8" Min. Focus
Venus Optics Laowa 100mm f/2.8 2X Ultra Macro APO Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Two Low Dispersion Elements
- Maximum Magnification: 2:1
Mitakon Zhongyi 20mm f/2 4.5x Super Macro Lens for Canon EF
- Canon EF Mount/Full-Frame Format
- Aperture Range: f/2 to f/16
- Magnification Range: 4.5x to 4x
- Minimum Working Distance: 0.8"
Mitakon Zhongyi 20mm f/2 4.5x Super Macro Lens for Nikon F
- Nikon F Mount/FX-Format
- Aperture Range: f/2 to f/16
- Magnification Range: 4.5x to 4x
- Minimum Working Distance: 0.8"
Tokina atx-i 100mm f/2.8 FF Macro Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- Multilayered Coating
- 1:1 Magnification, 11.8" Min. Focus
Canon TS-E 90mm f/2.8L Macro Tilt-Shift Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/45
- One UD Element, One Aspherical Element
- Air Sphere Coating
Venus Optics Laowa 180mm f/4.5 1.5x Ultra-Macro APO Lens (Canon EF)
- Full-Frame | f/4.5 to f/32
- Ultra-Macro Medium Telephoto Prime
- 1.5:1 Maximum Magnification
- 11.8" Min. Focus, 5.8" Working Distance
TTArtisan 100mm f/2.8 Macro Lens (Canon EF)
- Full-Frame | f/2.8 to f/22
- Telephoto Prime Lens
- 2x Magnification Factor
- Manual Focus Design
Venus Optics Laowa 25mm f/2.8 2.5-5X Ultra Macro Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/16
- One Extra-Low Dispersion Element
- 2.5:1 to 5:1 Magnification
Venus Optics Laowa 100mm f/2.8 2X Ultra Macro APO Lens for Canon EF (Auto Aperture)
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Two Low Dispersion Elements
- Maximum Magnification: 2:1
ZEISS Milvus 100mm f/2M ZF.2 Macro Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2 to f/22
- Two Low Dispersion Elements
- Planar Optical Design
AstrHori 120mm f/2.8 Full-Frame Macro Lens (Canon EF)
- Full-Frame | f/2.8 to f/22
- Macro Lens
- Maximum Magnification: 2:1
- Manual Focus Design
Venus Optics Laowa 15mm f/4 Macro Lens for Canon EF
- EF Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/32
- 1:1 Magnification Ratio; Internal Focus
- One ED & Three High-Refractive Elements
Pentax HD Pentax-D FA Macro 100mm f/2.8 ED AW (Black)
- K-Mount Lens/ Full-Frame Format
- Aperture Range: f/2.8-f/32
- Minimum Focus Distance: 5.1"
- ED and Anomalous Dispersion Elements
ZEISS Milvus 50mm f/2M ZF.2 Macro Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2 to f/22
- Planar Optical Design
- ZEISS T* Anti-Reflective Coating
Canon EF 100mm f/2.8L Macro IS USM Lens (Refurbished)
- Refurbished Products Have a Limited 1-Year B&H Warranty
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Ultra-Low Dispersion Element
ZEISS Milvus 100mm f/2M ZE Macro Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- Two Low Dispersion Elements
- Planar Optical Design
Canon TS-E 50mm f/2.8L Macro Tilt-Shift Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- Two UD Elements, One Aspherical Element
- Air Sphere and Subwavelength Coatings
TTArtisan 100mm f/2.8 Macro Lens (Nikon F)
- Full-Frame | f/2.8 to f/22
- Telephoto Prime Lens
- 2x Magnification Factor
- Manual Focus Design
Venus Optics Laowa 25mm f/2.8 2.5-5X Ultra Macro Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/16
- One Extra-Low Dispersion Element
- 2.5:1 to 5:1 Magnification
Venus Optics Laowa 15mm f/4.5 Macro Lens (Canon EF, Auto-Aperture)
- Full-Frame | f/4.5 to f/32
- Wide-Angle, Macro Prime
- Auto-Aperture Feature
- Manual Focus Design
Venus Optics Laowa 60mm f/2.8 2X Ultra-Macro Lens for Canon EF-Mount
- EF-Mount Lens/APS-C Format
- 96mm (35mm Equiv. on APS-C Format)
- Aperture Range: f/2.8 to f/22
- Magnification Range: 2.0x to 0.1x
Venus Optics Laowa 60mm f/2.8 2X Ultra-Macro Lens for Nikon F-Mount
- F-Mount Lens/DX Format
- 90mm (35mm Equiv. on DX Format)
- Aperture Range: f/2.8 to f/22
- Magnification Range: 2.0x to 0.1x
Rokinon 100mm f/2.8 Macro Lens for Canon EF
- EF Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One High Refractive Index Element
- One Extra-Low Dispersion Element
IRIX 150mm f/2.8 Macro 1:1 Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- Neutrino Coating
- 1:1 Magnification, 1.1' Minimum Focus
Rokinon 100mm f/2.8 Macro Lens for Nikon F
- F Mount Lens/FX Format
- Aperture Range: f/2.8 to f/32
- One High Refractive Index Element
- One Extra-Low Dispersion Element
The Importance of a Good Camera Lens
A good camera lens has a major impact on the quality of your photos. It gives even the most basic cameras the ability of producing great images. There are several important components to consider when shopping for a lens, including zoom capability, aperture size, focal length, quality of the glass, and more. If you’re still exclusively using the lens that came with your camera and want to improve your photography, it may be time to find out what other lenses can do for you.
Which lens is right for me?
It depends on what you’re shooting. Some common types of photography include panoramas, skyscapes, interiors, landscapes, candid family shots, portraits, sports and action, wildlife, and the night sky. Different subjects require different lenses. One important aspect to consider is focal length, which is the path the light travels on the way to your camera’s sensor. Generally speaking, big, wide scenes require lenses with shorter focal lengths, while more distant subjects require longer focal lengths. A zoom lens will allow you to use a single lens at a variety of focal lengths.
Here are various applications, and the lenses most ideally suited for them. Note that these examples use the focal length marked on the lens itself, or 35mm-equivalent. For some cameras – such as APS-C or m4/3 – you may need to apply a crop factor (see this Explora article for more information):
- For ultra-wide scenes, waterscapes, and skyscapes—a fisheye or ultra-wide angle lens with a focal length range between 8mm – 24mm
- For interiors, architecture, and general landscapes—a standard wide angle lens with a focal length range between 24mm – 35mm
- For environmental or full-length portraits, street photography, and travel—a standard lens with a focal length range between 35mm – 85mm (50mm is the most common)
- For portraits and candid shooting—a short telephoto lens with a focal length range between 85mm – 135mm
- For close sports and action—a medium telephoto lens with a focal length range between 135mm – 300mm
- For wildlife and more distant sports—a super telephoto lens with a focal length above 300mm
It’s not uncommon for versatile photographers to own multiple lenses. Check out Explora’s Purchasing Your Next Lens article for more information.


