Search results for: photography lighting understanding light shadow
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by Luke Rollins · Posted
Everyone and their mothers are in on the digicam trend, a fact reflected in the used-market prices found across most platforms. Facebook Marketplace, Craigslist, eBay, B&H Used--everywhere you look, the best-known models are selling for prices that often meet or exceed their debut MSRP.
Take that old favorite of mine, the Canon S95. Extraordinarily capable, exceedingly pocketable, I got it for a song ($130) back in 2023. Three years later, the going rate has more than tripled, with the average price sitting above $400 and pushing $500
by Luke Rollins · Posted
At first glance, studio photography and the compact camera may seem strange bedfellows. The type of work associated with the studio—still life, product photography, portraiture, macro photography—usually wants cameras with larger sensors and interchangeable lenses, especially in professional applications. Compact, point-and-shoot cameras, for their part, have their natural home in everyday, travel, nightlife, and street applications, where their discretion and size become virtues.
It might seem almost cruel to introduce the compact to the
by Luke Rollins · Posted
Achieving a standard of production value is an essential component of establishing a brand and growing a following. For part-time, burgeoning, and mid-level creators, it can feel like bridging that gap is less a matter of learned skill and more about the equipment you can afford.
In most cases, the problem isn’t budget at all. Acquiring the specific know-how can give your content professional sheen with little to no financial outlay.
Lighting design is arguably the most immediately visible production component—and the one most capable of
by Mathew Malwitz · Posted
Exposure can be challenging to master. There are many moving parts, and knowing which settings affect what aspect of our image takes time and practice. The goal might be to take full control and use manual exposure mode, but first, we need to learn the ropes using auto exposure modes.
These modes let us use our camera with a little help. As covered in our introduction to exposure article, photography consists of
by Mathew Malwitz · Posted
Let's face it: throwing a heavy camera over your shoulder can seem like a hassle, especially if photography isn't the main purpose of your trip. Those big mirrorless and DSLR cameras might stun with their incredible clarity, but not every outing calls for a "serious" camera. Still, there's a desire to capture fun photos, either for your own enjoyment, or to share with friends and family when you return.
Enter the bridge camera. Bridge cameras are an excellent, all-in-one solution for wildlife enthusiasts looking to capture images of their
by Mathew Malwitz · Posted
Through the cacophony of forest sounds, your ears home in on a buzzy, almost garbled ascending song. Perhaps you recognize it immediately, or maybe you need to confer with one of the trusty internet databases or apps. You train your eyes on the canopy, scanning for movement of any kind, when you see it: the cerulean warbler, a small rowdy songbird with wings slightly splayed from the body. Quickly, you lower your binoculars and train your camera on the little blue passerine before snapping a few frames.
The resulting photos clearly show the
by Mathew Malwitz · Posted
There’s an old adage that claims in order to be a wildlife photographer, you need a lot of time and a lot of money. This is only partly true. Many great wildlife photo opportunities can occur in urban parks and even in your own backyard, as long as we know what we’re doing. In this article, we’re going to cover a number of essential tips that will help you become a better wildlife photographer.
If you’ve read our introduction
by Mathew Malwitz · Posted
Most photos consist of a balance between bright and dark tones, creating what we typically consider to be “proper exposure.” In proper exposure, there should be ample detail in all areas of the image, no matter how dark or how bright. At least, that’s what we should do when trying to capture a balanced exposure.
Balance, while important to most photographic situations, is not always best for a scene. There are
by Mathew Malwitz · Posted
When photographing a wedding, we face a wide array of lighting conditions, ranging from bright sunlight to dimly lit interiors. Photographing in any of these scenarios is a challenging endeavor, with our exposures pushed to their limits and our post-processing routines shaken with heavy edits.
Many photographers opt to shoot with ambient lighting, and clients may prefer this style as well. Natural light has an organic look to it that flash seldom
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by Mathew Malwitz · Posted
If there’s one area of wildlife photography that challenges even some of the most consummate artists, it’s birds in flight. A dynamic flight shot shows action, and a bit of technical prowess. As you can imagine, capturing birds in flight is no easy feat.
To consistently capture these shots, one must be proficient with their gear and have a knowledge of animal behavior. We’d go as far as to say you need a bit of luck too, but what is luck if not preparedness meeting opportunity. In order to make the most of the opportunities that present
by Mathew Malwitz · Posted
When you first head out to take photos of wildlife, what’s the first thing you think of? If it’s not lighting, we’ve got news for you. Photography is, by definition, the capture of light on a light-sensitive surface. The word “photograph” is derived from Greek roots that translate to “drawing with light.”
We can have the most expensive camera and lens combo, but without good light, we’ll never get the most out of it. Understanding our primary light source and its many qualities is essential to improving as a wildlife photographer, and in this
by Mathew Malwitz · Posted
Photography is by definition, the capture of light on a light sensitive surface. That surface could be glass, tin, film, or a digital imaging sensor like those found in most modern cameras. The amount of light that reaches our light-sensitive surface is what we can define as exposure.
A good exposure will look accurate to life or the photographer's creative vision. It will maximize an images quality and
by Mathew Malwitz · Posted
If renowned landscape photographer Ansel Adams were alive today, he would surely be astounded at the variety of cameras available. When compared to his hulking 8x10 view camera, today’s cameras look like child’s play. He would also be flabbergasted at the image quality these little devices produce.
This year, we have a bottomless well of cameras
by Rebecca Melville · Posted
An on-camera flash is an indispensable accessory for many photographers. While it provides light to supplement dark conditions, an on-camera flash also allows you to achieve more balanced exposures in daylight conditions, permits freezing of fast-moving subjects, and can even be used to control other flash light sources. With so much to offer, an on-camera flash can become an integral part of your workflow, but where do you start? We are going to give you the on-camera flash rundown with everything you need to know to make the most of this